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Create an emotional and deeply spiritual painting of Haridas Ji, a 30-year-old devotee and devoted follower of Lord Hari, sitting in a meditative pose. Haridas Ji is shown wearing a simple white loincloth, symbolizing his ascetic lifestyle. He holds a japa mala in one hand, his fingers moving slowly on the mala and he is completely immersed in the meditation of God, chanting the holy names. His head is completely shaven, and a distinct Vaishnava tilak is marked on his forehead, the holy symbols of Vaishnava religion on his lean, youthful body, which enhances his aura of devotion. Despite his young age, Haridas Ji's face is calm, yet his eyes are filled with tears of devotion remembering God. The background should be a rustic grass hut, perhaps a hut, a room with natural light or a natural setting that emphasizes his solitude and meditation. The overall atmosphere should be one of deep feeling of devotion, purity and spiritual surrender."

A painting of Haridas Ji, a devotee and devoted follower of Lord Hari, sitting in a meditative pose. Haridas Ji is shown wearing a simple white loincloth, which symbolizes his ascetic lifestyle. He has a lean body, innocent and emotional face. He is holding a japa mala in one hand, his fingers are moving slowly on the mala and he is completely immersed in the meditation of God, chanting the holy names. His head is completely shaven, and his forehead is adorned with a distinct Vaishnava tilak, the holy symbol of Vaishnavism, on his lean, young body, which enhances the aura of his devotion. Despite his young age, Haridas Ji's face is calm, yet his eyes are filled with tears of devotion remembering God. In the background is a small thatched hut, with light from outside entering the hut, softly illuminating Her figure, highlighting Her beautiful face and the tears on Her cheeks. The overall atmosphere conveys a deep feeling of devotion.

A painting of Haridas Ji, a devotee and devoted follower of Lord Hari, sitting in a meditative pose. Haridas Ji is shown wearing a simple white loincloth, which symbolizes his ascetic lifestyle. He has a lean body, innocent and emotional face. He is holding a japa mala in one hand, his fingers are moving slowly on the mala and he is completely immersed in the meditation of God, chanting the holy names. His head is completely shaven, and his forehead is adorned with a distinct Vaishnava tilak, the holy symbol of Vaishnavism, on his lean, young body, which enhances the aura of his devotion. Despite his young age, Haridas Ji's face is calm, yet his eyes are filled with tears of devotion remembering God. In the background is a small thatched hut, with light from outside entering the hut, softly illuminating Her figure, highlighting Her beautiful face and the tears on Her cheeks. The overall atmosphere conveys a deep feeling of devotion.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.