realistic mid to late

Realistic 21st century city skyline of Monrovia, Liberia. modern and wealthy large imposing buildings.

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene,  Oregon; the style is a photograph-like, nearly realistic drawing.  the perspective is from the street level, centered looking down the street. Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights glow an eerie pale yellow color, and shed soft light on the things around them;  the air is foggy, the street payment is wet, like it recently stopped raining. the flying saucer in antique, vintage-looking. shaped like a bell, but with more sections. underneath the outer third of the underside, there is a recessed ring that looks like it has gills. this part emits a green light from within the inside. in the center is an extruded porthole, for shooting energy beams. the flying saucer is covered in neon lights, as well as rings of small round lights. it has several speakers on it, in two rows, each consisting of either large or small speakers. the details are defined, and visible from the street.   

Close-up of a futuristic city skyline at dusk, with neon lights and holographic advertisements.

Kansas city skyline

Giant Anna from frozen towers over a tiny city. she wears a red lacey bra that reveals her massive cleavage. She also wears a short red tennis miniskirt that reaches her upper thighs and reveals her panties. she is looking directly down at the viewer with an excited smirk .dramatic low angle close up shot with viewer inches away from annas body emphasizing her looming, imposing presence and huge size. anna takes up almost the entire frame. Point of view from the ground looking up annas skirt. Point of view at annas shoes looking up under her skirt.

Giant Anna from frozen towers over a tiny city. she wears a red lacey bra that reveals her massive cleavage. She also wears a short red tennis miniskirt that reaches her upper thighs and reveals her panties. she is looking directly down at the viewer with an excited smirk .dramatic low angle close up shot with viewer inches away from annas body emphasizing her looming, imposing presence and huge size. anna takes up almost the entire frame. Point of view from the ground looking up annas skirt.

Giant Anna from frozen towers over a tiny city. she wears a red lacey bra that reveals her massive cleavage. She also wears a short red tennis miniskirt that reaches her upper thighs and reveals her panties. she is looking directly down at the viewer with an excited smirk .dramatic low angle close up shot with viewer inches away from annas body emphasizing her looming, imposing presence and huge size. anna takes up almost the entire frame

Giant Anna from frozen towers over a tiny city. she wears a red workout tank top and a red tennis skirt that reaches her upper thighs. she is looking directly down at the viewer with a mischevious grin .dramatic low angle close up shot with viewer inches away from annas body emphasizing her looming, imposing presence and huge size. anna is crawling towards us on her hands and knees with her torso raised in the air behind her

Infernal Tiefling Dungeons and dragons cartoon style realistic, male 25 years, red glimming eyes, typical tiefling horns, warlock, mystic look, charming, little smiling, genius,cheeky, dark coat, in the background is dangerous looking city medival dungeons and dragons.

Tiefling Dungeons and dragons cartoon style realistic, male 25 years, human looking skin but more on red site, red glimming eyes, typical tiefling horns, warlock, mystic look, charming, little smiling, genius,cheeky, dark coat, in the background is dangerous looking city medival dungeons and dragons.

A close-up of a realistic anthropomorphized cat paw dressed in ninja attire is meditating in a tranquil space, using psychic power to control objects, making them float mid-air, from boulders to pebbles, energy fields, energy lights, mysterious abilities, gray and green, movie still

City of cleveland skyline

Tsurugi Demaaga is slightly larger and more imposing than its predecessor. Its body is more muscular and robust, with a build that suggests increased strength and power. Skin: The skin of Tsurugi Demaaga is a dark, almost metallic black or deep gray, with a glossy, hardened texture. The rocky, jagged protrusions that covered the original Demaaga are now more pronounced and sharper, resembling blades or swords jutting out from various parts of its body. Head and Face: The head of Tsurugi Demaaga is even more dragon-like, with a fearsome, sharp-edged appearance. The eyes glow a menacing red or orange, and its mouth is filled with razor-sharp teeth that are longer and more sword-like. The horns or spikes on its head are larger and more defined, giving it a more sinister and aggressive look. Arms and Claws: The arms of Tsurugi Demaaga are heavily armored, with the rocky outgrowths on its forearms resembling sharp blades or spikes. These arms end in massive, sword-like claws that can slice through almost any material with ease. The claws are longer and more refined than those of the original Demaaga, emphasizing their cutting power. Chest and Torso: Tsurugi Demaaga's chest is covered with large, armor-like plates that are sharper and more angular than before. The glowing, fiery cracks in its chest are more intense, pulsing with an ominous energy that suggests increased power. The overall look of the torso is more streamlined, resembling a suit of dark, battle-worn armor. Tail: The tail of Tsurugi Demaaga is longer and more whip-like, with several sword-like protrusions running along its length. The tail ends in a sharp, blade-like tip, making it a deadly weapon that can strike with precision and force. Legs and Feet: Its legs are thick and powerful, with spiked armor running down the sides. The feet are more clawed and resemble those of a predatory bird, adding to its lethal appearance. The legs are designed for both strength and agility, allowing it to move swiftly despite its massive size. 

Create a Pokemon using this information on Tsurug Demaaga Tsurugi Demaaga is slightly larger and more imposing than its predecessor. Its body is more muscular and robust, with a build that suggests increased strength and power. Skin: The skin of Tsurugi Demaaga is a dark, almost metallic black or deep gray, with a glossy, hardened texture. The rocky, jagged protrusions that covered the original Demaaga are now more pronounced and sharper, resembling blades or swords jutting out from various parts of its body. Head and Face: The head of Tsurugi Demaaga is even more dragon-like, with a fearsome, sharp-edged appearance. The eyes glow a menacing red or orange, and its mouth is filled with razor-sharp teeth that are longer and more sword-like. The horns or spikes on its head are larger and more defined, giving it a more sinister and aggressive look. Arms and Claws: The arms of Tsurugi Demaaga are heavily armored, with the rocky outgrowths on its forearms resembling sharp blades or spikes. These arms end in massive, sword-like claws that can slice through almost any material with ease. The claws are longer and more refined than those of the original Demaaga, emphasizing their cutting power. Chest and Torso: Tsurugi Demaaga's chest is covered with large, armor-like plates that are sharper and more angular than before. The glowing, fiery cracks in its chest are more intense, pulsing with an ominous energy that suggests increased power. The overall look of the torso is more streamlined, resembling a suit of dark, battle-worn armor. Tail: The tail of Tsurugi Demaaga is longer and more whip-like, with several sword-like protrusions running along its length. The tail ends in a sharp, blade-like tip, making it a deadly weapon that can strike with precision and force. Legs and Feet: Its legs are thick and powerful, with spiked armor running down the sides. The feet are more clawed and resemble those of a predatory bird, adding to its lethal appearance. The legs are designed for both strength and agility, allowing it to move swiftly despite its massive size.