girls with tongues sticking

Girls with tongues sticking out touch their tongues together, (both tongues touching together)

Girls with tongues sticking out touch their tongues together

Hand sticking out of water

Cat tongue sticking out

Why do pregnant women always touch their bellies in pictures

Dog with tongue sticking out

Sticking out your tongue for the picture

A group of stick figures kneel on the ground in a single file line on the right and a kneel in a dingle file line on the left. One stick figure stands between them. Behind him are two other stick figures standing apart but have joined their arms together up in the air above his head to form a house roof. Two more stick figures bow down at the front of the picture, facing out.

A tranquil beach scene during sunset. The sky is painted with hues of orange, pink, and purple, casting a calming glow over the scene. The ocean waves are gentle, symbolizing the ebb and flow of relationships. A black couple standing together at the shore, holding hands and looking out towards the horizon. Their posture conveys a sense of unity and patience, as they stand side by side, facing the future together. The ocean waves gently lap at their feet, representing the turbulence that relationships can face and the courage needed to navigate through it. Footprints in the sand leading towards the couple from different directions, symbolizing their individual journeys and the unique path their relationship takes.The serene atmosphere of the beach at sunset reflects the importance of patience and calmness in relationships.

Women offer a loan, they are scammers, the loan is fake, the money is Czech fake, they stick out their white tongues to distract attention

In a small, enchanted village nestled between towering mountains and lush forests, lives a girl named Liora. Her hair flows like liquid sunlight, cascading in waves of golden hues that seem to shimmer with each step she takes. Her eyes are a mesmerizing blend of emerald and sapphire, reflecting the mysteries of the world around her. Liora is a beacon of curiosity and joy. She carries a satchel filled with sketchbooks, paintbrushes, and trinkets collected from her many adventures. Her clothes are a kaleidoscope of colors, sewn together from fabrics of different cultures and eras, giving her a timeless appearance. Everywhere she goes, she leaves a trail of flower petals and sparkles, a touch of magic that hints at her otherworldly origins. Her laugh is infectious, a melody that lifts the spirits of those around her. She speaks to animals and plants as if they are old friends, and they respond in kind, bowing to her presence and offering their gifts. In the evenings, she gathers the village children and weaves stories of far-off lands and fantastical creatures, her voice painting vivid pictures in the minds of her listeners. Liora's imagination knows no bounds. She can turn the simplest of objects into something extraordinary – a pebble into a gem, a stick into a wand, a piece of cloth into a cape. She sees the world not as it is, but as it could be, and invites everyone to join her in her dreams. With a heart as vast as the ocean and a spirit as free as the wind, Liora is a living embodiment of imagination and wonder, a girl who transforms the ordinary into the extraordinary with just a touch of her magic.

In a small, enchanted village nestled between towering mountains and lush forests, lives a girl named Liora. Her hair flows like liquid sunlight, cascading in waves of golden hues that seem to shimmer with each step she takes. Her eyes are a mesmerizing blend of emerald and sapphire, reflecting the mysteries of the world around her. Liora is a beacon of curiosity and joy. She carries a satchel filled with sketchbooks, paintbrushes, and trinkets collected from her many adventures. Her clothes are a kaleidoscope of colors, sewn together from fabrics of different cultures and eras, giving her a timeless appearance. Everywhere she goes, she leaves a trail of flower petals and sparkles, a touch of magic that hints at her otherworldly origins. Her laugh is infectious, a melody that lifts the spirits of those around her. She speaks to animals and plants as if they are old friends, and they respond in kind, bowing to her presence and offering their gifts. In the evenings, she gathers the village children and weaves stories of far-off lands and fantastical creatures, her voice painting vivid pictures in the minds of her listeners. Liora's imagination knows no bounds. She can turn the simplest of objects into something extraordinary – a pebble into a gem, a stick into a wand, a piece of cloth into a cape. She sees the world not as it is, but as it could be, and invites everyone to join her in her dreams. With a heart as vast as the ocean and a spirit as free as the wind, Liora is a living embodiment of imagination and wonder, a girl who transforms the ordinary into the extraordinary with just a touch of her magic.

An elegant and static depiction of a cobra, its hood fully extended yet perfectly still, exuding an aura of calm power and poised intensity. The snake's body is a deep emerald green, with intricate, crystal-like scales that glimmer and refract light, adding a jewel-like quality to its form. The cobra's eyes are luminous, crystalline, and hypnotic, standing out with their captivating detail. The background is a harmonious blend of beige, lavender, burgundy, yellow, and blue hues, softly interwoven with a fluid texture reminiscent of alcohol inks, enhanced by watercolor-like drips and transitions. The vibrant emerald hues of the cobra against the muted yet colorful background create a striking and serene artistic statement, blending vivid detail with fluid, dreamlike artistry.

Very tall 11 year old british twin girls standing next to their parents

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.