Create a sado maso

A woman's hand is holding the leg of a man who is crawling in the house.

Create a highly detailed, realistic portrait of a muscular man resembling Dwayne 'The Rock' Johnson. He should be wearing a fitted long blue suit, white shirt, standing in a strong, confident pose with a bright smile. The background should be black. The lighting should be natural, highlighting his facial features and muscular build. He should not have hair.

Create a highly detailed, realistic portrait of a muscular man resembling Dwayne 'The Rock' Johnson. He should be wearing a fitted blue suit, white shirt, standing in a strong, confident pose with a bright smile. The background should be black. The lighting should be natural, highlighting his facial features and muscular build. He should not have hair.

A pure evil young man who's goal is to erase humanity and bring the world back to what it once was. Long black hair with red eyes, a massive scar across his face, sharper teeth than a normal human. His weapon of choice is the most powerful magic in his entire universe. He also uses a massive 10 foot tall scythe that is a deep purple.

A pure evil young man who's goal is to erase humanity and bring the world back to what it once was. Long black hair with red eyes, a massive scar across his face, sharper teeth than a normal human. His weapon of choice is the most powerful magic in his entire universe. He also uses a massive 10 foot tall scythe that is a deep purple.

Realistic picture of a above average looking 45-year-old woman wearing a summer dress and a muscular ,slightly fat 50-year-old man ,dark brown hair,no beard wearing a black t-shirt and jeans that has his arm around her, sitting together on a bench smiling posing to the camera. Higly detailed. Anatomically correct.

Realistic picture of a above average looking 45-year-old woman wearing a summer dress and a muscular ,slightly fat 50-year-old man wearing a black t-shirt and jeans that has his arm around her, sitting together on a bench smiling posing to the camera. They are in love. Higly detailed. Anatomically correct.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

Create a larger head smaller body cartoon character which is male who is wear a suit, holding a briefcase, has some wolf like characteristics with the beard and ears, the character is based on a character called the wolf of wall street.

Create a larger head smaller body cartoon character which is female who has a purple cape short black hair and carries a sword and shield

Beautiful woman with black hair, bluish gray eyes, and pale skin

Beautiful woman with black hair, gray eyes, and pale skin with light freckles

Beautiful woman with black hair, gray eyes, and pale skin with light freckles

Beautiful woman with black hair, grey eyes and pale skin in a sexy pose