One night, as everyone

One night, as everyone slept peacefully in their homes, a bright light and a loud noise woke the village. In the middle of the village, a massive plant sprouted, and with it emerged Damyaan.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

A woman and man standing side by side representing female and male but they are not in union. they are 2 separate beings. Both are majestic king and queen, mustical powerful benevolent full of light with powerful light eminating. they are starseeds they are angelic they have bright light shining out of their heart

Marijana is standing in the center of a stylish, softly lit room, her figure commanding attention with elegance and grace. Her recently enhanced F-sized bust is a prominent feature, giving her an hourglass silhouette that exudes confidence and femininity. The fullness of her chest is beautifully highlighted by the tailored fit of her black blouse, which accentuates her curves without appearing overly tight. The blouse’s smooth fabric adds a polished touch, contrasting subtly with the vivid color of her skirt. She wears a bright yellow pencil skirt that hugs her hips and falls slightly above her knees, showcasing her well-toned legs. Her legs are elegantly adorned with black, sheer 20-denier stockings, their slight shimmer catching the light and adding a layer of sophistication. The look is completed with black stiletto heels, their pointed toes and slender design enhancing the sleekness of her overall appearance. Her posture is impeccable, her shoulders back and head held high, exuding a quiet confidence. Marijana’s platinum blonde hair is styled straight, cascading smoothly over her shoulders and framing her glowing face. The natural sheen of her hair complements her radiant makeup: lightly flushed cheeks, soft eyeliner that defines her eyes, and a nude lipstick that enhances her full lips. Her expression is calm and content, her presence commanding yet approachable. The overall composition of the image highlights not just her physical transformation but her renewed sense of confidence and self-assured elegance.

Cherie de ville- look alike, Cherie de ville, Albino, big eyes, 3 eyes, one eye on forehead, innocent expression, wide smile, pale woman, horse snout for a nose, pig nostrils, horse face, 50’s, wrinkly face, 3 eyeballs, eyes very far apart, protruding eyeballs, long pointy witch nose, nose pointed downwards, bald headed, bulbous oversized alien head, wide Alien head shape, huge alien head, massive alien head, bald headed, sparkling light blue eyes, woman, age 50, long neck, oily face, evil smile, NO eyebrows, seahorse face, deep eyes, bags under eyes, long jaw, cleft chin, cheek bones, wrinkly forehead, eyes nearly on the side of head, wide collar bone, big teeth, large teeth, very narrow neck, long neck, extremely long neck, giraffe neck, pearly white teeth, full set of 1000 teeth, 

Albino, big eyes, 3 eyes, one eye on forehead, innocent expression, wide smile, pale woman, horse snout for a nose, pig nostrils, horse face, 50’s, wrinkly face, 3 eyeballs, eyes very far apart, protruding eyeballs, long pointy witch nose, nose pointed downwards, bald headed, bulbous oversized alien head, wide Alien head shape, huge alien head, massive alien head, bald headed, sparkling light blue eyes, woman, age 50, long neck, oily face, evil smile, NO eyebrows, seahorse face, deep eyes, bags under eyes, long jaw, cleft chin, cheek bones, wrinkly forehead, eyes nearly on the side of head, wide collar bone, big teeth, large teeth, very narrow neck, long neck, extremely long neck, giraffe neck, pearly white teeth, full set of 1000 teeth, 

Albino, big eyes, 3 eyes, one eye on forehead, innocent expression, wide smile, pale woman, horse snout for a nose, pig nostrils, horse face, 50’s, wrinkly face, 3 eyeballs, eyes very far apart, protruding eyeballs, long pointy witch nose, nose pointed downwards, bald headed, bulbous oversized horse head, wide horse head shape, horse head, massive horse head, bald headed, sparkling light blue eyes, woman, age 50, long neck, oily face, evil smile, NO eyebrows, seahorse face, deep eyes, bags under eyes, long jaw, cleft chin, cheek bones, wrinkly forehead, eyes nearly on the side of head, wide collar bone, big teeth, large teeth, very narrow neck, long neck, extremely long neck, giraffe neck, pearly white teeth, full set of 1000 teeth, 

