front side bus
Resize and add details
Convert to video
Outpaint the rest of the image
Additional Info
Steps29
Samplerdpm++
CFG Scale8.4
Seed333866782
More Ai art like front side bus
Create a high-definition quality icon featuring a front profile of a Spartan warrior silhouette against a teal color background. The Spartan warrior is adorned with copper-colored helmet and body armor, holding a shield with a leopard face carved on it, also in copper color. To the side, the Spartan warrior has a bow and an arrow pointing towards the ground. This is all enclosed within a circular area bordered by Boho symbols. Above the Spartan warrior, within the circle, add the curved text "EPIC WILD", also in copper color. Complete the design by including an elephant to enhance its wild and epic Boho theme.
Create a high-definition quality icon featuring a front profile of a Spartan warrior silhouette against a teal color background. The Spartan warrior is adorned with copper-colored helmet and body armor, holding a shield with a leopard face carved on it, also in copper color. To the side, the Spartan warrior has a bow and an arrow pointing towards the ground. This is all enclosed within a circular area bordered by Boho symbols. Above the Spartan warrior, within the circle, add the curved text "EPIC WILD", also in copper color. Complete the design by including an elephant to enhance its wild and epic Boho theme.
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.
A mother and her cat were shopping at the supermarket. The mother was pushing the shopping cart and the child was walking in front of her. The mother suddenly feels a pain in her stomach and screams “Meow Meow Meow” in pain. The child hears The child hears his mother's cry and rushes over to check the situation. Realizing that his mother was in labor, he panicked and looked around for help. He realized that his mother was in labor and panicked, looking around for help. The child hurriedly made a phone call and contacted an ambulance. Afterwards, the mother was pushed into the ambulance, and the father received the call and hurried to the hospital. The father received the call and hurried to the hospital, where he waited anxiously in the corridor. In the end, the mother gave birth to six lovely kittens, and the child smiled happily.
(((masterpiece, HD, best quality, extremely detailed, high resolution, highres, Ultra-detailed, ultra-high quality, superb masterpiece, 8K image quality, correct anatomy))) 1 girl, solo, iseri nina(girls band cry), hair over shoulder, sidelocks, japanese clothes, amulet, long sleeves, long braid, jewelry, front braid, single braid, braided bun, bracelet, long hair, braid, necklace, hair intakes, wide sleeves, magatama, red purple hair, blue eyes, top view, from below, into the water, hit by waterfall backlighting, (Wind Effects:2.3), hetero, standing, outside, lake, stone, wet clothes, get hit by a waterfall, submerge, waterfall, ,put her hands together, blush, ({{seductive smile}}, shy, parted lips, teeth, sweat, heavy breathing), wet hair,