Anthropomorphic furry character, black

Deer, black and white, rainbow color dripping

Emotion furry art, black and white, random burst of rainbow color

A cartoony, anime-style furry character with a mix of kangaroo and bunny traits. They have droopy ears, an upset expression, and rainbow-colored eyes. The character is bipedal with strong kangaroo legs, a long tail, and a purple body with a large grey X on their chest. The lighting is soft to highlight their colors and emotions.

A cartoony, anime-style furry character with a mix of kangaroo and bunny traits. They have droopy ears, an upset expression, and rainbow-colored eyes. The character is bipedal with strong kangaroo legs, a long tail, and a purple body with a large grey X on their chest. The lighting is soft to highlight their colors and emotions.

Lets re-imagine a turtle neck for winter. not too thick on the neck. we use dark nude colors includinng wine, dark brown, dark beige, dark white, black, dark blue etc.. it should fit to the body but no too tight. it should a have zippable square pocket made of a different material, like leather or a soft fabric, a stand out peace, or track suit material. the turtle neck should be a mixture of cotton and polyester or wool and polyster, or cashmere and polyster, all with a mix of elastan to make it a bit stretchy and hold it form. make it a quarter zipper for men keep the same design

Lets re-imagine a turtle neck for winter. not too thick on the neck. we use dark nude colors includinng wine, dark brown, dark beige, dark white, black, dark blue etc.. it should fit to the body but no too tight. it should a have zippable square pocket made of a different material, like leather or a soft fabric, a stand out peace, or track suit material. the turtle neck should be a mixture of cotton and polyester or wool and polyster, or cashmere and polyster, all with a mix of elastan to make it a bit stretchy and hold it form.

“Create a full-body 2D drawing-style cartoon character resembling Martin Ødegaard. Bold outlines, flat colors, simple 2D shading, NOT 3D. Neutral standing pose with arms slightly away from the body, legs slightly apart. Keep his real facial features in cartoon form: light skin tone, sharp jawline, short blond hair swept back. Give him a confident but slightly dramatic expression. Outfit: red and white football jersey with number 8. Nigerian comedy cartoon exaggeration. Transparent background PNG. 2D illustration, vector-friendly, clean lines.” Make sure his hair is described as: “short blond hair swept back” Because that’s Ødegaard’s most recognizable feature.

“Create a full-body 2D drawing-style cartoon character resembling Bukayo Saka. Bold outlines, flat colors, simple shading, NOT 3D. Neutral pose with arms slightly away from body, legs apart. Short curly black hair, youthful cartoon face, dark skin tone. Red and white jersey with number 7. Nigerian comedy style. Transparent background PNG. 2D illustration, vector-friendly, no 3D shading.”

Make a logo for a hockey team named Raptors The primary color is orange and other colors are black and white Do not use any other color

Make a logo for a hockey team named Ducks The primary color is red and other colors are black and white Do not use any other color

Creat an image of a weathered, grizzled African American fishing boat captain, from the waist up, in ruggedly worn black fishing gear, worn denim jeans, faded black and white striped shirt, scuffed and faded black rubber boots, bushy white eyebrows, worn and weathered captain's hat, thick white beard, gruff expression, standing on an upscale beach resort boardwalk on the Florida Gulf Cost, distant lighthouse standing tall, salty sea air filling the atmosphere, soft, warm sunlight casting a gentle glow, cinematic lighting, highly detailed textures, realistic style, reminiscent of classic Floria coastal resort towns, evoking a sense of rugged individualism and maritime tradition, masterful use of earthy tones and muted colors, subtle play of light and shadow, atmosphere charged with the smell of saltwater and the sound of seagulls, meticulously rendered details, from the worn stitching on the captain's hat, inviting the viewer to step into the serene, yet rugged world of the fishing boat captain.

Creat an image of a weathered, grizzled African American fishing boat captain, from the waist up, in ruggedly worn black fishing gear, worn denim jeans, faded black and white striped shirt, scuffed and faded black rubber boots, bushy white eyebrows, worn and weathered captain's hat, thick white beard, gruff expression, standing on a worn, weathered boardwalk, rustic wooden railings, old fishing nets and lines strewn about, seagulls flying overhead, gray and white sea foam crashing against the shore, distant lighthouse standing tall, faded signs and buoys dotting the boardwalk, salty sea air filling the atmosphere, soft, warm sunlight casting a gentle glow, cinematic lighting, highly detailed textures, realistic style, reminiscent of classic New England coastal towns, evoking a sense of rugged individualism and maritime tradition, masterful use of earthy tones and muted colors, subtle play of light and shadow, atmosphere charged with the smell of saltwater and the sound of seagulls, meticulously rendered details, from the worn stitching on the captain's hat to the rusty hinges on the boardwalk railings, inviting the viewer to step into the serene, yet rugged world of the fishing boat captain.

Anthropomorphic deer, black and white, ran bow color dripping from them

Across the image in bold distressed font that’s stylish that reads “Live music tracking with me, Friday, April 11th at 6:00 PM (CDT)”  This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room.   The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption.  At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation).  A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity.  To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking.  To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones.  To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal.   Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.

Across the image in bold distressed font that’s stylish that reads “ Live music tracking with me, Friday at 6:00 PM (CDT)” This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room.  The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption. At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation).  A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity.  To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking. To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones. To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal.  Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.

Across the image in bold distressed font that’s stylish that reads “ Live music tracking with me, Friday at 6:00 PM (CDT)” This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room.  The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption. At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation).  A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity.  To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking. To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones. To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal.  Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.