Create a detailed, photorealistic

A cracked and weathered wooden icon depicting the Black Madonna of Częstochowa, with faded gold leaf trim and scorch marks across the surface. The painting shows the dark-skinned Madonna with a delicate crown, worn and chipped paint revealing wood underneath. The edges of the panel are charred and blackened, with a faint glow of incense smoke lingering in the air. The style is photorealistic, capturing both reverence and the damage of war.

A realistic figurative oil or acrylic painting of a lively seaside market in Accra, Ghana, capturing the warmth and vibrancy of local life. The scene shows vendors and shoppers interacting around stalls filled with cocoa pods, shea nuts, shea butter, and tropical fruits, arranged in woven baskets and wooden carts. In the background, the Atlantic Ocean glimmers under tropical sunlight, with palm trees, fishing boats, and a red-and-white lighthouse standing near colonial-style buildings on the shore. The composition should include natural human poses and expressions, with richly detailed fabrics, sunlit skin tones, and realistic shadows. The painting style should reflect oil or acrylic realism, featuring visible brushstrokes, layered texture, and warm golden light that conveys the dynamic atmosphere of an authentic Ghanaian coastal market.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

A beautifully painted realism scene of a lively seaside market in Accra, Ghana, blending local culture and coastal scenery. The scene shows vibrant market activity near the ocean, with vendors selling cocoa pods, shea nuts, and shea butter arranged in wooden wheelbarrows and woven baskets. The seaside background features gentle blue waves, fishing boats, palm trees, and a red-and-white lighthouse on rocky cliffs, with colonial-style buildings in the distance. People wear colorful traditional Ghanaian fabrics, illuminated by warm tropical sunlight. The painting style should resemble richly textured oil or acrylic brushwork, with soft blending, vivid colors, and expressive detailing — capturing movement, warmth, and atmosphere. The composition should feel dynamic, authentic, and culturally vibrant, harmonizing the earthy tones of the market with the cool blues of the sea. the sea should be on the left side

A beautifully painted realism scene of a lively seaside market in Accra, Ghana, blending local culture and coastal scenery. The scene shows vibrant market activity near the ocean, with vendors selling cocoa pods, shea nuts, and shea butter arranged in wooden wheelbarrows and woven baskets. The seaside background features gentle blue waves, fishing boats, palm trees, and a red-and-white lighthouse on rocky cliffs, with colonial-style buildings in the distance. People wear colorful traditional Ghanaian fabrics, illuminated by warm tropical sunlight. The painting style should resemble richly textured oil or acrylic brushwork, with soft blending, vivid colors, and expressive detailing — capturing movement, warmth, and atmosphere. The composition should feel dynamic, authentic, and culturally vibrant, harmonizing the earthy tones of the market with the cool blues of the sea.

A beautifully painted realism scene of a lively seaside market in Accra, Ghana, blending local culture and coastal scenery. The scene shows vibrant market activity near the ocean, with vendors selling cocoa pods, shea nuts, and shea butter arranged in wooden wheelbarrows and woven baskets. The seaside background features gentle blue waves, fishing boats, palm trees, and a red-and-white lighthouse on rocky cliffs, with colonial-style buildings in the distance. People wear colorful traditional Ghanaian fabrics, illuminated by warm tropical sunlight. The painting style should resemble richly textured oil or acrylic brushwork, with soft blending, vivid colors, and expressive detailing — capturing movement, warmth, and atmosphere. The composition should feel dynamic, authentic, and culturally vibrant, harmonizing the earthy tones of the market with the cool blues of the sea. the sea should be on the left side

A beautifully painted realism scene of a lively seaside market in Accra, Ghana, blending local culture and coastal scenery. The scene shows vibrant market activity near the ocean, with vendors selling cocoa pods, shea nuts, and shea butter arranged in wooden wheelbarrows and woven baskets. The seaside background features gentle blue waves, fishing boats, palm trees, and a red-and-white lighthouse on rocky cliffs, with colonial-style buildings in the distance. People wear colorful traditional Ghanaian fabrics, illuminated by warm tropical sunlight. The painting style should resemble richly textured oil or acrylic brushwork, with soft blending, vivid colors, and expressive detailing — capturing movement, warmth, and atmosphere. The composition should feel dynamic, authentic, and culturally vibrant, harmonizing the earthy tones of the market with the cool blues of the sea.

Create a photorealistic image of a young male husband and female wife sitting at the dining table with lots of bills in front of them. They are frustrated, unsure of how they will make ends meet. Put worried expressions on their faces and their eyes open. Include a calculator on the table. Show their kitchen in the background. Add the words "Over Due" in red ink ton two of the bills. Have the words “Over Due” face the couple, not the viewer.

Create a photorealistic image of a young husband and wife sitting at the dining table with lots of bills in front of them. They are frustrated, unsure of how they will make ends meet. Put worried expressions on their faces and their eyes open. Include a calculator on the table. Show their kitchen in the background. Add the words "Over Due" in red ink ton two of the bills. Have the words “Over Due” face the couple, not the viewer.

Create a photorealistic image of a young husband and wife sitting at the dining table with lots of bills in front of them. They are frustrated, unsure of how they will make ends meet. Put worried expressions on their faces. Include a calculator on the table. Show their kitchen in the background. Add the words "Over Due" in red ink ton two of the bills. Have the words “Over Due” face the couple, not the viewer.

Artistic delicate clown painting with dark background - burgundy, red black color palette, something in same style of Stanczyk paint " sad clown paradox" artist, but more positive, with delicate smile. not scary and heavy, in artistic neutral way, portrait from distance or / and all figure, darkish background 

Artistic delicate clown attributes painting or drawing with dark background - burgundy, red black color palette, something in same style of Stanczyk paint " sad clown paradox" artist, but more positive, details of clothes, attributes etc, not scary and heavy, in artistic neutral way

The image shows a middle-aged woman with short, curly black hair, styled naturally. She has medium to dark skin, warm brown eyes, and a welcoming smile. She is wearing a white, collared button-down shirt, creating a clean and professional look. The background is a soft, neutral gray, allowing the focus to remain on her friendly and approachable expression. The lighting is even, highlighting her facial features and enhancing the natural feel of the portrait.

A beautiful dark skinned black woman dressed in deep purple hues long flowing multicolored braids wearing a beautiful black and purple diamond crown, beautiful d&d character portrait, dark fantasy, detailed, realistic face, digital portrait, intricate armor, fiverr dnd character, wlop, artstation, hd, octane render, hyperrealism