female who has blonde

Female in her early twenties with strawberry blonde hair, blue eyes, a round face, regular-sized nose, fairly thin lips, with no dimples in her cheeks, and pale skin towards the center of her face but somewhat darker skin on the part of her cheeks near her ears. She has bare arms with darker skin around the elbows and lighter skin on the front of her hands and darker skin on the back of her hands with one hand showing the front side and one hand showing the back side

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

Mother, redhead ginger, 50 years old, Bags under eyes, deep baggy eyes, Massive alien head, Oversized alien head, overlapping alien head, giant alien head, pale albino, albino skin, no eyebrows, worried eyes, long head, cleft chin, ginger headed, concerned look, jaw dropped in confusion, crying tears, tears falling down face, sparkling blue eyes, thin nose, narrow neck, narrow throat, very long neck, very narrow neck, longer neck, bones in neck, wide jaw, freckles, freckled face, witch nose, very wrinkly face, wrinkly face, sharp cheek bones, very thin lips, pig snout, pig snout as nose, pig snout for nose

Mother, 50 years old, Bags under eyes, deep baggy eyes, Massive alien head, Oversized alien head, overlapping alien head, giant alien head, pale albino, albino skin, no eyebrows, worried eyes, long head, cleft chin, bald headed, concerned look, jaw dropped in confusion, crying tears, tears falling down face, sparkling blue eyes, thin nose, narrow neck, narrow throat, very long neck, very narrow neck, longer neck, bones in neck, wide jaw, freckles, freckled face, witch nose, very wrinkly face, wrinkly face, sharp cheek bones, very thin lips, pig snout, pig snout as nose, pig snout for nose

Mother, 50 years old, Bags under eyes, deep baggy eyes, Massive alien head, Oversized alien head, overlapping alien head, giant alien head, pale albino, albino skin, no eyebrows, worried eyes, long head, cleft chin, bald headed, concerned look, jaw dropped in confusion, crying tears, tears falling down face, sparkling blue eyes, thin nose, narrow neck, narrow throat, very long neck, very narrow neck, longer neck, bones in neck, wide jaw, freckles, freckled face, witch nose, very wrinkly face, wrinkly face, sharp cheek bones, very thin lips, curved witch nose

In the background, the Jack of Hearts and the Jack of Spades, brought to life from a deck of cards, paint white roses with red paint. The formidable Red Queen - the Queen of Hearts - with a small piglet in her arms in a giant royal rose garden. The Elizabethan style dress is super long, with a carved waist and small puffed sleeves, the suit looks . Extremely white powdered face and red lips. heart-shaped red hair—several mesh pads and combed hair strand by strand, resulting in curls on top of her head so that it almost looked like a bouquet of roses.

The formidable Red Queen - the Queen of Hearts - with a small piglet in her arms in a giant royal rose garden. The Elizabethan style dress is super long, with a carved waist and small puffed sleeves, the suit looks . Extremely white powdered face and red lips. heart-shaped red hair—several mesh pads and combed hair strand by strand, resulting in curls on top of her head so that it almost looked like a bouquet of roses. In the background, the Jack of Hearts and the Jack of Spades, brought to life from a deck of cards, paint white roses with red paint.

In the background, the Jack of Hearts and the Jack of Spades, brought to life from a deck of cards, paint white roses with red paint. The formidable Red Queen - the Queen of Hearts - with a small piglet in her arms in a giant royal rose garden. The Elizabethan style dress is super long, with a carved waist and small puffed sleeves, the suit looks . Extremely white powdered face and red lips. heart-shaped red hair—several mesh pads and combed hair strand by strand, resulting in curls on top of her head so that it almost looked like a bouquet of roses.

The formidable Red Queen - the Queen of Hearts - with a small piglet in her arms in a giant royal rose garden. The Elizabethan style dress is super long, with a carved waist and small puffed sleeves, the suit looks . Extremely white powdered face and red lips. heart-shaped red hair—several mesh pads and combed hair strand by strand, resulting in curls on top of her head so that it almost looked like a bouquet of roses. In the background, the Jack of Hearts and the Jack of Spades, brought to life from a deck of cards, paint white roses with red paint.

