Colorful word Strategy on

Need a horizontal photo of a nice background where its an desk and coffee and pen with the words Content Strategy letters on the wall with different colors and let the words/letters be at the bottom of the wall where you can see them going straight across the wall in a line not stacked on top of eachother. Make sure that they are at the bottom of the wall.

Need a horizontal photo of a nice background where its an desk and coffee and pen with the word Strategy letters on the wall with different colors and let the words/letters be at the bottom of the wall where you can see them going straight across the wall in a line

Need a horizontal photo of a nice background where its an desk and coffee and pen with the words Content Strategy letters on the wall with different colors and let the words/letters be at the bottom of the wall where you can see them going straight across the wall in a line

Need a horizontal photo of a nice background where its an desk and coffee and pen with the words Ultimate Content Strategy Bundle letters on the wall with different colors and let the words/letters be at the bottom of the wall where you can see them going straight across the wall in a line

Need a horizontal photo of a nice background where its an desk and coffee and pen with the words Ultimate Content Strategy Bundle letters on the wall with different colors and let the words/letters be at the bottom of the wall where you can see them

Need a horizontal photo of a nice background where its an desk and coffee and pen with the words Ultimate Content Strategy Bundle letters on the wall with different colors.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Create a pixel art sprite sheet of a medieval monk character in a game style. The monk should wear a traditional brown robe with a rope belt, simple sandals, and a hood partially covering his face so that his facial features are visible but slightly hidden. The art style should be 16x16 or 32x32 pixels, retro and consistent across all frames, with a transparent background. Animations required: - Idle: 1–2 frames, the monk standing calmly, slightly breathing or robe moving subtly. - Walking: 2–3 frames, simple walking cycle with the robe moving slightly as he steps. - Jumping: 2–3 frames, monk bending knees then leaping upwards with robe flowing. Keep the proportions consistent, emphasize a cozy medieval atmosphere, and make sure the monk looks peaceful but mysterious.

Need a photo of a estheticians booking calendar filling up and getting booked out. A pretty nice rose gold calendar booked with appointments for facials, acne treatments, skincare with a ladies hands holding the calendar to where everyone looking at the photo can see it

Fox-Owl Hybrid: A mysterious creature combining the cunning of a fox with the wisdom of an owl. It has the slender body and bushy tail of a fox, but its head is that of an owl, with large, glowing eyes that can see in the dark. Its wings are silent as it glides through a moonlit forest, hunting with precision.

Pixel art, top-down view, 2D game-ready scene, small forest cabin interior, dark and cozy atmosphere, shadows covering most of the room, dark wooden floorboards, rustic and slightly worn style, subtle cozy horror vibe, soft outlines, readable pixel art, scene-focused, not tile-ready, background only, no furniture with walls, floor, door frame without door, window without lightning, somewhat abandoned and partially falling apart but still livable

Deep within the human body, a microscopic battle rages in the gut. The courageous gut microbes, depicted as soldiers, are engaged in their daily mission: digestion. The scene opens with a sweeping view of the intestinal landscape, bustling with activity. Water-soluble vitamins, characterized as elite marines, gear up for their swift journey. They launch themselves off the intestinal walls, darting through the blood vessels like jets, seamlessly entering the bloodstream to serve their vital functions. Only one named Gran has a confidence issue and doesn’t believe it is ready to fly. The others tease him all except one named Flash who tells Gran the key to his understanding lies in the O between the towers.(H2O). After meditating and calming it appears to Gran that he is made of a chemical reaction that can’t be replicated. And that fact alone generates enough confidence for him to blast off with all the power he imagines would happen if one tried to create water but actually makes an explosive.All of the other water solubles follow in awe. Meanwhile, the fat-soluble vitamins take a more cautious approach. They gather in the small intestine, waiting for the right moment to make their move. The gall bladder, portrayed as a stern drill sergeant, prepares them with fat and bile, hazing them before they can proceed. As the scene unfolds, tension builds as the vitamins undergo rigorous tests and preparation before their absorption. Finally, after an intense training montage, the fat-soluble vitamins are ready to be absorbed. They navigate the jejunum and ileum, successfully packaging themselves into chylomicrons, the fat-protein carriers. As they exit the intestinal battlefield, they are transported through the lymphatic system, embarking on a new adventure. The story concludes with a triumphant scene of vitamins celebrating their successful journey, highlighting the intricate and vital role they play in overall health.

Deep within the human body, a microscopic battle rages in the gut. The courageous gut microbes, depicted as soldiers, are engaged in their daily mission: digestion. The scene opens with a sweeping view of the intestinal landscape, bustling with activity. Water-soluble vitamins, characterized as elite marines, gear up for their swift journey. They launch themselves off the intestinal walls, darting through the blood vessels like jets, seamlessly entering the bloodstream to serve their vital functions. Only one named Gran has a confidence issue and doesn’t believe it is ready to fly. The others tease him all except one named Flash who tells Gran the key to his understanding lies in the O between the towers.(H2O). After meditating and calming it appears to Gran that he is made of a chemical reaction that can’t be replicated. And that fact alone generates enough confidence for him to blast off with all the power he imagines would happen if one tried to create water but actually makes an explosive.All of the other water solubles follow in awe. Meanwhile, the fat-soluble vitamins take a more cautious approach. They gather in the small intestine, waiting for the right moment to make their move. The gall bladder, portrayed as a stern drill sergeant, prepares them with fat and bile, hazing them before they can proceed. As the scene unfolds, tension builds as the vitamins undergo rigorous tests and preparation before their absorption. Finally, after an intense training montage, the fat-soluble vitamins are ready to be absorbed. They navigate the jejunum and ileum, successfully packaging themselves into chylomicrons, the fat-protein carriers. As they exit the intestinal battlefield, they are transported through the lymphatic system, embarking on a new adventure. The story concludes with a triumphant scene of vitamins celebrating their successful journey, highlighting the intricate and vital role they play in overall health.

Deep within the human body, a microscopic battle rages in the gut. The courageous gut microbes, depicted as soldiers, are engaged in their daily mission: digestion. The scene opens with a sweeping view of the intestinal landscape, bustling with activity. Water-soluble vitamins, characterized as elite marines, gear up for their swift journey. They launch themselves off the intestinal walls, darting through the blood vessels like jets, seamlessly entering the bloodstream to serve their vital functions. Only one named Gran has a confidence issue and doesn’t believe it is ready to fly. The others tease him all except one named Flash who tells Gran the key to his understanding lies in the O between the towers.(H2O). After meditating and calming it appears to Gran that he is made of a chemical reaction that can’t be replicated. And that fact alone generates enough confidence for him to blast off with all the power he imagines would happen if one tried to create water but actually makes an explosive.All of the other water solubles follow in awe. Meanwhile, the fat-soluble vitamins take a more cautious approach. They gather in the small intestine, waiting for the right moment to make their move. The gall bladder, portrayed as a stern drill sergeant, prepares them with fat and bile, hazing them before they can proceed. As the scene unfolds, tension builds as the vitamins undergo rigorous tests and preparation before their absorption. Finally, after an intense training montage, the fat-soluble vitamins are ready to be absorbed. They navigate the jejunum and ileum, successfully packaging themselves into chylomicrons, the fat-protein carriers. As they exit the intestinal battlefield, they are transported through the lymphatic system, embarking on a new adventure. The story concludes with a triumphant scene of vitamins celebrating their successful journey, highlighting the intricate and vital role they play in overall health.