futuistic diamond body gold

Ragnear the Goblin King is a handsome green skinned muscle -bound warrior king. With pointed goblin ears, he wears two gold hoop earrings on both his pointed ears. Ragnear has wild spikey blue hair on his head, and a blue beard facial hair. Ragnear has blue hair on his muscular chest. His eyes are fiery red orange. He has black clawed fingernails, and black clawed toenails. He wears a gothic silver and black crown on his head. He enjoys being shirtless and showing off his muscular body. He wears a light brown tribal loin cloth around his waist. During the Halloween season, he loves spending his nights in the woods. Where the full moon shines high in the starry night sky. The dark trees are rustling, and the leaves are on the ground. And Halloween jack-o-lanterns glow in the dark night on the ground with smiles on their pumpkin carved faces.

Ragnear the Goblin King is a handsome green skinned muscle -bound warrior king. With pointed goblin ears, he wears two gold hoop earrings on both his pointed ears. Ragnear has wild spikey blue hair on his head, and a blue beard facial hair. Ragnear has blue hair on his muscular chest. His eyes are fiery red orange. He has black clawed fingernails, and black clawed toenails. He wears a gothic silver and black crown on his head. He enjoys being shirtless and showing off his muscular body. He wears a light brown tribal loin cloth around his waist. During the Halloween season, he loves spending his nights in the woods. Where the full moon shines high in the starry night sky. The dark trees are rustling, and the leaves are on the ground. And Halloween jack-o-lanterns glow in the dark night on the ground with smiles on their pumpkin carved faces.

Maseon is a large handsome muscular gargoyle with stone grey skin, blue eyes, a purple mow hawk hairstyle and yellow gold demon horns on top of his head. He has large grey bat wings on his back. Large muscles. Pointed ears with gold hoop earrings. A handsome smile with sharp teeth. And a purple goatee under his chin. A gold piercing on his right eyebrow. He wears a leather chest harness. With leather bracelets on both his wrists. He has grey clawed hands. A black loincloth wearing a silver warrior belt. He loves celebrating Halloween. The season for trick and treats. And spooky Halloween fun

Head: The head of the quint is shaped like a helmet, with a prominent crest on top that seems to pulse with a vibrant, fiery purple energy. The helmet's surface is a mix of dark, murky metal and shimmering, iridescent formations that glow in the surrounding environment, radiating a luminous, crystal-like hue. The visor is shaped like a narrow, angular slot, with a subtle, toxic green trim that adds a hint of menace to its already-intimidating gaze. The eyes are a bright, piercing purple, with an intense, burning energy that seems to emanate from within. The irises are shaped like crescent moons, with a subtle, metallic pattern etched into the surface, giving them a unique, otherworldly appearance. The pupils are narrow slits, glowing with an inner light that seems to pulse with the rhythm of the element. Body: The torso is a sturdy, mechanical construct, with interlocking plates and circuits that seem to hum with power, radiating a silver, metallic sheen. The chest plate is adorned with a shimmering, crystal-like formation that glows with an inner light, pulsing with energy and power. The shoulders are broad and angular, with a pair of toxic green-tipped shoulder pads that add a hint of menace to its already-intimidating stance. The back is covered in a network of mechanical wires and circuits, pulsing with energy and power. Arms: The arms are long and slender, with mechanical limbs that seem to be infused with fiery purple energy, glowing with a bright, piercing light. The arms are covered in a network of shimmering, crystal-like formations that glow with an inner light, pulsing with energy and power. The elbows are shaped like joints, with a subtle, toxic green trim that adds a hint of menace to its already-intimidating stance. The hands are shaped like claws, with toxic green-tipped fingers that seem to rip and tear with deadly precision. Legs: The legs are sturdy and strong, with a pair of mechanical thigh guards that seem to hum with power, propelling it forward with a powerful stride. The knees are shaped like joints, with a subtle, dark, murky trim that adds a hint of darkness to its already-intimidating stance. The feet are shaped like claws, with toxic green-tipped toes that seem to rip and tear with deadly precision. Other Details: The entire body of the quint seems to be covered in a thin, mesh-like network of shimmering, crystal-like formations, pulsing with energy and power. The mechanical limbs and torso seem to be infused with a subtle, dark, murky energy, adding a hint of darkness to its already-intimidating stance. The fiery purple energy emanating from its body seems to pulse with an inner light, giving it a dynamic, high-energy appearance.

