greninja having gold wings

Pikachu his left arm is a chainsaw and his right arm is made out of diamons and his legs are car wheels

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

A man, short black hair, black eyes, muscular body, wearing a black robe, wearing boots, carrying a sword in his left hand, carrying a gun in his right hand, pointing forward, background house , along with a name with a human face, the name has a black face

A logo with the text "A masterclass in horror" should be written in a gothic, spooky font with angular spikes.The text is in a gradient color, transitioning from bright red at the top to very dark grey at the bottom, with neon white highlights. The top half of the background should have a red mist and the bottom half should have a grey to white mist, matching the colors of the logo text. The logo should be positioned on the left side of the image, leaving empty space on the right hand side for just the background effects.

An image depicting a divine figure known as Murugan, who is highly revered in Hindu mythology. He is known for his youthful and dynamic attributes, often seen holding a weapon known as 'Vel' (spear) in his right hand. He is usually portrayed wearing vibrant garbs, having multiple arms and traveling atop a peacock. The backdrop should include the ethereal beauty of a heavenly abode with a serene sky and floating clouds.

A man with blond hair, shaved at the sides, and green eyes and without hat, hugs a woman. The woman has brown hair and brown eyes with a hat and a glass of prosecco in her right hand and she smiles. The man in on the right of the picture and the girl in on the left of the picture.

A man with blond hair, shaved at the sides, and green eyes and without hat, hugs a woman. The woman has brown hair and brown eyes with a hat and a glass of prosecco in her right hand and she smiles. The man in on the right of the picture and the girl in on the left of the picture. Disney 2d style

A type 64 rifle, mixed with an FN FAL, made out of wood and metal

A high angle of a Swampert standing on it's hind legs with it's arms crossed on the left, and a Mewtwo with its arms crossed standing on the right

Create an image of Agraelis, an angel of radiant beauty associated with abundance and nature. His wings shimmer in hues of green and gold, reminiscent of fertile fields bathed in the morning sun. His hair is braided with flowers and mature grains, emitting a gentle aroma of earth and harvest. He wears a robe crafted from natural fibers, adorned with embroidery depicting the cycle of planting and harvesting. Agraelis appears as a youthful and radiant human, with a nearly supernatural beauty. His hair is the color of ripe wheat, glowing with golden tones in the sunlight, and his eyes are deep emerald green, reflecting the serenity of the fields. His skin has a subtle glow, as if always kissed by daylight. He wears simple clothing made of fine linen dyed in natural earth tones like green and brown. In one hand, he carries the Cornucopia of Abundance, a small, ornate horn overflowing with fruits, vegetables, and flowers, symbolizing his connection to fertility and nature. The cornucopia should be entwined with wildflowers, enhancing its role as a symbol of prosperity and nature. It's wings are not seeble

Create an image of Agraelis, an angel of radiant beauty associated with abundance and nature. His wings shimmer in hues of green and gold, reminiscent of fertile fields bathed in the morning sun. His hair is braided with flowers and mature grains, emitting a gentle aroma of earth and harvest. He wears a robe crafted from natural fibers, adorned with embroidery depicting the cycle of planting and harvesting. Agraelis appears as a youthful and radiant human, with a nearly supernatural beauty. His hair is the color of ripe wheat, glowing with golden tones in the sunlight, and his eyes are deep emerald green, reflecting the serenity of the fields. His skin has a subtle glow, as if always kissed by daylight. He wears simple clothing made of fine linen dyed in natural earth tones like green and brown. In one hand, he carries the Cornucopia of Abundance, a small, ornate horn overflowing with fruits, vegetables, and flowers, symbolizing his connection to fertility and nature. The cornucopia should be entwined with wildflowers, enhancing its role as a symbol of prosperity and nature.

Create an image of Agraelis, an angel of radiant beauty associated with abundance and nature. His wings shimmer in hues of green and gold, reminiscent of fertile fields bathed in the morning sun. His hair is braided with flowers and mature grains, emitting a gentle aroma of earth and harvest. He wears a robe crafted from natural fibers, adorned with embroidery depicting the cycle of planting and harvesting. Agraelis appears as a youthful and radiant human, with a nearly supernatural beauty. His hair is the color of ripe wheat, glowing with golden tones in the sunlight, and his eyes are deep emerald green, reflecting the serenity of the fields. His skin has a subtle glow, as if always kissed by daylight. He wears simple clothing made of fine linen dyed in natural earth tones like green and brown. In one hand, he carries the Cornucopia of Abundance, a small, ornate horn overflowing with fruits, vegetables, and flowers, symbolizing his connection to fertility and nature. The cornucopia should be entwined with wildflowers, enhancing its role as a symbol of prosperity and nature.

A woman, wearing Muslim clothes and a hijab, standing , holding a torch high with her right hand, wearing pink shoes, while shouting, facing the camera. visible all over his body. his legs together