In the animation style

Prompt: A vibrant 3D cartoon-style animation of a majestic multi-tiered waterfall cascading down rocky cliffs, surrounded by lush, exaggerated tropical foliage. The water is depicted in a smooth, slightly stylized manner with bright white foam and rich brownish currents, giving it a dynamic yet playful look. A small wooden canoe, slightly exaggerated in proportions, floats in the river, carrying a lone adventurer with a round face and expressive features, paddling gently. The jungle in the background is dense with oversized, soft-textured trees and bushes, rich in various shades of green. The sky is a mix of light and moody blues, with soft, fluffy clouds drifting by. The lighting is warm and inviting, with subtle god rays breaking through the treetops, adding depth. The overall atmosphere is lively and adventurous, with a balance between realism and stylized cartoon animation, similar to a Pixar or DreamWorks aesthetic. The animation includes smooth water movement, gentle swaying of trees, and mist rising from the waterfalls to create an immersive and dynamic scene.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

| سین | بیک گراؤنڈ کی تفصیل | بیک گراؤنڈ پرامپٹ | | -------------------------------------- | ----------------------------------------------- | ----------------------------------------------------------------------------------------------------- | | **Scene 1 – Village Morning** | سورج طلوع ہو رہا ہے، کھیتوں میں ہل، دور پہاڑیاں | *"Beautiful Indian village sunrise, green fields, distant mountains, huts, 2D animation background"* | | **Scene 2 – Tree with Injured Monkey** | بڑا درخت، نیچے پتوں کا فرش، ہلکی روشنی | *"Large banyan tree in rural field, soft sunlight, fallen leaves, emotional tone, 2D background art"* | | **Scene 3 – Farm Working Scene** | کسان اور بندر ساتھ کھیت میں | *"Farmland with plowed soil, sunny sky, 2D village field background"* | | **Scene 4 – Rest Under Tree** | درخت کا سایہ، دوپہر کا وقت | *"Big shady tree in farm, farmer sleeping under tree, hot afternoon light, 2D animation background"* | | **Scene 5 – Tragic Moment** | وہی جگہ، کلہاڑا ہاتھ میں، ڈرامیٹک روشنی | *"Dramatic cartoon scene, monkey holding axe, shocked expression, sunset lighting, emotional tone"* | | **Scene 6 – Ending Scene** | سورج غروب، بندر اکیلا بیٹھا | *"Lonely monkey sitting under tree, sunset sky, emotional ending, 2D animation art"* |

A pretty Black female barista wearing a short sleeve white shirt stands in front of the coffee shop cash register and a tip jar. Inside the tip jar are a few dollar bills and a folded pink piece of paper. The barista is taking the pink paper from the tip jar, not smiling but instead she is looking puzzled because she doesn't know who is leaving her notes in the tip jar. In the background, show the handsome Black man is sitting at one of the coffee shop tables, watching the barista.

Scene 1: Introduction to the SituationPhoto Description: The woman stands in a messy kitchen, with dishes piled high in the sink and scattered across the countertops. She looks bewildered and exhausted, with wide eyes as if facing a major challenge.Scene 2: Attempt to EscapePhoto Description: The woman is sneaking out of the kitchen, but a spoon or utensil on the floor seems to block her way. She looks around nervously, glancing at the camera with a humorous expression of defeat.Scene 3: Moment of InspirationPhoto Description: The woman is sitting on the floor next to the sink, resting her chin on her hand as if deep in thought. Her face lights up with a bright idea, showing a look of excitement.Scene 4: Creative AttemptPhoto Description: The woman is smiling excitedly while arranging dishes into funny shapes or structures on the table, like a tower or pyramid. Some dishes are falling over, adding a comedic touch.Scene 5: Humorous ResignationPhoto Description: The woman, wearing cleaning gloves and holding a sponge, is laughing as she starts washing dishes. Her face shows a mix of humor and determination, as if she has finally accepted the task with a good attitude.