A furrow which is 11-1/2 inches long and which ranges from 1/2 to 1-1/2 inch wide almost completely encircles the neck. The bed of the furrow is dried, tan, and abraded on the left side of the neck and shows pallor of the livor on the right. There are several slightly oblique red-tan abrasions on the left jawline at the superior edge of the furrow (3-1/2 x 3/8 inches) and on the lateral right neck at the inferior edge of the furrow (approximately 2 x 1/2 inches). The lowest point of the furrow is on the anterolateral left neck at 9-3/4 inches below the top of the head. On the right side of the neck the furrow is directed sharply upward and posteriorly; the highest point of the furrow is on the right occipital scalp at 5-1/2 inches below the top of the head. There are occasional, large red purple petechiae of the bulbar surface of the conjunctiva on the right eye. A layered in situ examination of the soft tissues and structures of the anterior neck reveals focal purple hemorrhage at the upper attachment of the left sternothyroid and thyrohyoid muscles. OTHER INJURIES - Upper and posterior scalp, left side of the face, and upper left back with a few tiny, purple-brown, and slightly crusted abrasions. - Posterior neck with an approximately 1-1/4 x 1/2 inch area containing patchy purple contusion. - Lower abdomen and left flank with a few, up to 3/4 inch, dried brown abrasions. - Upper left shoulder with a 1-1/2 x 3/4 inch brown abraded contusion. - Upper left chest with a 1-1/4 inch curvilinear brown abrasion. - Medial right arm and elbow with a few, up to 3/8 inch small brown and red-purple abrasions. - Ventral right forearm with a 4 x 2-1/2 inch area with several up to 1/2 inch irregular dried purplebrown abrasions. - Base of the penis and right scrotal sac with a few tiny dark red-brown abrasions. - Lateral left elbow with an approximately 3/16 x 1/4 inch dark purple contusion. - Left antecubital fossa with an approximately 2 x 1 inch area containing dried red abrasion. - Ventral left forearm with at least four, longitudinally-oriented, dried, dark purple abrasions which measure up to 4-1/2 inches in greatest dimension. - Left antecubital fossa and ventral left forearm with a few apparent purple puncture marks. - Left arm, elbow, and forearm with several scattered tiny red-purple abrasions. - Anterior knees and legs with dark purple abrasions measuring up to 7/8 inch in greatest dimension. - Medial right foot with a small red abrasion.

A furrow which is 11-1/2 inches long and which ranges from 1/2 to 1-1/2 inch wide almost completely encircles the neck. The bed of the furrow is dried, tan, and abraded on the left side of the neck and shows pallor of the livor on the right. There are several slightly oblique red-tan abrasions on the left jawline at the superior edge of the furrow (3-1/2 x 3/8 inches) and on the lateral right neck at the inferior edge of the furrow (approximately 2 x 1/2 inches). The lowest point of the furrow is on the anterolateral left neck at 9-3/4 inches below the top of the head. On the right side of the neck the furrow is directed sharply upward and posteriorly; the highest point of the furrow is on the right occipital scalp at 5-1/2 inches below the top of the head. There are occasional, large red purple petechiae of the bulbar surface of the conjunctiva on the right eye. A layered in situ examination of the soft tissues and structures of the anterior neck reveals focal purple hemorrhage at the upper attachment of the left sternothyroid and thyrohyoid muscles. OTHER INJURIES - Upper and posterior scalp, left side of the face, and upper left back with a few tiny, purple-brown, and slightly crusted abrasions. - Posterior neck with an approximately 1-1/4 x 1/2 inch area containing patchy purple contusion. - Lower abdomen and left flank with a few, up to 3/4 inch, dried brown abrasions. - Upper left shoulder with a 1-1/2 x 3/4 inch brown abraded contusion. - Upper left chest with a 1-1/4 inch curvilinear brown abrasion. - Medial right arm and elbow with a few, up to 3/8 inch small brown and red-purple abrasions. - Ventral right forearm with a 4 x 2-1/2 inch area with several up to 1/2 inch irregular dried purplebrown abrasions. - Base of the penis and right scrotal sac with a few tiny dark red-brown abrasions. - Lateral left elbow with an approximately 3/16 x 1/4 inch dark purple contusion. - Left antecubital fossa with an approximately 2 x 1 inch area containing dried red abrasion. - Ventral left forearm with at least four, longitudinally-oriented, dried, dark purple abrasions which measure up to 4-1/2 inches in greatest dimension. - Left antecubital fossa and ventral left forearm with a few apparent purple puncture marks. - Left arm, elbow, and forearm with several scattered tiny red-purple abrasions. - Anterior knees and legs with dark purple abrasions measuring up to 7/8 inch in greatest dimension. - Medial right foot with a small red abrasion.

Mother, 50 years old, Bags under eyes, deep baggy eyes, Massive alien head, Oversized alien head, overlapping alien head, giant alien head, pale albino, albino skin, no eyebrows, worried eyes, long head, cleft chin, bald headed, concerned look, jaw dropped in confusion, crying tears, tears falling down face, sparkling blue eyes, thin nose, narrow neck, narrow throat, very long neck, very narrow neck, longer neck, neck, 1.5 feet, 2 foot long neck, bones in neck, wide jaw, freckles, freckled face, witch nose, very wrinkly face, wrinkly face, pug dog face, pug dog cheeks, very thin lips

Mother, 50 years old, Bags under eyes, deep baggy eyes, Massive alien head, Oversized alien head, overlapping alien head, giant alien head, pale albino, albino skin, no eyebrows, worried eyes, long head, cleft chin, bald headed, concerned look, jaw dropped in confusion, crying tears, tears falling down face, sparkling blue eyes, thin nose, narrow neck, narrow throat, very long neck, very narrow neck, longer neck, bones in neck, wide jaw, freckles, freckled face, witch nose, very wrinkly face, wrinkly face, pug dog face, pug dog cheeks, very thin lips