horse standing over a

A woman, wearing Muslim clothes and a hijab, standing , holding a torch high with her right hand, wearing pink shoes, while shouting, facing the camera. visible all over his body. his legs together

A woman, wearing Muslim clothes and a hijab, standing , holding a torch high with her right hand, wearing pink shoes, while shouting, facing the camera. visible all over his body. his legs together

Horse standing from front

Horse standing

Dark Character With Long Limbs, a bit cartoony stylized, and has pitch black eyes and stars all over his body

Extremely toned and athletic, he has large muscles over his body and stomach in particular. Inosuke is usually seen without a shirt, and with only a baggy hakama pants wardrobe. With a large pelt of dark animal fur fastened around the legs. Arm wrappings fastened to his sandals by what seems to be a knee-high fuzzy mask that reveals his feet and legs. He has, though, a pretty face and feminine features, in contrast to his frame. Childish looking face with thin eyebrows, nose and lips He has long thick eyelashes covering his wide eyes with violet irises decorated with jade. He has long black hair fading into a dark ocean blue hue that reaches down to his shoulders.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

Giant Anna from frozen towers over a tiny city. she wears a red lacey bra that reveals her massive cleavage. She also wears a short red tennis miniskirt that reaches her upper thighs and reveals her panties. she is looking directly down at the viewer with an excited smirk .dramatic low angle close up shot with viewer inches away from annas body emphasizing her looming, imposing presence and huge size. anna takes up almost the entire frame. Point of view from the ground looking up annas skirt. Point of view at annas shoes looking up under her skirt.

Giant Anna from frozen towers over a tiny city. she wears a red lacey bra that reveals her massive cleavage. She also wears a short red tennis miniskirt that reaches her upper thighs and reveals her panties. she is looking directly down at the viewer with an excited smirk .dramatic low angle close up shot with viewer inches away from annas body emphasizing her looming, imposing presence and huge size. anna takes up almost the entire frame. Point of view from the ground looking up annas skirt.

Giant Anna from frozen towers over a miniature city. she wears a red lacey bra that reveals her massive cleavage. She also wears a short red tennis miniskirt that reaches her upper thighs and reveals her panties. Annas face is looking directly down at the viewer with an excited smirk .dramatic low angle close up shot with viewer inches away from annas body emphasizing her looming, imposing presence and huge size. anna takes up almost the entire frame. Point of view from ground level at annas feet looking up at her face.

Giant Anna from frozen towers over a tiny city. she wears a red lacey bra that reveals her massive cleavage. She also wears a short red tennis miniskirt that reaches her upper thighs and reveals her panties. she is looking directly down at the viewer with an excited smirk .dramatic low angle close up shot with viewer inches away from annas body emphasizing her looming, imposing presence and huge size. anna takes up almost the entire frame

Giant Anna from frozen towers over a tiny city. she wears a red workout tank top and a red tennis skirt that reaches her upper thighs. she is looking directly down at the viewer with a mischevious grin .dramatic low angle close up shot with viewer inches away from annas body emphasizing her looming, imposing presence and huge size. anna is crawling towards us on her hands and knees with her torso raised in the air behind her

Marijana is standing in the center of a stylish, softly lit room, her figure commanding attention with elegance and grace. Her recently enhanced F-sized bust is a prominent feature, giving her an hourglass silhouette that exudes confidence and femininity. The fullness of her chest is beautifully highlighted by the tailored fit of her black blouse, which accentuates her curves without appearing overly tight. The blouse’s smooth fabric adds a polished touch, contrasting subtly with the vivid color of her skirt. She wears a bright yellow pencil skirt that hugs her hips and falls slightly above her knees, showcasing her well-toned legs. Her legs are elegantly adorned with black, sheer 20-denier stockings, their slight shimmer catching the light and adding a layer of sophistication. The look is completed with black stiletto heels, their pointed toes and slender design enhancing the sleekness of her overall appearance. Her posture is impeccable, her shoulders back and head held high, exuding a quiet confidence. Marijana’s platinum blonde hair is styled straight, cascading smoothly over her shoulders and framing her glowing face. The natural sheen of her hair complements her radiant makeup: lightly flushed cheeks, soft eyeliner that defines her eyes, and a nude lipstick that enhances her full lips. Her expression is calm and content, her presence commanding yet approachable. The overall composition of the image highlights not just her physical transformation but her renewed sense of confidence and self-assured elegance.