Human/fey, purple/red hair, necklace,

Human/fey, purple/red hair, necklace, leather D&D rogue armour, Stiletto Heeled Boots, Green eyes, 5'8 tall, 118 lbs, red fingernails, light freckles, gothic choker sword belt with sword, female, feminine looks, pink eyebrows, four tattoos, bracelet on left hand, black cloak,

A man, short black hair, black eyes, muscular body, wearing a black robe, wearing boots, carrying a sword in his left hand, carrying a gun in his right hand, pointing forward, background house , along with a name with a human face, the name has a black face

One Piece anime character, long light blonde hair, curly, flowers in her hair, flowers are her dark power, demonic flowers, big neon pink eyes, very long eyelashes, flirty look, full red lips, wears black dress with a leather corset belt at the waist. she has long leather boots and long leather gloves, in her ears are heavy brass earrings

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

Classically beautiful woman with long, curly red hair and short black strand of hair, very modest and discreet eyeliner, red lips, deep green eyes, fierce expression, slim face with straight, sharp nose, pointy chin, wearing a plain blue leather top with V-shaped cleavage, blue shoulderpads, showing full head

Classically beautiful woman with long curly red hair, black bangs, very modest and discreet eyeliner, intense red lips, deep green eyes, fierce expression, slim face with straight, sharp nose, pointy chin, wearing a plain blue leather top, blue solid shoulderpads over top, ultra-realistic portrait

Classically beautiful woman with long curly red hair, black bangs, very modest and discreet eyeliner, no makeup, red lips, deep green eyes, fierce expression, slim face with straight, sharp nose, pointy chin, wearing a plain blue leather top, blue solid shoulderpads over top, ultra-realistic portrait

Beautiful woman with long curly red hair and black bangs, very modest and discreet black eyeliner, no makeup, red lips, deep green eyes, fierce, slim face with straight, sharp nose, pointy chin, wearing a plain blue leather top, blue solid shoulderpads over top, ultra-realistic portrait

Classically beautiful woman with long curly red hair and black strand of hair in bangs, very modest and discreet black eyeliner, no makeup, red lips, deep green eyes, fierce, slim face with straight, sharp nose, pointy chin, wearing a plain blue leather top, blue solid shoulderpads over top

Classically beautiful woman with long curly red hair and black strand of hair in bangs, very modest and discreet black eyeliner, no makeup, red lips, deep green eyes, fierce, slim face with straight, sharp nose, pointy chin, wearing a plain blue leather top, blue solid shoulderpads over top, ultra-realistic portrait

Ragnear the Goblin King is a handsome green skinned muscle -bound warrior king. With pointed goblin ears, he wears two gold hoop earrings on both his pointed ears. Ragnear has wild spikey blue hair on his head, and a blue beard facial hair. Ragnear has blue hair on his muscular chest. His eyes are fiery red orange. He has black clawed fingernails, and black clawed toenails. He wears a gothic silver and black crown on his head. He enjoys being shirtless and showing off his muscular body. He wears a light brown tribal loin cloth around his waist. During the Halloween season, he loves spending his nights in the woods. Where the full moon shines high in the starry night sky. The dark trees are rustling, and the leaves are on the ground. And Halloween jack-o-lanterns glow in the dark night on the ground with smiles on their pumpkin carved faces.

Ragnear the Goblin King is a handsome green skinned muscle -bound warrior king. With pointed goblin ears, he wears two gold hoop earrings on both his pointed ears. Ragnear has wild spikey blue hair on his head, and a blue beard facial hair. Ragnear has blue hair on his muscular chest. His eyes are fiery red orange. He has black clawed fingernails, and black clawed toenails. He wears a gothic silver and black crown on his head. He enjoys being shirtless and showing off his muscular body. He wears a light brown tribal loin cloth around his waist. During the Halloween season, he loves spending his nights in the woods. Where the full moon shines high in the starry night sky. The dark trees are rustling, and the leaves are on the ground. And Halloween jack-o-lanterns glow in the dark night on the ground with smiles on their pumpkin carved faces.

His hair is spiky and wild, featuring an eye-catching mix of gray and green hues. The yellow headband with red accents adds a playful touch, keeping his hair in check while showcasing his energetic style. His bright yellow eyes are striking and full of determination, suggesting a fierce passion for Pokémon battles and adventure. Outfit: He sports a trendy turquoise and green jacket that perfectly complements his adventurous spirit. Underneath, he wears a light green shirt that adds a fresh vibe. His green shorts are practical for movement and have a stylish cut, while subtle red details on the jacket and shorts add a pop of color. Accessories:A small, cheerful yellow duck, reminiscent of a Water-type Pokémon, perches adorably atop his head, symbolizing his love for Pokémon and adding a whimsical element to his design. He holds a Poké Ball firmly in his hand, ready for battle or to catch new friends. He’s around 155cm tall Footwear:His blue and green boots feature a playful cat design, reflecting his fun-loving personality while also being suitable for all types of terrain during his journeys.