large, stoic, bear, white
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Steps30
SamplerK_EULER
CFG Scale7
Seed602749940
More Ai art like large, stoic, bear, white
A taller male. He has brown fur. He is 27 years old. He has long darker brown hair that is down below his cheeks. He has a mid-length, fluffy brown tail. He has dark brown, hazel eyes. He has a cute face and large, fluffy ears that have a dark brown stripe at the tips of them. He has a small, short nose. He has a more effeminate body. He has white fur on his muzzle. He has smaller hands with short fingers. He has 4 fingers and 1 thumb on each hand. He has medium thickness thighs. He has a medium sized bulge. He is wearing stockings and a closed hoodie. He is sitting in a windowsill.
A taller male. He has brown fur. He is 27 years old. He has long darker brown hair that is down below his cheeks. He has a mid-length, fluffy brown tail. He has dark brown, hazel eyes. He has a cute face and large, fluffy ears that have a dark brown stripe at the tips of them. He has a small, short nose. He has a more effeminate body. He has white fur on his muzzle. He has smaller hands with short fingers. He has 4 fingers and 1 thumb on each hand. He has medium thickness thighs. He has a medium sized bulge. He is wearing stockings and a closed hoodie. He is sitting in a windowsill.
A taller male. He has brown fur. He is 27 years old. He has long darker brown hair that is down below his cheeks. He has a mid-length, fluffy brown tail. He has dark brown, hazel eyes. He has a cute face and large, fluffy ears that have a dark brown stripe at the tips of them. He has a small, short nose. He has a more effeminate body. He has white fur on his muzzle. He has smaller hands with short fingers. He has 4 fingers and 1 thumb on each hand. He has medium thickness thighs. He has a medium sized bulge. He is wearing stockings and a closed hoodie. He is sitting in a windowsill.
A cute Sanrio character named Cinnamoroll, also known as Cinnamon, is shown sleeping peacefully in bed. He is a white puppy with large, floppy ears, and is smiling with his eyes closed. He is covered by a pink blanket with white polka dots. The background features a night sky with fluffy clouds and a crescent moon, giving a dreamy and calm atmosphere. The scene is cozy and serene, suggesting a peaceful night's sleep
A realistic full-body image of a woman with vibrant cerulean skin and dark navy hair styled in a ponytail. She has subtle red eyes that appear softly illuminated. She is wearing a white labcoat and blue scrubs and blue shoes and a stethoscope. The image should be presented in a vertical format, capturing her entire body from head to toe, with both front and back views included.
A realistic full-body image of a young woman with vibrant cerulean skin and dark navy hair styled in a ponytail. She has subtle red eyes that appear softly illuminated. She is wearing a white labcoat and blue scrubs and blue shoes and a stethoscope. The image should be presented in a vertical format, capturing her entire body from head to toe, with both front and back views included.
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.