a tall thin beautiful

A tall thin beautiful russian woman with long black hair (seen from the side) she looks really happy, wearing jean shorts, a white top, and ((WHITE)) gianvito Rossi pointy toe high heel pumps ((BARE LEGS)), SITTING IN A HOME OFFICE, sunlight shining

Beautiful woman, long black hair with blue highlights, dark blue eyes, ultra detailed eyes, glowing eyes, black crop top, long black pants, view from below.

A full body hyper-realistic portrait of a beautiful curvy pale woman with long black hair, green almost golden eyes, scar on her chest and bottom cheek to lip, round face and a button nose, wearing a floor-length dark red 1800's dress

Enhance the beautiful woman  with long black hair and blue eyes, boobs 34 CC, hip 36, Kurdish or Ukrainian looks, other sexy western dresses multiple pictures with AI generated friends relatives etc.   looking like real human 

(im a 25-year-old male human with long black hair brown eyes and long black beard and i have a scar from my left eye to the left side of my face and my name is Hector maverick and i am wearing a black vest and black pants and black boots and black gloves and glasses and I'm very muscular my biological mother kiva is a powerful and feared demoness and I'm half demon and I have a pet king cobra name venom)

3d toon art artistic, deep, rich, art of African American woman sitting wearing a baby pink hoodie with WB on the front of hoodie, with huge curly twisted afro hair, with baby Pink jeans, and high heel black shoes in living room

Extremely toned and athletic, he has large muscles over his body and stomach in particular. Inosuke is usually seen without a shirt, and with only a baggy hakama pants wardrobe. With a large pelt of dark animal fur fastened around the legs. Arm wrappings fastened to his sandals by what seems to be a knee-high fuzzy mask that reveals his feet and legs. He has, though, a pretty face and feminine features, in contrast to his frame. Childish looking face with thin eyebrows, nose and lips He has long thick eyelashes covering his wide eyes with violet irises decorated with jade. He has long black hair fading into a dark ocean blue hue that reaches down to his shoulders.

A full body detailed hyper-realistic portrait of a beautiful curvy pale woman with long black hair, green almost golden eyes, scar on her chest and bottom cheek to lip, round face and a button nose

A hyper-realistic portrait of a beautiful curvy pale woman with long black hair, green almost golden eyes, scar on her chest and bottom cheek to lip, round face and a button nose

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

Woman long black hair

Classically beautiful woman with long, curly red hair and short black strand of hair, very modest and discreet eyeliner, red lips, deep green eyes, fierce expression, slim face with straight, sharp nose, pointy chin, wearing a plain blue leather top with V-shaped cleavage, blue shoulderpads, showing full head

Classically beautiful woman with long, curly ginger hair and short black strand of hair, very modest and discreet eyeliner, no makeup, red lips, deep green eyes, fierce expression, slim face with straight, sharp nose, pointy chin, wearing a plain blue skintight sleeve with cleavage, blue shoulderpads, showing full head