55 year old bbw
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A hyper-realistic attractive buxom 49-year-old East Asian woman with long, black hair and light freckles. She wears a small black pinstripe blazer with a large cut-out for her chest and midriff, braless, and a tight slitted pencil skirt, and high heels. She stands in a small crummy office. She is fed up with the tight clothes and busy hours and decides to make a change. She has the idea to rip her blazer apart, she reaches her hands up to the middle and begins pulling with all her might. She know this will probably get her fired, but she doesn't care. Nothing else matters but her take at the moment. Her task being to free herself from her overly tight blazer. The camera focuses on her hands as she pulls. She pulls harder and harder, the blazers fabric beings to rip, the sounds only make her pull harder and harder. She pulls harder and harder until there is a loud pop, her blazer relents and rips. She is free from her constraints, she puffs her chest out from her long hard fight
Neon ufo flying saucer hovering low over downtown Eugene, Oregon; the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining. The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog. the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces. the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops. they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out. the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape. the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too. The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars. Looking at the undercarriage from the underneath perspective, there is a large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air. The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.
Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening. the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining. The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog. the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces. the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops. they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out. the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape. the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too. The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars. Looking at the undercarriage from the underneath perspective, there is a large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air. The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.
Imagine a realistic picture of a 26-year-old woman who is sitting on a beautiful beach as the sun sets. She has long, wavy blonde hair that shines in the warm light of the setting sun. Some of her hair is tucked under a cool straw hat, which makes her look stylish and keeps her face shaded. She’s wearing sunglasses that reflect the colors of the sunset—like oranges, pinks, and purples. Even though you can’t see her eyes, they are described as being a pretty blue-green color. Her face is very smooth and naturally beautiful, with just a little bit of makeup that makes her skin look even more perfect. She’s sitting in the soft sand with one leg stretched out and the other bent. She looks really relaxed but still elegant, like she’s enjoying the peacefulness of the beach. The background shows the clear, blue-green water of the sea, gently moving against the shore, with a palm tree swaying in the distance. The sky is full of colors from the sunset, making everything look warm and calm. The picture should make you feel the peaceful and beautiful atmosphere of the beach, with a lot of attention to how her hair moves in the breeze, how the light falls on her skin, and the reflections in her sunglasses. The focus is on her calm and graceful presence, making it a very realistic and detailed scene.
Imagine a realistic picture of a 26-year-old woman who is sitting on a beautiful beach as the sun sets. She has long, wavy blonde hair that shines in the warm light of the setting sun. Some of her hair is tucked under a cool straw hat, which makes her look stylish and keeps her face shaded. She’s wearing sunglasses that reflect the colors of the sunset—like oranges, pinks, and purples. Even though you can’t see her eyes, they are described as being a pretty blue-green color. Her face is very smooth and naturally beautiful, with just a little bit of makeup that makes her skin look even more perfect. She’s sitting in the soft sand with one leg stretched out and the other bent. She looks really relaxed but still elegant, like she’s enjoying the peacefulness of the beach. The background shows the clear, blue-green water of the sea, gently moving against the shore, with a palm tree swaying in the distance. The sky is full of colors from the sunset, making everything look warm and calm. The picture should make you feel the peaceful and beautiful atmosphere of the beach, with a lot of attention to how her hair moves in the breeze, how the light falls on her skin, and the reflections in her sunglasses. The focus is on her calm and graceful presence, making it a very realistic and detailed scene.
Albino, big eyes, wide smile, pale woman, horse snout for a nose, horse face, 30 years old, wrinkly face, eyes very far apart, protruding eyeballs, long pointy witch nose, nose pointed downwards, bald headed, bulbous oversized alien head, wide Alien head shape, huge alien head, massive alien head, bald headed, sparkling light blue eyes, woman, age 30, long neck, oily face, evil smile, NO eyebrows, seahorse face, deep eyes, bags under eyes, long jaw, cleft chin, cheek bones, wrinkly forehead, eyes nearly on the side of head, wide collar bone, big teeth, large teeth, very narrow neck, long neck
{ "prompt": "A detailed, hand-painted portrait of a stylish 52-year-old socialite named Ramona. She has chin-length, elegantly coiffed dark hair with subtle highlights and warm, smooth skin. She is shown from the shoulders up, wearing a flowing, pastel silk robe with a gentle shimmer, along with tasteful, understated jewelry such as a thin gold necklace and small pearl earrings. Her expression is warm and confident, with a subtle, welcoming smile. The setting behind her is softly out-of-focus, perhaps with the suggestion of a refined interior space—muted colors, gentle lighting, and vague outlines of decorative elements. The overall style is elegant, refined, and realistic, with careful attention to lighting, texture, and color, evoking a sense of quiet luxury and poised sophistication." }
Create a detailed backstory and personality profile for a 25-year-old female leader. She is empathetic, intelligent, and dynamic, balancing professional leadership with personal authenticity. Expand on the following aspects: Early Life: Describe her upbringing, focusing on events that shaped her empathy and drive. Include challenges she faced (e.g., growing up in a divided or struggling community) and how they instilled a deep desire to bring people together. Education and Career Path: Highlight her intellectual curiosity and the fields she pursued (e.g., environmental science, sociology, or conflict resolution). Detail her achievements, such as spearheading innovative community projects or technological breakthroughs aimed at sustainability or social equity. Core Personality Traits: Empathy: She actively listens and connects with others, making even the most marginalized individuals feel heard. Resilience: Despite obstacles, she maintains optimism and persistence, believing that progress comes from collective effort. Pragmatic Idealism: While she dreams big, her solutions are grounded in practicality, ensuring actionable results. Charismatic Leadership: Her authenticity draws others to her cause, but she values teamwork over personal glory. Philosophies and Beliefs: She believes in the interconnectedness of all life, balancing progress with respect for nature and humanity. Her motto: “We thrive together or not at all.” This fuels her mission to unify people across divides. Turning Point: Develop a pivotal moment that pushed her into leadership—perhaps a local crisis where her actions inspired others and cemented her role as a unifier. Show how this moment revealed her ability to mediate conflicts, implement innovative solutions, and empower others. Current Mission: She is now tackling a global or societal challenge (e.g., addressing climate change, combating misinformation, or healing fractured communities). Detail her approach: using technology responsibly, fostering collaboration, and bridging gaps between opposing groups. Personal Side: Include details that humanize her, such as hobbies (e.g., gardening, painting, or hiking) and her quiet moments of reflection. Explore relationships that influence her journey—mentors, friends, or even antagonists who challenge her beliefs. Make her story inspiring, grounded in reality but with an aspirational quality. Avoid clichés, focusing on originality and relevance to contemporary global issues.