Edison sketching ideas on

Scene 1: Introduction to the SituationPhoto Description: The woman stands in a messy kitchen, with dishes piled high in the sink and scattered across the countertops. She looks bewildered and exhausted, with wide eyes as if facing a major challenge.Scene 2: Attempt to EscapePhoto Description: The woman is sneaking out of the kitchen, but a spoon or utensil on the floor seems to block her way. She looks around nervously, glancing at the camera with a humorous expression of defeat.Scene 3: Moment of InspirationPhoto Description: The woman is sitting on the floor next to the sink, resting her chin on her hand as if deep in thought. Her face lights up with a bright idea, showing a look of excitement.Scene 4: Creative AttemptPhoto Description: The woman is smiling excitedly while arranging dishes into funny shapes or structures on the table, like a tower or pyramid. Some dishes are falling over, adding a comedic touch.Scene 5: Humorous ResignationPhoto Description: The woman, wearing cleaning gloves and holding a sponge, is laughing as she starts washing dishes. Her face shows a mix of humor and determination, as if she has finally accepted the task with a good attitude.

Scene 1: Introduction to the SituationPhoto Description: The woman stands in a messy kitchen, with dishes piled high in the sink and scattered across the countertops. She looks bewildered and exhausted, with wide eyes as if facing a major challenge.Scene 2: Attempt to EscapePhoto Description: The woman is sneaking out of the kitchen, but a spoon or utensil on the floor seems to block her way. She looks around nervously, glancing at the camera with a humorous expression of defeat.Scene 3: Moment of InspirationPhoto Description: The woman is sitting on the floor next to the sink, resting her chin on her hand as if deep in thought. Her face lights up with a bright idea, showing a look of excitement.Scene 4: Creative AttemptPhoto Description: The woman is smiling excitedly while arranging dishes into funny shapes or structures on the table, like a tower or pyramid. Some dishes are falling over, adding a comedic touch.Scene 5: Humorous ResignationPhoto Description: The woman, wearing cleaning gloves and holding a sponge, is laughing as she starts washing dishes. Her face shows a mix of humor and determination, as if she has finally accepted the task with a good attitude.

A realistic illustration of Thomas Edison in his prime invention years (40s-60s). He has a round, slightly chubby face with a broad forehead, light-colored receding hair, and a thoughtful expression. Edison is depicted wearing a dark suit with a waistcoat and bow tie, typical of the late 19th century. His sturdy build and focused demeanor convey his role as an inventor. He is in his laboratory, surrounded by vintage tools, glass bulbs, and wires. The scene is well-lit, showcasing Edison's workbench with scattered papers and sketches, giving a sense of invention and creativity.

A realistic illustration of Thomas Edison in his prime invention years (40s-60s). He has a round, slightly chubby face with a broad forehead, light-colored receding hair, and a thoughtful expression. Edison is depicted wearing a dark suit with a waistcoat and bow tie, typical of the late 19th century. His sturdy build and focused demeanor convey his role as an inventor. He is in his laboratory, surrounded by vintage tools, glass bulbs, and wires. The scene is well-lit, showcasing Edison's workbench with scattered papers and sketches, giving a sense of invention and creativity.

A furrow which is 11-1/2 inches long and which ranges from 1/2 to 1-1/2 inch wide almost completely encircles the neck. The bed of the furrow is dried, tan, and abraded on the left side of the neck and shows pallor of the livor on the right. There are several slightly oblique red-tan abrasions on the left jawline at the superior edge of the furrow (3-1/2 x 3/8 inches) and on the lateral right neck at the inferior edge of the furrow (approximately 2 x 1/2 inches). The lowest point of the furrow is on the anterolateral left neck at 9-3/4 inches below the top of the head. On the right side of the neck the furrow is directed sharply upward and posteriorly; the highest point of the furrow is on the right occipital scalp at 5-1/2 inches below the top of the head. There are occasional, large red purple petechiae of the bulbar surface of the conjunctiva on the right eye. A layered in situ examination of the soft tissues and structures of the anterior neck reveals focal purple hemorrhage at the upper attachment of the left sternothyroid and thyrohyoid muscles. OTHER INJURIES - Upper and posterior scalp, left side of the face, and upper left back with a few tiny, purple-brown, and slightly crusted abrasions. - Posterior neck with an approximately 1-1/4 x 1/2 inch area containing patchy purple contusion. - Lower abdomen and left flank with a few, up to 3/4 inch, dried brown abrasions. - Upper left shoulder with a 1-1/2 x 3/4 inch brown abraded contusion. - Upper left chest with a 1-1/4 inch curvilinear brown abrasion. - Medial right arm and elbow with a few, up to 3/8 inch small brown and red-purple abrasions. - Ventral right forearm with a 4 x 2-1/2 inch area with several up to 1/2 inch irregular dried purplebrown abrasions. - Base of the penis and right scrotal sac with a few tiny dark red-brown abrasions. - Lateral left elbow with an approximately 3/16 x 1/4 inch dark purple contusion. - Left antecubital fossa with an approximately 2 x 1 inch area containing dried red abrasion. - Ventral left forearm with at least four, longitudinally-oriented, dried, dark purple abrasions which measure up to 4-1/2 inches in greatest dimension. - Left antecubital fossa and ventral left forearm with a few apparent purple puncture marks. - Left arm, elbow, and forearm with several scattered tiny red-purple abrasions. - Anterior knees and legs with dark purple abrasions measuring up to 7/8 inch in greatest dimension. - Medial right foot with a small red abrasion.

