Knotwork to go as

Thorns wrapped around arm tattoo

Wrap around arm tattoos

Tall and imposing, Kylanus has a handsome and rugged appearance marked by battle scars that tell tales of countless confrontations that he covers with tattoos. His piercing eyes are brown with flects of red seem to hold unspoken stories, while his dark hair often falls messily around his face. A constant shadow seems to follow him, adding an air of mystery to his presence. He has large black feathered wings, which he flexes, but can also hide. Often wearing fighting leathers. He is tall, and a mountain of muscle. He is very attractive. He has many tattoos on him, including a black snake coiled around his arm.  

Snake wrapped around arm tattoo

Snake wrapped around arm tattoo

"Traditional Acehnese house (Rumoh Aceh), 10 meters long and 8 meters wide. Elevated structure on 3-meter tall wooden stilts. Distinctive boat-shaped roof, 15 meters long, with 60-degree slope and upward-curving ends reaching 7 meters at the peak. Walls of dark teak planks featuring intricate geometric carvings, especially on the triangular gables. Central front door flanked by two windows with ornate wooden shutters. 2-meter wide wrap-around veranda with carved balustrades. Wooden staircase with 10 steps leading to the entrance, adorned with traditional Acehnese patterns. House predominantly in rich brown tones with black accents on structural elements. In the foreground, a group of 9 men performing the Saman dance. Dancers seated in a tight row, wearing black and gold traditional Acehnese attire. Their upper bodies moving in synchronized, rhythmic motions - clapping, arm-waving, and torso-swaying. Setting: Rural Aceh landscape at golden hour. Lush green rice paddies in the middle ground, backed by misty blue mountains. Warm, orange sunlight casting long shadows and giving the scene a golden glow."

Realistic picture of a above average looking 45-year-old woman wearing a summer dress and a muscular ,slightly fat 50-year-old man ,dark brown hair,no beard wearing a black t-shirt and jeans that has his arm around her, sitting together on a bench smiling posing to the camera. Higly detailed. Anatomically correct.

Realistic picture of a above average looking 45-year-old woman wearing a summer dress and a muscular ,slightly fat 50-year-old man wearing a black t-shirt and jeans that has his arm around her, sitting together on a bench smiling posing to the camera. They are in love. Higly detailed. Anatomically correct.

Extremely toned and athletic, he has large muscles over his body and stomach in particular. Inosuke is usually seen without a shirt, and with only a baggy hakama pants wardrobe. With a large pelt of dark animal fur fastened around the legs. Arm wrappings fastened to his sandals by what seems to be a knee-high fuzzy mask that reveals his feet and legs. He has, though, a pretty face and feminine features, in contrast to his frame. Childish looking face with thin eyebrows, nose and lips He has long thick eyelashes covering his wide eyes with violet irises decorated with jade. He has long black hair fading into a dark ocean blue hue that reaches down to his shoulders.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

Arm band tattoo

Arm around shoulder

Forearm tattoo using gears to fill in around a quote