Scene 1: Introduction to the SituationPhoto Description: The woman stands in a messy kitchen, with dishes piled high in the sink and scattered across the countertops. She looks bewildered and exhausted, with wide eyes as if facing a major challenge.Scene 2: Attempt to EscapePhoto Description: The woman is sneaking out of the kitchen, but a spoon or utensil on the floor seems to block her way. She looks around nervously, glancing at the camera with a humorous expression of defeat.Scene 3: Moment of InspirationPhoto Description: The woman is sitting on the floor next to the sink, resting her chin on her hand as if deep in thought. Her face lights up with a bright idea, showing a look of excitement.Scene 4: Creative AttemptPhoto Description: The woman is smiling excitedly while arranging dishes into funny shapes or structures on the table, like a tower or pyramid. Some dishes are falling over, adding a comedic touch.Scene 5: Humorous ResignationPhoto Description: The woman, wearing cleaning gloves and holding a sponge, is laughing as she starts washing dishes. Her face shows a mix of humor and determination, as if she has finally accepted the task with a good attitude.

A beautifully painted realism scene of a lively seaside market in Accra, Ghana, blending local culture and coastal scenery. The scene shows vibrant market activity near the ocean, with vendors selling cocoa pods, shea nuts, and shea butter arranged in wooden wheelbarrows and woven baskets. The seaside background features gentle blue waves, fishing boats, palm trees, and a red-and-white lighthouse on rocky cliffs, with colonial-style buildings in the distance. People wear colorful traditional Ghanaian fabrics, illuminated by warm tropical sunlight. The painting style should resemble richly textured oil or acrylic brushwork, with soft blending, vivid colors, and expressive detailing — capturing movement, warmth, and atmosphere. The composition should feel dynamic, authentic, and culturally vibrant, harmonizing the earthy tones of the market with the cool blues of the sea. the sea should be on the left side

A beautifully painted realism scene of a lively seaside market in Accra, Ghana, blending local culture and coastal scenery. The scene shows vibrant market activity near the ocean, with vendors selling cocoa pods, shea nuts, and shea butter arranged in wooden wheelbarrows and woven baskets. The seaside background features gentle blue waves, fishing boats, palm trees, and a red-and-white lighthouse on rocky cliffs, with colonial-style buildings in the distance. People wear colorful traditional Ghanaian fabrics, illuminated by warm tropical sunlight. The painting style should resemble richly textured oil or acrylic brushwork, with soft blending, vivid colors, and expressive detailing — capturing movement, warmth, and atmosphere. The composition should feel dynamic, authentic, and culturally vibrant, harmonizing the earthy tones of the market with the cool blues of the sea.

A beautifully painted realism scene of a lively seaside market in Accra, Ghana, blending local culture and coastal scenery. The scene shows vibrant market activity near the ocean, with vendors selling cocoa pods, shea nuts, and shea butter arranged in wooden wheelbarrows and woven baskets. The seaside background features gentle blue waves, fishing boats, palm trees, and a red-and-white lighthouse on rocky cliffs, with colonial-style buildings in the distance. People wear colorful traditional Ghanaian fabrics, illuminated by warm tropical sunlight. The painting style should resemble richly textured oil or acrylic brushwork, with soft blending, vivid colors, and expressive detailing — capturing movement, warmth, and atmosphere. The composition should feel dynamic, authentic, and culturally vibrant, harmonizing the earthy tones of the market with the cool blues of the sea. the sea should be on the left side

A hyperrealistic scene of a vibrant seaside market in Accra, Ghana, blending traditional and coastal life. The setting includes the Atlantic shoreline with gentle blue waves, a white-and-red lighthouse on a rocky point, and colonial-style buildings in the background. In the foreground, lively market vendors sell colorful local goods — cocoa pods, shea nuts, shea butter, tropical fruits, and vegetables — displayed in wooden wheelbarrows and baskets. Palm trees frame the scene, and fishing boats rest on the sand near the water. The atmosphere is bright and sunny with soft golden light, showcasing detailed Ghanaian fabrics, natural textures, and realistic skin tones. The composition should feel authentic, energetic, and full of local culture, combining the warm tones of the market with the cool blues of the ocean for a visually balanced image.