A furrow which is 11-1/2 inches long and which ranges from 1/2 to 1-1/2 inch wide almost completely encircles the neck. The bed of the furrow is dried, tan, and abraded on the left side of the neck and shows pallor of the livor on the right. There are several slightly oblique red-tan abrasions on the left jawline at the superior edge of the furrow (3-1/2 x 3/8 inches) and on the lateral right neck at the inferior edge of the furrow (approximately 2 x 1/2 inches). The lowest point of the furrow is on the anterolateral left neck at 9-3/4 inches below the top of the head. On the right side of the neck the furrow is directed sharply upward and posteriorly; the highest point of the furrow is on the right occipital scalp at 5-1/2 inches below the top of the head. There are occasional, large red purple petechiae of the bulbar surface of the conjunctiva on the right eye. A layered in situ examination of the soft tissues and structures of the anterior neck reveals focal purple hemorrhage at the upper attachment of the left sternothyroid and thyrohyoid muscles. OTHER INJURIES - Upper and posterior scalp, left side of the face, and upper left back with a few tiny, purple-brown, and slightly crusted abrasions. - Posterior neck with an approximately 1-1/4 x 1/2 inch area containing patchy purple contusion. - Lower abdomen and left flank with a few, up to 3/4 inch, dried brown abrasions. - Upper left shoulder with a 1-1/2 x 3/4 inch brown abraded contusion. - Upper left chest with a 1-1/4 inch curvilinear brown abrasion. - Medial right arm and elbow with a few, up to 3/8 inch small brown and red-purple abrasions. - Ventral right forearm with a 4 x 2-1/2 inch area with several up to 1/2 inch irregular dried purplebrown abrasions. - Base of the penis and right scrotal sac with a few tiny dark red-brown abrasions. - Lateral left elbow with an approximately 3/16 x 1/4 inch dark purple contusion. - Left antecubital fossa with an approximately 2 x 1 inch area containing dried red abrasion. - Ventral left forearm with at least four, longitudinally-oriented, dried, dark purple abrasions which measure up to 4-1/2 inches in greatest dimension. - Left antecubital fossa and ventral left forearm with a few apparent purple puncture marks. - Left arm, elbow, and forearm with several scattered tiny red-purple abrasions. - Anterior knees and legs with dark purple abrasions measuring up to 7/8 inch in greatest dimension. - Medial right foot with a small red abrasion.

{   "prompt": "A stylized, hand-drawn cartoon scene set in a dimly lit, old-fashioned study. In the center, a middle-aged female secret agent named Ramona, with short dark hair, sits restrained in a sturdy wooden chair. She is barefoot and wears a simple blouse and trousers, looking disheveled yet determined. Standing beside her is Anton Martinez, a tall, sharply dressed figure with a confident smirk, holding a long feather between two fingers. He leans toward her as if about to tickle her ribs, while Ramona’s face shows strained laughter and resistance. Soft, warm light from a single desk lamp casts dramatic shadows, highlighting the tense yet cartoonish mood of the scene.",   "size": "1024x1024" }

A lighthearted and playful scene in a cozy living room. A woman reclines on a modern couch, laughing uncontrollably as a man kneels on the floor beside her, gently tickling the soles of her bare feet. The woman has a joyful expression, gripping the couch cushions as she tries not to move. The man has a mischievous grin, clearly enjoying the moment. The room is warmly lit with a lamp, and a coffee table nearby holds her discarded socks and a smartphone displaying a timer. The atmosphere is humorous and fun, capturing their playful competition.

{   "prompt": "A stylized, hand-drawn cartoon scene set in a dimly lit, old-fashioned study. In the center, a middle-aged female secret agent named Ramona, with short dark hair, sits restrained in a sturdy wooden chair. She wears a simple blouse and trousers, looking disheveled yet determined. Standing beside her is Anton Martinez, a tall, sharply dressed figure with a confident smirk, holding a long feather between two fingers. He leans toward her as if about to tickle her ribs, while Ramona’s face shows strained laughter and resistance. Soft, warm light from a single desk lamp casts dramatic shadows, highlighting the tense yet cartoonish mood of the scene.",   "size": "1024x1024" }

Blank piece of paper

Panther scratched a black piece of paper

Piece of paper

A Malaysian wife, hijab, cute, wear black apron, brown soft lips, chinese asian eyes, holding a piece of paper and a pen

A Malaysian wife, hijab, cute, wear black apron, brown soft lips, holding a piece of paper and a pen

Depict a young woman with a kind and serene face. She has a soft, warm smile that lights up her face. Her eyes are large and expressive, with long, well-defined eyelashes. Her eyebrows are arched and delicately shaped, gracefully framing her eyes. She has a small, proportionate nose and full, well-defined lips, adding a touch of sweetness to her expression. Her hair is wavy and dark, falling in soft curls around her face, giving a sense of movement and vitality. Her skin is warm-toned and even, with a healthy glow. Illustrate this young woman as a dedicated housewife in a cozy, homey setting. Imagine a well-organized and clean kitchen where she moves with ease and skill. She is dressed in comfortable yet elegant clothing, perhaps with an apron over a simple blouse and practical pants. The image could show her in the middle of a household task, such as baking cookies, ironing clothes, or arranging flowers in a vase. Her expression is one of concentration and satisfaction, reflecting the pride and joy she finds in maintaining her home. The details in the environment might include neatly arranged kitchen utensils, a table with a pretty tablecloth, and homey decorations that add warmth and personality to the space.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.