lenox hill hospital upper

East side sign gang sign

Crea un mapa de berlín y señala en él estos lugares:Parlamento Alemán de Berlín, Puerta de Brandeburgo, Pariser Platz, Monumento al, Holocausto de Berlín, Exposición "Topografía del Terror", East Side Gallery, Isla de Museos, Catedral de Berlín, Museo de Historia de Berlín, Museo de Historia Natural de Berlín Centro de Ciencias Spectrum, Planetario de Berlín, Jardín Botánico de Berlín, Museum of Medical History, Galería Nacional y Museo de Arte Contemporáneo

A furrow which is 11-1/2 inches long and which ranges from 1/2 to 1-1/2 inch wide almost completely encircles the neck. The bed of the furrow is dried, tan, and abraded on the left side of the neck and shows pallor of the livor on the right. There are several slightly oblique red-tan abrasions on the left jawline at the superior edge of the furrow (3-1/2 x 3/8 inches) and on the lateral right neck at the inferior edge of the furrow (approximately 2 x 1/2 inches). The lowest point of the furrow is on the anterolateral left neck at 9-3/4 inches below the top of the head. On the right side of the neck the furrow is directed sharply upward and posteriorly; the highest point of the furrow is on the right occipital scalp at 5-1/2 inches below the top of the head. There are occasional, large red purple petechiae of the bulbar surface of the conjunctiva on the right eye. A layered in situ examination of the soft tissues and structures of the anterior neck reveals focal purple hemorrhage at the upper attachment of the left sternothyroid and thyrohyoid muscles. OTHER INJURIES - Upper and posterior scalp, left side of the face, and upper left back with a few tiny, purple-brown, and slightly crusted abrasions. - Posterior neck with an approximately 1-1/4 x 1/2 inch area containing patchy purple contusion. - Lower abdomen and left flank with a few, up to 3/4 inch, dried brown abrasions. - Upper left shoulder with a 1-1/2 x 3/4 inch brown abraded contusion. - Upper left chest with a 1-1/4 inch curvilinear brown abrasion. - Medial right arm and elbow with a few, up to 3/8 inch small brown and red-purple abrasions. - Ventral right forearm with a 4 x 2-1/2 inch area with several up to 1/2 inch irregular dried purplebrown abrasions. - Base of the penis and right scrotal sac with a few tiny dark red-brown abrasions. - Lateral left elbow with an approximately 3/16 x 1/4 inch dark purple contusion. - Left antecubital fossa with an approximately 2 x 1 inch area containing dried red abrasion. - Ventral left forearm with at least four, longitudinally-oriented, dried, dark purple abrasions which measure up to 4-1/2 inches in greatest dimension. - Left antecubital fossa and ventral left forearm with a few apparent purple puncture marks. - Left arm, elbow, and forearm with several scattered tiny red-purple abrasions. - Anterior knees and legs with dark purple abrasions measuring up to 7/8 inch in greatest dimension. - Medial right foot with a small red abrasion.

A furrow which is 11-1/2 inches long and which ranges from 1/2 to 1-1/2 inch wide almost completely encircles the neck. The bed of the furrow is dried, tan, and abraded on the left side of the neck and shows pallor of the livor on the right. There are several slightly oblique red-tan abrasions on the left jawline at the superior edge of the furrow (3-1/2 x 3/8 inches) and on the lateral right neck at the inferior edge of the furrow (approximately 2 x 1/2 inches). The lowest point of the furrow is on the anterolateral left neck at 9-3/4 inches below the top of the head. On the right side of the neck the furrow is directed sharply upward and posteriorly; the highest point of the furrow is on the right occipital scalp at 5-1/2 inches below the top of the head. There are occasional, large red purple petechiae of the bulbar surface of the conjunctiva on the right eye. A layered in situ examination of the soft tissues and structures of the anterior neck reveals focal purple hemorrhage at the upper attachment of the left sternothyroid and thyrohyoid muscles. OTHER INJURIES - Upper and posterior scalp, left side of the face, and upper left back with a few tiny, purple-brown, and slightly crusted abrasions. - Posterior neck with an approximately 1-1/4 x 1/2 inch area containing patchy purple contusion. - Lower abdomen and left flank with a few, up to 3/4 inch, dried brown abrasions. - Upper left shoulder with a 1-1/2 x 3/4 inch brown abraded contusion. - Upper left chest with a 1-1/4 inch curvilinear brown abrasion. - Medial right arm and elbow with a few, up to 3/8 inch small brown and red-purple abrasions. - Ventral right forearm with a 4 x 2-1/2 inch area with several up to 1/2 inch irregular dried purplebrown abrasions. - Base of the penis and right scrotal sac with a few tiny dark red-brown abrasions. - Lateral left elbow with an approximately 3/16 x 1/4 inch dark purple contusion. - Left antecubital fossa with an approximately 2 x 1 inch area containing dried red abrasion. - Ventral left forearm with at least four, longitudinally-oriented, dried, dark purple abrasions which measure up to 4-1/2 inches in greatest dimension. - Left antecubital fossa and ventral left forearm with a few apparent purple puncture marks. - Left arm, elbow, and forearm with several scattered tiny red-purple abrasions. - Anterior knees and legs with dark purple abrasions measuring up to 7/8 inch in greatest dimension. - Medial right foot with a small red abrasion.