A beautifully painted realism scene of a lively seaside market in Accra, Ghana, blending local culture and coastal scenery. The scene shows vibrant market activity near the ocean, with vendors selling cocoa pods, shea nuts, and shea butter arranged in wooden wheelbarrows and woven baskets. The seaside background features gentle blue waves, fishing boats, palm trees, and a red-and-white lighthouse on rocky cliffs, with colonial-style buildings in the distance. People wear colorful traditional Ghanaian fabrics, illuminated by warm tropical sunlight. The painting style should resemble richly textured oil or acrylic brushwork, with soft blending, vivid colors, and expressive detailing — capturing movement, warmth, and atmosphere. The composition should feel dynamic, authentic, and culturally vibrant, harmonizing the earthy tones of the market with the cool blues of the sea.

Creat an image of a weathered, grizzled African American fishing boat captain, from the waist up, in ruggedly worn black fishing gear, worn denim jeans, faded black and white striped shirt, scuffed and faded black rubber boots, bushy white eyebrows, worn and weathered captain's hat, thick white beard, gruff expression, standing on an upscale beach resort boardwalk on the Florida Gulf Cost, distant lighthouse standing tall, salty sea air filling the atmosphere, soft, warm sunlight casting a gentle glow, cinematic lighting, highly detailed textures, realistic style, reminiscent of classic Floria coastal resort towns, evoking a sense of rugged individualism and maritime tradition, masterful use of earthy tones and muted colors, subtle play of light and shadow, atmosphere charged with the smell of saltwater and the sound of seagulls, meticulously rendered details, from the worn stitching on the captain's hat, inviting the viewer to step into the serene, yet rugged world of the fishing boat captain.

Creat an image of a weathered, grizzled African American fishing boat captain, from the waist up, in ruggedly worn black fishing gear, worn denim jeans, faded black and white striped shirt, scuffed and faded black rubber boots, bushy white eyebrows, worn and weathered captain's hat, thick white beard, gruff expression, standing on a worn, weathered boardwalk, rustic wooden railings, old fishing nets and lines strewn about, seagulls flying overhead, gray and white sea foam crashing against the shore, distant lighthouse standing tall, faded signs and buoys dotting the boardwalk, salty sea air filling the atmosphere, soft, warm sunlight casting a gentle glow, cinematic lighting, highly detailed textures, realistic style, reminiscent of classic New England coastal towns, evoking a sense of rugged individualism and maritime tradition, masterful use of earthy tones and muted colors, subtle play of light and shadow, atmosphere charged with the smell of saltwater and the sound of seagulls, meticulously rendered details, from the worn stitching on the captain's hat to the rusty hinges on the boardwalk railings, inviting the viewer to step into the serene, yet rugged world of the fishing boat captain.

Create a vibrant, high-resolution, surreal fashion portrait featuring a woman wearing an avant-garde outfit composed of oversized, plush, balloon-like flowers in bold, pastel colors. The flowers, arranged in a bouquet around her body, include a mix of exaggerated petals, buds, and leaves, with soft, rounded textures that make them appear both organic and sculptural. The ensemble bursts with shades of pink, red, orange, blue, and yellow, blending seamlessly to create a visually stunning, playful aesthetic. The woman, centered in the composition, wears a purple hoodie that contrasts with the vivid floral arrangement, with her face calm and serene, peeking out from the hood. The background is a smooth, soft pink gradient, enhancing the whimsical, dreamy feel of the scene. The lighting is even and diffused, softly illuminating the textures of the flowers and the fabric of the hoodie, creating gentle shadows that add depth to the composition. The scene should evoke a sense of surreal fashion, blending elements of nature with a modern, artistic twist. The overall design is polished, stylized, and visually engaging, capturing the contrast between the structured, sculptural forms of the flowers and the smooth simplicity of the background. Use a 9:16 aspect ratio for a vertical, immersive shot that emphasizes the tall, elongated arrangement of the bouquet