a very cute black

A tiny 2 year old girl with a big smile with bunny teeth and dimples. Her eyes are big but her eyebrows are thin. Her hand was held gently under her chin, adding to her sweet and innocent demeanor. Her black hair is very thin and styled in two upwards pigtails, each decorated with a colorful ribbon. She wore a pink top with ruffled sleeves and a brown skirt tied with a ribbon. Cartoon.

Sandpix could have a sleek, aerodynamic body resembling a small, swift bird like a sandpiper, but with a unique twist. Its feathers are a blend of sandy beige and pale blue, giving the illusion of dust and wind swirling around it. Its wings could be slightly translucent, almost like they're made of the very air it manipulates, with tiny specks of glittering sand embedded in them that shimmer as it moves. Its eyes are large and bright, with a mischievous glint, reflecting its feisty nature. The beak is sharp and pointed, perfect for pecking at intruders, and the legs are sturdy, ending in sharp talons that it uses to dig into the ground when it's standing its ground. Sandpix might have a tuft of feathers on its head that stands up when it’s agitated, much like a crest, and a long tail feather that it uses to whip up tiny whirlwinds of sand. Its overall size could be comparable to a small sparrow, making it deceptively small but packed with attitude.

A very cute peacock in the shape of a dumpling with cute eyes and a black top hat

Create an image of a small, cute, grass-type Fakemon based on a wild boar. It has a robust body covered in short, green fur resembling leaves. It has a small, strong head with short tusks that look like little branches. Its eyes are large and lively with a curious expression. It has short but sturdy legs adapted for digging and foraging, and a short, bushy tail with tiny leaves growing from the tip. Small green flowers can grow on its back when it's happy. It should appear energetic and loyal.

Albino, extremely tiny eyes, wide smile, pale woman, horse snout for a nose, horse face, 50’s, wrinkly face, eyes very far apart, protruding eyeballs, long pointy witch nose, nose pointed downwards, bald headed, bulbous oversized alien head, wide Alien head shape, huge alien head, massive alien head, bald headed, sparkling light blue eyes, woman, age 50, long neck, oily face, evil smile, NO eyebrows, seahorse face, deep eyes, bags under eyes, long jaw, cleft chin, cheek bones, wrinkly forehead, eyes nearly on the side of head, wide collar bone, big teeth, large teeth, very narrow neck, long neck

Slim, young girl with wavey lightbrown-ginger uder hips long hairs. Grey-green eyes, more grey then green. His eyes are a little more detached. Face a more elongated, narrow. Jaws sides very narrow. Bigger nose. Three-quarter view. Pale lips. The girl is naked. No pants. Kneeling on all fours and spreading his legs. Her body is shorten. Legs are long. She is in dark bedroom with a dark grey walls. Bed is from a oak wood covered by black pillow and black blanket. Wooden floor. There is a single lamp in a corner of the room.

Water and fighting type, shark, headband, tiny, cute, black, blue

Bipedal, pink Pokémon with a chubby, vaguely star-shaped body. A small, pointed tooth protrudes from the upper left corner of its mouth. It has wrinkles beside its black, oval eyes, a single dark pink oval marking on each cheek, and large, pointed ears with brown tips. A tuft of fur curls over its forehead, much like its large, upward-curling tail. Each stocky arm has two small claws and a thumb on each hand, and both feet have a single toenail. There is a pair of tiny, butterfly-shaped wings on its back.

A cute emo japanese, small, black hair, very small eyes, fat, obese, fat face, double chin, puffy cheeks

A very cute light grey baby water/ice type pig with orange coloured parts on its body (including ears) and ice on its head.

A very cute light grey baby water/ice type pig with orange parts on its body (including ears) and ice on its head.

Tall and imposing, Kylanus has a handsome and rugged appearance marked by battle scars that tell tales of countless confrontations that he covers with tattoos. His piercing eyes are brown with flects of red seem to hold unspoken stories, while his dark hair often falls messily around his face. A constant shadow seems to follow him, adding an air of mystery to his presence. He has large black feathered wings, which he flexes, but can also hide. Often wearing fighting leathers. He is tall, and a mountain of muscle. He is very attractive. He has many tattoos on him, including a black snake coiled around his arm.  

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.