put a wall around

Big head cartoon bobblehead of a person with a medium complexion and a beard. You are wearing a yellow bucket hat that covers your forehead and casts a shadow over your eyes, partially obscuring them. You have curly hair that extends to just below your ears and some facial hair that includes a mustache and a beard. You are dressed in a yellow shirt, and a thin necklace can be seen around your neck. The background features a purple wall or structure and an expansive view of green landscape and blue sky, indicating that you are outdoors, possibly at a higher elevation.

Halloween shadows to put around a jar white background

Can you put your finger through a candle flame

Halloween shadows to put around a white jar

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In Medellín, Colombia, in 1977, an upper-class home typically featured a mix of modern and traditional Colombian architectural styles. The house would often have a large, whitewashed or pastel-colored façade with clean lines, accented by red clay roof tiles. Large, wrought-iron gates or fences enclosed the property, leading to a well-maintained garden with tropical plants, such as bougainvillea and palm trees. Expansive windows with wooden or ironwork frames often provided natural light while maintaining a touch of privacy. Many homes had a spacious balcony or veranda overlooking the street, adorned with decorative railings and potted plants. The overall look was elegant yet unpretentious, reflecting both sophistication and connection to local heritage.

Forearm tattoo using gears to fill in around a quote

Please animate this christmas card. Also put our logo. And please. The christmascard should be with the focus on christchild

Create a portrait image showing the head of a futuristic, friendly robot in profile. The robot should have a sleek design, inspired by the Astro from PS5, with subtle influences from the Overwatch hero drone and Eva from Wall-E. The robot's face should be replaced by an analog digital screen displaying happy or friendly expressions (analog screen), with no physical eyes, nose, or mouth. The robot’s design must avoid human-like features, and instead of eyes, mouth, and nose, it should only have a digital visor, similar to the design of Astro from PS5, Eva from Wall-E, and the Overwatch hero drone. The image should be in a 9:16 aspect ratio, focusing on the front profile of the robot's head, resembling a photographic portrait. Soft lighting should be used to emphasize the digital visor and the minimalist design of the robot.

Create a portrait image showing the head of a futuristic, friendly robot in profile. The robot should have a sleek design, inspired by the Astro from PS5, with subtle influences from the Overwatch hero drone and Eva from Wall-E. The robot's face should be replaced by an analog digital screen displaying happy or friendly expressions (analog screen), with no physical eyes, nose, or mouth. The robot’s design must avoid human-like features, and instead of eyes, mouth, and nose, it should only have a digital visor, similar to the design of Astro from PS5, Eva from Wall-E, and the Overwatch hero drone. The image should be in a 9:16 aspect ratio, focusing on the lateral profile of the robot's head, resembling a photographic portrait. Soft lighting should be used to emphasize the digital visor and the minimalist design of the robot.

Create a portrait image showing the head of a futuristic, friendly robot in profile. The robot should have a sleek design, inspired by the Astro from PS5, with subtle influences from the Overwatch hero drone and Eva from Wall-E. The robot's face should be replaced by an analog digital screen displaying happy or friendly expressions (analog screen), with no physical eyes, nose, or mouth. The robot’s design must avoid human-like features, and instead of eyes, mouth, and nose, it should only have a digital visor, similar to the design of Astro from PS5, Eva from Wall-E, and the Overwatch hero drone. The image should be in a 9:16 aspect ratio, focusing on the lateral profile of the robot's head, resembling a photographic portrait. Soft lighting should be used to emphasize the digital visor and the minimalist design of the robot.

Create a portrait image of a futuristic, friendly robot head in profile. The robot should have a sleek design, inspired by the Astro from PS5, mixed with the aesthetic of the Overwatch hero drone, and subtle elements from Eva in the movie Wall-E. The robot’s face should be replaced with an analog digital screen displaying happy or friendly expressions (analog screen). The image should be in a 9:16 aspect ratio, focusing on the lateral profile of the robot’s head, like a photographic portrait. The lighting should be soft, highlighting the details of the digital visor and the minimalist design of the robot's head.

Create a picture to small feel that have some wrinkles in the arch and have a red christmas bow that hangs from each big toe and twinkle lights around the other toes. The feet need to be life like with red painted nails