**Netflix Series: Arcane Original Character** **Name:** Essy Night **Age:** 19 **Gender:** Female **Species:** Human **Side:** Zaun **Appearance:** Essy Night captivates the eye with her striking presence, characterized by long, cascading black hair that moves like shadows in the night. Her fierce pale blue eyes gleam with a chilling intensity, reminiscent of glacial ice, drawing attention wherever she goes. Intricate tattoos snake their way up her hands and forearms, each design telling a story from her tumultuous life, a canvas of her experiences and struggles. Despite her petite frame, her athletic build hints at the agility and resilience developed from a lifetime on the rugged streets of Zaun. Silver piercings, glinting in the light, line her ears and add an edgy, rebellious flair to her appearance. Essy’s wardrobe is a bold manifestation of the Zaun spirit, featuring high-waisted pants that hug her figure, adorned with metal chains that jingle with her every movement. Cropped tops reveal her tattoos, each piece of clothing carefully chosen to project her defiance and individuality. Her fashion palette is dominated by deep hues—ash gray, rich purples, and inky blacks—each outfit a declaration of her resistance against the oppressive world around her.

Colors to match with bright light blue

Ragnear the Goblin King is a handsome green skinned muscle -bound warrior king. With pointed goblin ears, he wears two gold hoop earrings on both his pointed ears. Ragnear has wild spikey blue hair on his head, and a blue beard facial hair. Ragnear has blue hair on his muscular chest. His eyes are fiery red orange. He has black clawed fingernails, and black clawed toenails. He wears a gothic silver and black crown on his head. He enjoys being shirtless and showing off his muscular body. He wears a light brown tribal loin cloth around his waist. During the Halloween season, he loves spending his nights in the woods. Where the full moon shines high in the starry night sky. The dark trees are rustling, and the leaves are on the ground. And Halloween jack-o-lanterns glow in the dark night on the ground with smiles on their pumpkin carved faces.

Ragnear the Goblin King is a handsome green skinned muscle -bound warrior king. With pointed goblin ears, he wears two gold hoop earrings on both his pointed ears. Ragnear has wild spikey blue hair on his head, and a blue beard facial hair. Ragnear has blue hair on his muscular chest. His eyes are fiery red orange. He has black clawed fingernails, and black clawed toenails. He wears a gothic silver and black crown on his head. He enjoys being shirtless and showing off his muscular body. He wears a light brown tribal loin cloth around his waist. During the Halloween season, he loves spending his nights in the woods. Where the full moon shines high in the starry night sky. The dark trees are rustling, and the leaves are on the ground. And Halloween jack-o-lanterns glow in the dark night on the ground with smiles on their pumpkin carved faces.

Under a blood-red sky, a cursed graveyard comes to life. In the middle of it all, a mob of decayed zombies gnash their rotten teeth into a torn-apart goat, with blood splattering all over the place. The goat's eyes are hollow, its bones exposed, as the undead feast on the remains. In the background, an old, cracked tombstone rises out of the ground with "Lemuel" engraved in jagged letters, glowing with an eerie green light. Twisted vines snake around the stone, and skeletal hands claw their way out of the earth, reaching for the damned souls above. The moon hangs low, shrouded by storm clouds, casting a sinister glow over the gruesome scene.

A majestic durga goddess with flowing black hair, wearing a bright red sari with golden accents, looking ahead in a serene pose, she confidently holds a large tree that she has uprooted with both hands. In the other eight hands she holds symbols of nature—a drop of water, sun, mountain, flower, bird, river, colobus, cloud, and flame—one softly shimmering, shimmering, ethereal light that enhances the divine aura in the background, a light that fades in the distance. , features a mysterious glacier scene. The overall atmosphere is one of power, dignity and divine energy with golden light around the head of the goddess. The background is a glacial backdrop.

A tall, dark building stands in the middle of the frame, bathed in a green light. The building is only partially visible through the thick fog that engulfs the scene. The fog seems to be glowing green, adding to the eerie and otherworldly atmosphere. Several street lights on poles are visible in the foreground, barely cutting through the darkness with their weak light. A single figure is silhouetted in the bottom left of the frame, walking toward the building. The image is composed in a way that emphasizes the sense of mystery and isolation, with the building as the central focal point. The use of dark colors and fog creates a sense of foreboding and unease. The green light emanating from the building suggests an artificial or unnatural source, adding further to the mysterious and unsettling mood of the image.

"A lively scene featuring a sleek, black cat with emerald green eyes and a fluffy golden retriever dancing together in the middle of a charming village square during a festival. The cat twirls gracefully on its hind legs, while the dog hops playfully, both perfectly in sync with the rhythm of the music. Lanterns hang overhead, casting a warm glow on the cheering villagers who surround them, clapping and smiling in amazement. The atmosphere is joyful and festive, with colorful decorations and a large bonfire in the background, illuminating the night sky."