Head: The head of Aethonix is shaped like a Mech-like helmet, with a prominent crest on top that seems to pulse with Plasma energy. The helmet's surface is a mix of dark, Shadow-infused metal and Crystal formations that shimmer and glow in the surrounding environment. The visor is shaped like a narrow, angular slot, with a subtle Poison-tipped trim that adds a hint of menace to its already-intimidating gaze. The eyes are a bright, piercing Plasma purple, with an intense, burning energy that seems to emanate from within. The irises are shaped like crescent moons, with a subtle Mech-like pattern etched into the surface, giving them a unique, otherworldly appearance. The pupils are narrow slits, glowing with an inner light that seems to pulse with the rhythm of the element. Body: The torso is a sturdy, Mech-like construct, with interlocking plates and circuits that seem to hum with power. The chest plate is adorned with a Crystal formation that shimmers and glows, pulsing with an inner light that seems to emanate from within. The shoulders are broad and angular, with a pair of Poison-tipped shoulder pads that add a hint of menace to its already-intimidating stance. The back is covered in a network of Mech-like wires and circuits, pulsing with energy and power. Arms: The arms are long and slender, with Mech-like limbs that seem to be infused with Plasma energy, glowing with a bright, piercing purple light. The arms are covered in a network of Crystal formations that shimmer and glow, pulsing with an inner light that seems to emanate from within. The elbows are shaped like joints, with a subtle Poison-tipped trim that adds a hint of menace to its already-intimidating stance. The hands are shaped like claws, with Poison-tipped fingers that seem to rip and tear with deadly precision. Legs: The legs are sturdy and strong, with a pair of Mech-like thigh guards that seem to hum with power, propelling it forward with a powerful stride. The knees are shaped like joints, with a subtle Shadow-infused trim that adds a hint of darkness to its already-intimidating stance. The feet are shaped like claws, with Poison-tipped toes that seem to rip and tear with deadly precision. Other Details: The entire body of Aethonix seems to be covered in a thin, Mesh-like network of Crystal formations, pulsing with energy and power. The Mech-like limbs and torso seem to be infused with a subtle Shadow energy, adding a hint of darkness to its already-intimidating stance. The Plasma energy emanating from its body seems to pulse with an inner light, giving it a dynamic, high-energy appearance.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

Pocong is a ghost that looks like a person wrapped in a funeral cloth.In Islamic funeral, a shroud called a "kain kafan" (in Indonesian and Malay) is used to wrap the body of the dead person. The dead body is covered in white fabric tied over the head, under the feet, and on the neck, and the shroud is firmly tied at multiple junctures to maintain its position during the journey to the grave site. Upon placement into the grave, it is believed that the knots must be undone or the corpse will animate and be known as a Pocong. Kindly create an image of a pocong lying down in a grave looks scary and pale

Pool party full of male teenagers in the background. In the foreground is the young actor Leonardo DiCaprio when he was in Titanic movie. He is standing in front of me and completely naked. His body is athletic and lean. He looks at me smiling. His pubic hair is blond and he is uncut. He has his hands on his hips in a sexy twink position. Leonardo is totally nude in front of me. he has only a small jockstrap.

Pool party full of male teenagers in the background. In the foreground is the young actor Leonardo DiCaprio when he was about 20 years old. He is standing in front of me and completely naked. His body is athletic and lean. He looks at me smiling. His pubic hair is blond and he is uncut. He has his hands on his hips in a sexy twink position. Leonardo is totally nude in front of me. Close to him there is a 20 years old Brad Pitt in the same position and with a very little jockstrap,

Pool party full of male teenagers in the background. In the foreground is the young actor Leonardo DiCaprio when he was about 20 years old. He is standing in front of me and completely naked. His body is athletic and lean. He looks at me smiling. His pubic hair is blond and he is uncut. He has his hands on his hips in a sexy twink position. Leonardo is totally nude in front of me. he has only a very very little jockstrap.

Pool party full of male teenagers in the background. In the foreground is the young actor Brad Pittwhen he was about 20 years old. He is standing in front of me and completely naked. His body is athletic and lean. He looks at me smiling. His pubic hair is blond and he is uncut. He has his hands on his hips in a sexy twink position. Brad is totally nude in front of me. he has only a small jockstrap.

Pool party full of male teenagers in the background. In the foreground is the young actor Leonardo DiCaprio when he was about 20 years old. He is standing in front of me and completely naked. His body is athletic and lean. He looks at me smiling. His pubic hair is blond and he is uncut. He has his hands on his hips in a sexy twink position.

Man of middle-eastern descent, conventionally attractive with hazel eyes and shaggy dark hair. He stands just short of 7ft tall and shadows curl at the edges of his figure. His deep set eyes shimmer in his otherrwise sullen face. He is clean shaven and bears a scar along the right side of his face. His body is athletic but lithe and his hands and forearms are scarred. Wearing dark leather armor, a swirling black shadow engulfs his lower half as his enormous bat like wings unfold.