Bridgepoint hospital capitol hill

Face Shape: • Shape: Oval with soft, symmetrical features • Forehead: Smooth and proportionate, often partially covered by her straight hair • Jawline: Gently defined, contributing to her elegant and youthful appearance Face: • Complexion: Fair and smooth • Makeup: Striking yet subtle, enhancing her natural beauty - Eyeliner: Subtle, used to define the eyes without overpowering them - Mascara: Enhances the length and volume of her lashes - Eyeshadow: Neutral tones, occasionally used to add depth and dimension Hair: • Color: Light blonde • Length: Down to her bottom of her ribcage • Style: • Generally worn long and straight, falling gracefully over her shoulders • Occasionally styled with soft waves or slight curls at the ends • Often parted in the middle or slightly to one side • Sometimes worn in casual styles, like a loose ponytail or half-up half-down Eyebrows: • Shape: Naturally arched, slightly tapered towards the ends • Color: Light brown to match her hair color, enhancing her light blue eyes • Grooming: Well-maintained and shaped, contributing to her polished appearance Eyes: • Color: Captivating Light blue, with a captivating and vibrant hue • Shape: Almond-shaped with long, giving her a slightly exotic look • Size: Medium to large, prominently set in her face, making them a focal point • Eyelashes: Long, naturally curled eyelashes that frame her eyes beautifully • Expression: Her eyes exude confidence, regality, and a touch of sultriness. They often appear calm and poised, reflecting her inner strength and grace. Lips: • Color: Soft, natural pink or slightly glossy pink, giving a fresh and youthful appearance • Shape: o Upper Lip: Well-defined cupid's bow, giving her lips a heart-like shape o Lower Lip: Full and plump, balancing the overall look of her mouth o Size: Full and well-defined, not overly large but noticeable and inviting o Expression: Her lips often carry a gentle, serene smile or a calm, poised look. This adds to her regal and graceful demeanor, making her appear both approachable and majestic. o Texture: Smooth, with a natural sheen that adds to their allure Chin: • Shape: Softly rounded with a slight point, adding to her overall facial symmetry • Expression: Firm yet feminine, contributing to her strong yet graceful appearance Build: • Body Type: Slim and athletic • Height: Approximately 5'7" • Weight 103 lbs. • Posture: Upright and poised, reflecting her royal status Figure: • Shoulders: Slightly broad but feminine, adding to her elegant silhouette • Waist: Defined, contributing to her hourglass figure 34” 20” 32” • Legs: Long and toned, often emphasized by her elegant gowns and outfits • Overall Appearance: Fit and graceful, with a body that suggests both strength and elegance

"A medium-sized tattoo depicting a winding path full of obstacles, symbolizing resilience and perseverance. The path starts at the base of a compass, which represents a guiding force throughout the journey. Along the path, there are symbols of challenges like rocks, thorny vines, and steep climbs, but the path continues towards a distant point of light or success. Incorporate natural elements like trees or mountains to emphasize growth and overcoming adversity. The design should feel dynamic, showing movement and progression. Include the word 'Resilience' in an elegant script, integrated into the design, as a reminder of inner strength. Preferred placement options: upper arm, upper back, ribs, side of the leg, or thighs."

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

Bare feet with black nail polish with Tribal-inspired patterns along the side of your foot

Feet in black heels with Legs crossed and angle from the side 

Side foot pose

Marijana is lounging by the sparkling pool of a luxurious hotel, the midday sun illuminating her radiant, sun-kissed skin. She’s dressed in a sleek black bikini that perfectly highlights her enhanced F-sized bust, with the supportive top elegantly emphasizing her full and balanced figure. The halter-style bikini ties neatly behind her neck, drawing attention to her graceful shoulders and collarbone. Her toned abdomen complements her curvaceous silhouette, while the matching bikini bottoms rest perfectly on her hips, accentuating her hourglass figure. Her platinum blonde hair, styled straight and smooth, cascades down her back, shimmering in the sunlight as the gentle breeze moves through the air. Marijana’s face is makeup-free, yet her natural beauty is striking. A healthy glow highlights her high cheekbones, and her soft pink lips curve into a serene, confident smile. Her clear blue eyes glimmer as they gaze toward the horizon, reflecting the bright azure of the sky and pool. The hotel pool behind her is a serene oasis, with the glint of sunlight dancing on its surface. Marijana reclines gracefully on a sun lounger, a white towel beneath her, her legs extended slightly and her posture effortlessly elegant. Her relaxed demeanor conveys a sense of peace and satisfaction, enjoying the tranquil luxury of her surroundings. Beside her, a tall glass of iced water with a slice of lemon rests on a small side table, a perfect complement to the warm, sunny day.

The image captures a highly professional and sterile environment within an operating room. Marijana, a 39-year-old blonde, lies on the surgical table, her figure draped in a surgical gown. Her hair is carefully tucked under a surgical cap, and her face, though serene, is partially obscured by an oxygen mask delivering a steady flow of air. Monitors surround her, displaying vital signs such as heart rate, oxygen saturation, and blood pressure, with gentle beeping sounds punctuating the quiet focus of the room. The surgical team, clad in blue scrubs, gloves, and face masks, works with precision. The lead surgeon stands at Marijana's side, calmly instructing the team, while an assistant prepares sterile instruments laid out on a metal tray. A bright surgical light overhead illuminates the operative field, casting sharp clarity on every detail. The anesthesiologist stands by her head, monitoring her vitals closely, adjusting the anesthesia dosage as needed. The atmosphere is one of concentration and expertise, as each team member performs their role seamlessly, ensuring Marijana’s safety and the success of the procedure.