Actúa como el mejor
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Diseñador top. Crea 1 imagen compuesta 4x2 con 8 variantes de camisetas de básquet femenino (maxi30). Paleta: #C62828, #FF6F61, #F8C1D0 (acento), #000000, #FFFFFF. Cada celda: torso/maniquí frontal 10° rotación, patrón de tela distinto (micro-mesh, jacquard honeycomb, pinstripe, degradado brush, chevrons, block ripstop, pique, rayas retro), swatch close-up, número "10", placeholder "LOGO", cortes variados (sleeveless, racerback, cap sleeve), photoreal 3D, studio lighting, sin watermark. Incluir micro-leyenda con nombre de variante y HEXs.

Fotografía científicamente precisa y ultra realista de un Mamenchisaurus (saurópodo jurásico) cuerpo entero en un bosque húmedo del Jurásico (estilo China), tomada en luz natural de día clara. Mostrar la característica más notable: cuello extremadamente largo, en una suave curva natural levantada (proporción cuello ≈ mitad del largo total), cabeza pequeña y alargada, cuerpo largo y robusto con patas columnares bien proporcionadas. Piel escamosa con textura fina, tonos naturales gris-oliva, beige y marrón suave, patrón sutil no llamativo. Postura tranquila y majestuosa, de perfil o tres cuartos para mostrar longitud del cuello y cola completa. Vegetación: helechos altos, coníferas y niebla ligera en el fondo, suelo con hojarasca y humedad. Composición fotográfica: 50mm-85mm equivalente, f/5.6, ligera profundidad de campo (sujeto nítido, fondo suavemente desenfocado), color grading natural, 8k ultra-detalle. Instrucciones de fidelidad: anatomía basada en evidencia fósil, sin exageraciones musculares, sin plumas (saurópodo), sin elementos fantásticos. NEGATIVO: no texto, no marcas de agua, no humanos, no objetos modernos. --ar 1:1 --style raw --v 6

Una hermosa escena tropical al atardecer con una vista despejada del océano Caribe en el horizonte. El cielo muestra un degradado vibrante de tonos cálidos, desde un rojo anaranjado intenso en la parte superior hasta un amarillo suave cerca del horizonte. La vegetación en primer plano es exuberante, con plantas tropicales de hojas grandes y flores exóticas en tonos blancos y rojos. A la izquierda, hay altas palmeras cocoteras con hojas largas y arqueadas, mientras que a la derecha se observan árboles de almendra y frondosos manglares. En el centro, una bandera de República Dominicana ondea sutilmente sobre una cabaña de techo de palma, evocando la arquitectura típica de las playas dominicanas. La arena dorada de la playa se mezcla con el agua azul turquesa, reflejando el resplandor del sol y mostrando una pequeña embarcación pesquera tradicional, como las que se ven en Bayahibe o Samaná. En el fondo, se aprecian montañas verdes, recordando la majestuosidad de la Cordillera Central. La imagen debe ser colorida, detallada y con un estilo semi-realista, capturando la esencia vibrante, cálida y auténtica de República Dominicana, con una composición armoniosa y equilibrada. En el medio de la composición debe estar un podio para colocar mis productos

🎬 Roteiro de Imagens — Parábola dos Talentos (Mateus 25:14–30) Cena 1 – O homem antes da viagem 📖 Versos 14–15 🖼️ Descrição da imagem: Um homem rico, vestido como um senhor da antiguidade, chama três servos diante dele. Há bolsas de moedas de ouro sobre uma mesa. Ele entrega cinco talentos a um servo, dois a outro e um a outro, conforme a capacidade de cada um. 💡 Ambiente: casa antiga com colunas de pedra, roupas típicas do Oriente Médio. Cena 2 – O servo dos cinco talentos trabalhando 📖 Verso 16 🖼️ Descrição da imagem: O primeiro servo investe e negocia. Ele está em um mercado, trocando moedas, comprando e vendendo com sabedoria. 💡 Mostra ação, confiança e produtividade. Cena 3 – O servo dos dois talentos também trabalha 📖 Verso 17 🖼️ Descrição da imagem: O segundo servo, com atitude semelhante, aplica seus talentos e também prospera. Ele sorri enquanto pesa moedas em uma balança. 💡 Transmite fidelidade e esforço. Cena 4 – O servo do um talento escondendo o dinheiro 📖 Verso 18 🖼️ Descrição da imagem: O terceiro servo olha em volta com medo, cava um buraco no chão e esconde o talento dentro. 💡 Atmosfera de medo e desobediência. Cena 5 – O retorno do senhor 📖 Verso 19 🖼️ Descrição da imagem: O senhor volta de viagem. Os três servos se aproximam para prestar contas. O clima é solene, o senhor está sentado em sua cadeira de julgamento. 💡 Ambiente formal, expressão de autoridade. Cena 6 – Os servos fiéis apresentando seus resultados 📖 Versos 20–23 🖼️ Descrição da imagem: Os dois primeiros servos mostram suas moedas multiplicadas. O senhor sorri e estende as mãos, abençoando-os. 💡 Cena alegre, luz suave, sensação de recompensa. Cena 7 – O servo infiel justificando-se 📖 Versos 24–25 🖼️ Descrição da imagem: O terceiro servo, com medo, segura o talento e fala com o senhor. O senhor o observa com olhar severo. 💡 Contraste claro entre o servo temente e o senhor justo. Cena 8 – O julgamento e a punição 📖 Versos 26–30 🖼️ Descrição da imagem: O senhor ordena que o talento seja tirado do servo inútil e dado ao que tem dez. O servo é levado embora, para fora, nas trevas — representadas com sombras e tristeza. 💡 Tom dramático, expressando o “choro e ranger de dentes”. Cena 9 – A lição final 🖼️ Descrição da imagem (opcional para ensino): Uma ilustração simbólica mostrando os talentos multiplicados como dons de Deus sendo usados com alegria.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening. the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining. The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog. the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces. the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops. they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out. the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape. the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too. The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars. Looking at the undercarriage from the underneath perspective, there is a large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air. The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.

Neon ufo flying saucer hovering low over downtown Eugene, Oregon; the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining. The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog. the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces. the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops. they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out. the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape. the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too. The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars. Looking at the undercarriage from the underneath perspective, there is a large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air. The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening. the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining. The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog. the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces. the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops. they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out. the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape. the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too. The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars. Looking at the undercarriage from the underneath perspective, there is a large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air. The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.

Una joven de 18 años latina, de estatura baja (1.60 m) . Su piel es muy clara y su cabello castaño oscuro, largo y liso, el cabello descrito cubre su cara, sus ojos cerrados. respeta el rosotro de las fotos, que tenga exactamente el mismo rasgo facial como si fuera ella, se combinan las imagenes para crear una chica dormida, sus piernas se ven anchitas, zapatillas deportivas, todo su pelo por encima de su rostro

Crie um cartaz cristão e solidário para uma campanha de arrecadação de alimentos. O cartaz deve ter um visual alegre, acolhedor e inspirador, com cores quentes e elementos como cestas de alimentos e texto da impotência da doação Texto no cartaz: 🕊️ Campanha Solidária – Arrecadação de Alimentos “Sua doação alimenta vidas e espalha amor!” ❤️ 📍 Local: Igreja Comunidade Evangélica Maanaim 📅 Período: Durante todo o mês Doe alimentos não perecíveis e participe dessa corrente de amor! (Deixe espaço para adicionar data e endereço depois.) Estilo moderno, com tipografia legível e destaque para a mensagem principal. Ideal para redes sociais e impressão.










