half sleeve tattoos with

Sleeve tattoos

Half sleeve colored tattoo of hibiscus, roses, Lillie’s, orchids, lotus, daisy and iris with tropical leaves and a blue hummingbird bird

Arm sleeve tree tattoos

Character Description: Style: A cartoon character with a bold, edgy vibe. Appearance: The character has lots of tattoos, covering their arms, neck, and hands. The tattoos could include a mix of traditional designs like skulls, roses, and bold lines to emphasize a tough, rebellious style. Clothing: The character is wearing a black ski mask (pulled up to cover the face completely) and a black hoodie. The hoodie should have the words "steezy2breezy" in a stylish, graffiti-like font across the front. Attitude: The overall look should have a cool, "steezy" vibe—relaxed but confident, with an urban, streetwear aesthetic. For the tattoos, you can mix in elements like: Traditional flash tattoos (roses, daggers, etc.). Modern geometric or abstract designs. Any details that could make the character stand out (like a dragon or skull on the chest, or a sleeve tattoo). If you’re using a program like Adobe Illustrator or Photoshop, you could: Start by sketching the basic outline of the character. Add layers for the tattoos, hoodie, and ski mask. Use bold lines for the tattoos to make them stand out, and experiment with fonts for "steezy2breezy" to give it a street-art feel.

Half-elven warlock. Male, dirty blond hair shoulder length, shaggy brown beard, yellow eyes, muscular. athletic. dark golden mixed-race skin, wearing black leather armer yellow trim and a green hooded cloak. holding a leather-bound tome, male. standing in a dark forest glade

Jesus wearing a crown, gold cloths, black half long hair, holding Eucharist mother mary

Irsh man with blach hair and green eyes and half lion face

Slim black haired man with beird and half lion face

Tattoo sleeve with unicorn, Phoenix, lion, lioness, feather of maat, lotus, thorny rose

A white gangsta swag street woman is wearing a snapback, crop top, and jeans, and she has tattoos on her arms, neck, and stomach.

Man of middle-eastern descent, conventionally attractive with hazel eyes and shaggy dark hair. He stands just short of 7ft tall and shadows curl at the edges of his figure. His deep set eyes shimmer in his otherrwise sullen face. He is clean shaven and bears a scar along the right side of his face. His body is athletic but lithe and his hands and forearms are scarred. Wearing dark leather armor, a swirling black shadow engulfs his lower half as his enormous bat like wings unfold.

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Eladrin elf, ranger, half asian and half white, woman, white hair, blue eyes, light freckles

**Netflix Series: Arcane Original Character** **Name:** Essy Night **Age:** 19 **Gender:** Female **Species:** Human **Side:** Zaun **Appearance:** Essy Night captivates the eye with her striking presence, characterized by long, cascading black hair that moves like shadows in the night. Her fierce pale blue eyes gleam with a chilling intensity, reminiscent of glacial ice, drawing attention wherever she goes. Intricate tattoos snake their way up her hands and forearms, each design telling a story from her tumultuous life, a canvas of her experiences and struggles. Despite her petite frame, her athletic build hints at the agility and resilience developed from a lifetime on the rugged streets of Zaun. Silver piercings, glinting in the light, line her ears and add an edgy, rebellious flair to her appearance. Essy’s wardrobe is a bold manifestation of the Zaun spirit, featuring high-waisted pants that hug her figure, adorned with metal chains that jingle with her every movement. Cropped tops reveal her tattoos, each piece of clothing carefully chosen to project her defiance and individuality. Her fashion palette is dominated by deep hues—ash gray, rich purples, and inky blacks—each outfit a declaration of her resistance against the oppressive world around her.

Half cat half fish