Make a women feet

Make a women feet pic and make the feet look the same in every picutre

Make a women feet with socks pic and make the feet look the same in every picutre

Make a women feet with socks pic and make it look the same in every picutre

Women Feet that look real up close

Artistic delicate clown painting or drawing with dark background - burgundy, red black color palette, something in same style of Stanczyk paint " sad clown paradox" artist, but more positive, with  smile. not scary and heavy, in artistic neutral way, all figure or portrait, darkish background , women, different emotions 

Artistic delicate clown painting or drawing with dark background - burgundy, red black color palette, something in same style of Stanczyk paint " sad clown paradox" artist, but more positive, with delicate smile. not scary and heavy, in artistic neutral way, all figure, darkish background , women and man, different emotions 

Artistic delicate clown painting or drawing with dark background - burgundy, red black color palette, something in same style of Stanczyk paint " sad clown paradox" artist, but more positive, with delicate smile. not scary and heavy, in artistic neutral way, portrait from distance or / and all figure, darkish background , women and man, different emotions 

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Setting: Use a medium-sized wooden or dark-toned basin filled with clean water. Scatter light pink daisy-like flowers evenly across the surface of the water for a soft, decorative touch. Feet Positioning: Place the feet gently in the water, slightly crossed for a relaxed and natural look. Ensure the legs are positioned elegantly, with one resting lightly over the other for a graceful effect. Additional Elements: Include smooth white stones at the bottom of the basin for texture and a spa-like feel. The stones should be visible through the water. Water Flow: Have a stream of water pouring into the basin from a wooden or natural-looking container. The pouring water should create a sense of motion and add a soothing, dynamic element to the image. Lighting: Use soft, warm lighting to highlight the skin tone and make the scene feel cozy and inviting. Avoid harsh shadows to maintain a serene spa-like ambiance. Composition: Frame the shot to focus primarily on the legs and feet, while capturing the flowers, water, and pouring stream in the background. Ensure the background is minimal to keep the attention on the subject.

Setting: Use a medium-sized wooden or dark-toned basin filled with clean water. Scatter light pink daisy-like flowers evenly across the surface of the water for a soft, decorative touch. Feet Positioning: Place the feet gently in the water, slightly crossed for a relaxed and natural look. Ensure the legs are positioned elegantly, with one resting lightly over the other for a graceful effect. Additional Elements: Include smooth white stones at the bottom of the basin for texture and a spa-like feel. The stones should be visible through the water. Water Flow: Have a stream of water pouring into the basin from a wooden or natural-looking container. The pouring water should create a sense of motion and add a soothing, dynamic element to the image. Lighting: Use soft, warm lighting to highlight the skin tone and make the scene feel cozy and inviting. Avoid harsh shadows to maintain a serene spa-like ambiance. Composition: Frame the shot to focus primarily on the legs and feet, while capturing the flowers, water, and pouring stream in the background. Ensure the background is minimal to keep the attention on the subject.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

I need to look like I’m exploring in a place like Antarctica. Want to send it as a joke to a friend to make them think I’m there. Include an explorer with their face covered in the photo that would be me. It needs to look like a solo shot of me at work as an explorer. Add some artic animals to it like a polar bear, penguins, whale, to make it realistic but funny 

Imagine a realistic picture of a 26-year-old woman who is sitting on a beautiful beach as the sun sets. She has long, wavy blonde hair that shines in the warm light of the setting sun. Some of her hair is tucked under a cool straw hat, which makes her look stylish and keeps her face shaded. She’s wearing sunglasses that reflect the colors of the sunset—like oranges, pinks, and purples. Even though you can’t see her eyes, they are described as being a pretty blue-green color. Her face is very smooth and naturally beautiful, with just a little bit of makeup that makes her skin look even more perfect. She’s sitting in the soft sand with one leg stretched out and the other bent. She looks really relaxed but still elegant, like she’s enjoying the peacefulness of the beach. The background shows the clear, blue-green water of the sea, gently moving against the shore, with a palm tree swaying in the distance. The sky is full of colors from the sunset, making everything look warm and calm. The picture should make you feel the peaceful and beautiful atmosphere of the beach, with a lot of attention to how her hair moves in the breeze, how the light falls on her skin, and the reflections in her sunglasses. The focus is on her calm and graceful presence, making it a very realistic and detailed scene.

Imagine a realistic picture of a 26-year-old woman who is sitting on a beautiful beach as the sun sets. She has long, wavy blonde hair that shines in the warm light of the setting sun. Some of her hair is tucked under a cool straw hat, which makes her look stylish and keeps her face shaded. She’s wearing sunglasses that reflect the colors of the sunset—like oranges, pinks, and purples. Even though you can’t see her eyes, they are described as being a pretty blue-green color. Her face is very smooth and naturally beautiful, with just a little bit of makeup that makes her skin look even more perfect. She’s sitting in the soft sand with one leg stretched out and the other bent. She looks really relaxed but still elegant, like she’s enjoying the peacefulness of the beach. The background shows the clear, blue-green water of the sea, gently moving against the shore, with a palm tree swaying in the distance. The sky is full of colors from the sunset, making everything look warm and calm. The picture should make you feel the peaceful and beautiful atmosphere of the beach, with a lot of attention to how her hair moves in the breeze, how the light falls on her skin, and the reflections in her sunglasses. The focus is on her calm and graceful presence, making it a very realistic and detailed scene.

Ultra realistic, Nikon photograph on women feet on a bed, red toe nails

Can you make a realistic image of a couple. She has pale pink hair, a hair bown and plumy lips. He has black hair and beard and a baseball cap and brown eyes. They are in love. Both have tattoos and face piercings. And the background is pinkish but grim.