green cafe set

(Ultra-realistic, photorealistic), a seductive mature woman, aged 50-60, with flawless skin, sultry eyes, and long dark hair cascading in soft waves. She is wearing a provocative emerald-green lace lingerie set, with sheer stockings held by garters and black stiletto heels, her curves highlighted by delicate floral lace patterns. She stands confidently in a dimly lit elevator with golden mirrored panels, one hand tracing the curve of her hip while the other brushes her hair. Her hips sway seductively as she walks forward, locking her teasing gaze with the camera. The soft cinematic lighting casts warm highlights on her skin and subtle shadows, creating an intimate and sensual atmosphere. Shot in 8K resolution, with rich colors, hyper-realistic textures, volumetric light effects, depth blur, and cinematic film grain, using a Nikon D850, f/1.6 lens, Kodak Portra 400

(Ultra-realistic, photorealistic), a seductive mature woman, aged 50-60, with flawless skin, sultry eyes, and long dark hair cascading in soft waves. She is wearing a provocative emerald-green lace lingerie set, with sheer stockings held by garters and black stiletto heels, her curves highlighted by delicate floral lace patterns. She stands confidently in a dimly lit elevator with golden mirrored panels, one hand tracing the curve of her hip while the other brushes her hair. Her hips sway seductively as she walks forward, locking her teasing gaze with the camera. The soft cinematic lighting casts warm highlights on her skin and subtle shadows, creating an intimate and sensual atmosphere. Shot in 8K resolution, with rich colors, hyper-realistic textures, volumetric light effects, depth blur, and cinematic film grain, using a Nikon D850, f/1.6 lens, Kodak Portra 400

Green eyes cafe

Green eyes coffee cafe

A 26-year-old, slender blonde girl with soft, wavy golden hair sits gracefully at a table, her serene gaze meeting the viewer's eyes. Her captivating blue-green eyes reflect both warmth and clarity, adding depth to her peaceful expression. Her delicate face is framed by her cascading blonde hair, which spills out from beneath a stylish sun hat. Her natural, fresh-faced look is accentuated by minimal makeup, emphasizing her flawless, fair complexion. She is dressed in an elegant, light-colored dress that flows gently over her slender figure, perfectly complementing her understated beauty. As she sits at the table, she holds a colorful cocktail in one hand, casually sipping it while enjoying the moment. The scene is set in an outdoor setting, possibly a cozy café near water or surrounded by greenery, which is softly blurred in the background. The natural surroundings enhance the tranquil and calming atmosphere that envelops her, creating a perfect blend of elegance and relaxation.

A 26-year-old, slender blonde girl with soft, wavy golden hair sits gracefully at a table, her serene gaze meeting the viewer's eyes. Her captivating blue-green eyes reflect both warmth and clarity, adding depth to her peaceful expression. Her delicate face is framed by her cascading blonde hair, which spills out from beneath a stylish sun hat. Her natural, fresh-faced look is accentuated by minimal makeup, emphasizing her flawless, fair complexion. She is dressed in an elegant, light-colored dress that flows gently over her slender figure, perfectly complementing her understated beauty. As she sits at the table, she holds a colorful cocktail in one hand, casually sipping it while enjoying the moment. The scene is set in an outdoor setting, possibly a cozy café near water or surrounded by greenery, which is softly blurred in the background. The natural surroundings enhance the tranquil and calming atmosphere that envelops her, creating a perfect blend of elegance and relaxation.

Aquadrake is a sleek, serpentine Pokémon with a streamlined body designed for swift movement in water. Its scales are a deep, iridescent blue that shimmer with hints of green and purple. It has a long, finned tail that propels it through the water and large, sharp fins on its back. Its eyes are a piercing blue, and it has a set of small horns on its head that resemble waves. Aquadrake's mouth is filled with sharp teeth, and it has whisker-like fins on the sides of its face.

Aquadrake is a sleek, serpentine Pokémon with a streamlined body designed for swift movement in water. Its scales are a deep, iridescent blue that shimmer with hints of green and purple. It has a long, finned tail that propels it through the water and large, sharp fins on its back. Its eyes are a piercing blue, and it has a set of small horns on its head that resemble waves. Aquadrake's mouth is filled with sharp teeth, and it has whisker-like fins on the sides of its face.

Aquadrake is a sleek, serpentine Pokémon with a streamlined body designed for swift movement in water. Its scales are a deep, iridescent blue that shimmer with hints of green and purple. It has a long, finned tail that propels it through the water and large, sharp fins on its back. Its eyes are a piercing blue, and it has a set of small horns on its head that resemble waves. Aquadrake's mouth is filled with sharp teeth, and it has whisker-like fins on the sides of its face.

Aquadrake is a sleek, serpentine Pokémon with a streamlined body designed for swift movement in water. Its scales are a deep, iridescent blue that shimmer with hints of green and purple. It has a long, finned tail that propels it through the water and large, sharp fins on its back. Its eyes are a piercing blue, and it has a set of small horns on its head that resemble waves. Aquadrake's mouth is filled with sharp teeth, and it has whisker-like fins on the sides of its face.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

Slim, young girl with wavey lightbrown-ginger uder hips long hairs. Grey-green eyes, more grey then green. His eyes are a little more detached. Face a more elongated, narrow. Jaws sides very narrow. Bigger nose. Three-quarter view. Pale lips. The girl is naked. No pants. Kneeling on all fours and spreading his legs. Her body is shorten. Legs are long. She is in dark bedroom with a dark grey walls. Bed is from a oak wood covered by black pillow and black blanket. Wooden floor. There is a single lamp in a corner of the room.

Make me a Discord banner consisting of colored RDP screens with a set-up written on the screen and programming codes with mido