face jewelry

Create an image of a miserly moneylender with a rural and greedy personality. His face should clearly reflect his greed and hunger for wealth, with wrinkles and expressions that indicate his stinginess. He should be wearing simple, rustic clothes with patches and signs of repair, highlighting his miserly nature. Show him adorned with some old jewelry, such as a bracelet on his hand or a thick gold chain around his neck, symbolizing his wealth and greed. Depict him with a sturdy and robust body, indicating his hard work and health, but his face and demeanor should tell the story of his greed and miserliness. His face should have thick mustaches and a short beard, emphasizing his rural identity. His eyes should be narrow and gleaming, reflecting his hunger for wealth, with a slight cunning smile on his lips, indicating his greed and slyness. Position him in a side pose, standing with one hand on his waist and the other holding a money bag. His posture should exude confidence and selfishness. In the background, show a simple rural house and piles of sacks, symbolizing his trade and hoarding of wealth. Include some rustic elements like fields or a part of a village to complete the scene

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

I want to look like a chef wearing a pink chef coat. I am female, African American, caramel skinned, I have brown eyes, thick naturally arched eyebrows, full round face, high cheek bones, slim wide button nose, and have a brown Afro 

I want to look like a chef wearing a pink chef coat. I am female, African American, caramel skinned, I have brown eyes, thick naturally arched eyebrows, full round face, high cheek bones, and have a brown Afro 

I want to look like a chef wearing a pink chef coat. I am female, African American, caramel skinned, I have brown eyes, thick naturally arched eyebrows, full round face, high cheek bones, and have a brown Afro 

Create a portrait image showing the head of a futuristic, friendly robot in profile. The robot should have a sleek design, inspired by the Astro from PS5, with subtle influences from the Overwatch hero drone and Eva from Wall-E. The robot's face should be replaced by an analog digital screen displaying happy or friendly expressions (analog screen), with no physical eyes, nose, or mouth. The robot’s design must avoid human-like features, and instead of eyes, mouth, and nose, it should only have a digital visor, similar to the design of Astro from PS5, Eva from Wall-E, and the Overwatch hero drone. The image should be in a 9:16 aspect ratio, focusing on the front profile of the robot's head, resembling a photographic portrait. Soft lighting should be used to emphasize the digital visor and the minimalist design of the robot.

Create a portrait image showing the head of a futuristic, friendly robot in profile. The robot should have a sleek design, inspired by the Astro from PS5, with subtle influences from the Overwatch hero drone and Eva from Wall-E. The robot's face should be replaced by an analog digital screen displaying happy or friendly expressions (analog screen), with no physical eyes, nose, or mouth. The robot’s design must avoid human-like features, and instead of eyes, mouth, and nose, it should only have a digital visor, similar to the design of Astro from PS5, Eva from Wall-E, and the Overwatch hero drone. The image should be in a 9:16 aspect ratio, focusing on the lateral profile of the robot's head, resembling a photographic portrait. Soft lighting should be used to emphasize the digital visor and the minimalist design of the robot.

Create a portrait image showing the head of a futuristic, friendly robot in profile. The robot should have a sleek design, inspired by the Astro from PS5, with subtle influences from the Overwatch hero drone and Eva from Wall-E. The robot's face should be replaced by an analog digital screen displaying happy or friendly expressions (analog screen), with no physical eyes, nose, or mouth. The robot’s design must avoid human-like features, and instead of eyes, mouth, and nose, it should only have a digital visor, similar to the design of Astro from PS5, Eva from Wall-E, and the Overwatch hero drone. The image should be in a 9:16 aspect ratio, focusing on the lateral profile of the robot's head, resembling a photographic portrait. Soft lighting should be used to emphasize the digital visor and the minimalist design of the robot.

Create a portrait image of a futuristic, friendly robot head in profile. The robot should have a sleek design, inspired by the Astro from PS5, mixed with the aesthetic of the Overwatch hero drone, and subtle elements from Eva in the movie Wall-E. The robot’s face should be replaced with an analog digital screen displaying happy or friendly expressions (analog screen). The image should be in a 9:16 aspect ratio, focusing on the lateral profile of the robot’s head, like a photographic portrait. The lighting should be soft, highlighting the details of the digital visor and the minimalist design of the robot's head.

Sleek commercial friendly mech face portrait

Friendly mech with screen-type face portrait

Friendly mech with screen-type face portrait

Happy orange clothing tv news woman face portrait