people with large hips

Kamala Harris is laughing with her mouth wide open, her teeth are white, bright and sparkling, she is standing in front of a large crowd of people, and this crowd is comprised only of women who all look exactly like Kamala Harris, the crowd is cheering and laughing

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

Marijana is lounging by the sparkling pool of a luxurious hotel, the midday sun illuminating her radiant, sun-kissed skin. She’s dressed in a sleek black bikini that perfectly highlights her enhanced F-sized bust, with the supportive top elegantly emphasizing her full and balanced figure. The halter-style bikini ties neatly behind her neck, drawing attention to her graceful shoulders and collarbone. Her toned abdomen complements her curvaceous silhouette, while the matching bikini bottoms rest perfectly on her hips, accentuating her hourglass figure. Her platinum blonde hair, styled straight and smooth, cascades down her back, shimmering in the sunlight as the gentle breeze moves through the air. Marijana’s face is makeup-free, yet her natural beauty is striking. A healthy glow highlights her high cheekbones, and her soft pink lips curve into a serene, confident smile. Her clear blue eyes glimmer as they gaze toward the horizon, reflecting the bright azure of the sky and pool. The hotel pool behind her is a serene oasis, with the glint of sunlight dancing on its surface. Marijana reclines gracefully on a sun lounger, a white towel beneath her, her legs extended slightly and her posture effortlessly elegant. Her relaxed demeanor conveys a sense of peace and satisfaction, enjoying the tranquil luxury of her surroundings. Beside her, a tall glass of iced water with a slice of lemon rests on a small side table, a perfect complement to the warm, sunny day.

Marijana is standing in the center of a stylish, softly lit room, her figure commanding attention with elegance and grace. Her recently enhanced F-sized bust is a prominent feature, giving her an hourglass silhouette that exudes confidence and femininity. The fullness of her chest is beautifully highlighted by the tailored fit of her black blouse, which accentuates her curves without appearing overly tight. The blouse’s smooth fabric adds a polished touch, contrasting subtly with the vivid color of her skirt. She wears a bright yellow pencil skirt that hugs her hips and falls slightly above her knees, showcasing her well-toned legs. Her legs are elegantly adorned with black, sheer 20-denier stockings, their slight shimmer catching the light and adding a layer of sophistication. The look is completed with black stiletto heels, their pointed toes and slender design enhancing the sleekness of her overall appearance. Her posture is impeccable, her shoulders back and head held high, exuding a quiet confidence. Marijana’s platinum blonde hair is styled straight, cascading smoothly over her shoulders and framing her glowing face. The natural sheen of her hair complements her radiant makeup: lightly flushed cheeks, soft eyeliner that defines her eyes, and a nude lipstick that enhances her full lips. Her expression is calm and content, her presence commanding yet approachable. The overall composition of the image highlights not just her physical transformation but her renewed sense of confidence and self-assured elegance.

Marijana stands confidently in the center of a well-lit room, her appearance radiating elegance and sophistication. Her figure is striking, enhanced by her recent surgery, with her F-sized bust gracefully complementing her overall silhouette. She is dressed in a vivid yellow pencil skirt that hugs her hips and falls just above her knees, emphasizing her curves and highlighting her toned legs. The skirt’s tailored fit adds a professional yet stylish touch to her ensemble. She pairs the skirt with a black blouse that fits snugly, accentuating her waist and the fullness of her chest. The blouse’s design is sleek and minimalist, allowing her figure to take center stage. Her legs are covered in sheer black stockings, 20 denier, adding a touch of subtle allure with their delicate transparency. On her feet, she wears classic black stiletto heels, elongating her legs and completing the outfit with a refined finish. Her platinum blonde hair is styled straight, cascading neatly over her shoulders and framing her radiant face. Her makeup is subtle yet effective, with a hint of blush, softly defined eyes, and a nude lip color that complements her polished look. Marijana’s posture is poised, her head held high, exuding a sense of pride and contentment. Her calm yet confident demeanor reflects her self-assuredness, capturing a moment of beauty and empowerment.

A hyper-realistic attractive buxom 49-year-old East Asian woman with long, black hair and light freckles. She wears a small black pinstripe blazer with a large cut-out for her chest and midriff, braless, and a tight slitted pencil skirt, and high heels. She stands in a small crummy office. She is fed up with the tight clothes and busy hours and decides to make a change. She has the idea to rip her blazer apart, she reaches her hands up to the middle and begins pulling with all her might. She know this will probably get her fired, but she doesn't care. Nothing else matters but her take at the moment. Her task being to free herself from her overly tight blazer. The camera focuses on her hands as she pulls. She pulls harder and harder, the blazers fabric beings to rip, the sounds only make her pull harder and harder. She pulls harder and harder until there is a loud pop, her blazer relents and rips. She is free from her constraints, she puffs her chest out from her long hard fight

35yo female, teacher with long dark hair, Not in shape. Full body. Annoyed. Tight leggings. Classroom background. Large chest and waist. Angry.

Fat bald ginger bearded child riding large motorbike

Fat ginger child riding large motorbike

35yo female, teacher with long dark hair, Not in shape. Full body. Annoyed. Tight leggings. Classroom background. Large chest and waist. Angry.

35yo female, teacher with long dark hair, Not in shape. Full body. Annoyed. Glasses. Tight pants. Classroom background. Large chest.

Make two people kiss

Barefoot on the beach. high sun. Full body seen from behind. kneeling in front of her man's penis. sucking the penis. Eyes closed. realistic. round butt. athletic well-built body. well-defined tanlines under a green string bikini. bikini top untied. people playing volleyball in the distance.