Red and blue, Optimus
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Steps25
SamplerDPMSolver++
CFG Scale2
Seed611029841
More Ai art like Red and blue, Optimus
Visualize a hyper-realistic image of a 26-year-old slender woman walking gracefully through the shallow waters near a serene beach at sunset. Her long, wavy blonde hair cascades freely over her shoulders, catching the warm golden hues of the setting sun. The gentle breeze plays with her hair, creating soft, natural waves that enhance her effortless beauty. Her captivating blue-green eyes, full of depth and clarity, are free of any coverings, allowing their vivid color to stand out against the warm, natural light. Her face, delicately framed by her flowing hair, is naturally beautiful, with a flawless, fair complexion that requires minimal makeup. The smooth curve of her jawline transitions seamlessly into her well-defined chin, giving her face a balanced and harmonious appearance. Her soft expression reflects both peace and contentment as she enjoys the calming ambiance of the beach. As she walks through the shallow water, the gentle waves lap at her legs, creating small ripples that catch the light. The water is clear and blue-green, mirroring the colors of her eyes. In the background, the beach stretches out with soft, white sand, and a palm tree sways gently in the breeze. The sky is painted in warm shades of orange, pink, and purple, as the sun dips closer to the horizon, casting a golden glow over the entire scene. The focus is on her serene and graceful presence, with attention to the details of her hair moving in the breeze, the light reflecting off the water, and the soft, peaceful expression on her face. The image should evoke a sense of tranquility and beauty, capturing the natural elegance of the moment in a lifelike and highly detailed scene."
Let them hug each other these 2 photos : ### Description of the Two Photos: #### **First Photo:** - **Subject:** A young woman is taking a selfie. - **Facial Expression:** She is smiling gently at the camera, with a soft and warm expression. - **Clothing:** She is wearing a light pink hijab with a subtle pastel pattern, and a matching light pink long-sleeved top. The top has a small logo or emblem on the left side of the chest, which appears to be a simple line drawing or design. - **Background:** The background features a traditional interior setting with wooden furniture. A green upholstered chair with a carved wooden backrest is partially visible. The walls are cream-colored, and the flooring appears to be terrazzo (speckled tiles). There's also a wooden doorframe and a staircase with wooden handrails, partially visible behind her. - **Lighting:** The lighting is natural and warm, suggesting it might be daytime, with soft shadows on her face. #### **Second Photo:** - **Subject:** A young toddler girl is standing outdoors, looking slightly to her left. - **Facial Expression:** The child has a curious and slightly surprised expression, with wide-open eyes and slightly parted lips. - **Clothing:** She is wearing a cream-colored cardigan with ruffled details on the shoulders. Underneath, there appears to be a floral-patterned shirt or dress collar peeking out. She is also wearing light blue jeans and black Mary Jane shoes with white socks. - **Hair:** The girl has short, dark brown hair, styled with a small section clipped to the side with a red flower clip. - **Background:** The outdoor setting includes earthy tones, with what appears to be a garden or yard area. The ground is paved with a stone ledge she is standing on, and there are plants with green leaves in the background. The overall atmosphere is calm, with soft natural lighting, possibly during late afternoon. - **Pose:** The girl is standing on the edge of a low wall or ledge, balancing carefully, with her arms slightly outstretched as if maintaining.
Hugging each other these two photos:### Description of the Two Photos: #### **First Photo:** - **Subject:** A young woman is taking a selfie. - **Facial Expression:** She is smiling gently at the camera, with a soft and warm expression. - **Clothing:** She is wearing a light pink hijab with a subtle pastel pattern, and a matching light pink long-sleeved top. The top has a small logo or emblem on the left side of the chest, which appears to be a simple line drawing or design. - **Background:** The background features a traditional interior setting with wooden furniture. A green upholstered chair with a carved wooden backrest is partially visible. The walls are cream-colored, and the flooring appears to be terrazzo (speckled tiles). There's also a wooden doorframe and a staircase with wooden handrails, partially visible behind her. - **Lighting:** The lighting is natural and warm, suggesting it might be daytime, with soft shadows on her face. #### **Second Photo:** - **Subject:** A young toddler girl is standing outdoors, looking slightly to her left. - **Facial Expression:** The child has a curious and slightly surprised expression, with wide-open eyes and slightly parted lips. - **Clothing:** She is wearing a cream-colored cardigan with ruffled details on the shoulders. Underneath, there appears to be a floral-patterned shirt or dress collar peeking out. She is also wearing light blue jeans and black Mary Jane shoes with white socks. - **Hair:** The girl has short, dark brown hair, styled with a small section clipped to the side with a red flower clip. - **Background:** The outdoor setting includes earthy tones, with what appears to be a garden or yard area. The ground is paved with a stone ledge she is standing on, and there are plants with green leaves in the background. The overall atmosphere is calm, with soft natural lighting, possibly during late afternoon. - **Pose:** The girl is standing on the edge of a low wall or ledge, balancing carefully, with her arms slightly outstretched as if maintaining.
Classically beautiful woman with long curly red hair, black bangs, very modest and discreet eyeliner, no makeup, red lips, deep green eyes, fierce expression, slim face with straight, sharp nose, pointy chin, wearing a plain blue leather top, blue solid shoulderpads over top, ultra-realistic portrait
Classically beautiful woman with long curly red hair and black strand of hair in bangs, very modest and discreet black eyeliner, no makeup, red lips, deep green eyes, fierce, slim face with straight, sharp nose, pointy chin, wearing a plain blue leather top, blue solid shoulderpads over top, ultra-realistic portrait
Head: The head of Aethonix is shaped like a Mech-like helmet, with a prominent crest on top that seems to pulse with Plasma energy. The helmet's surface is a mix of dark, Shadow-infused metal and Crystal formations that shimmer and glow in the surrounding environment. The visor is shaped like a narrow, angular slot, with a subtle Poison-tipped trim that adds a hint of menace to its already-intimidating gaze. The eyes are a bright, piercing Plasma purple, with an intense, burning energy that seems to emanate from within. The irises are shaped like crescent moons, with a subtle Mech-like pattern etched into the surface, giving them a unique, otherworldly appearance. The pupils are narrow slits, glowing with an inner light that seems to pulse with the rhythm of the element. Body: The torso is a sturdy, Mech-like construct, with interlocking plates and circuits that seem to hum with power. The chest plate is adorned with a Crystal formation that shimmers and glows, pulsing with an inner light that seems to emanate from within. The shoulders are broad and angular, with a pair of Poison-tipped shoulder pads that add a hint of menace to its already-intimidating stance. The back is covered in a network of Mech-like wires and circuits, pulsing with energy and power. Arms: The arms are long and slender, with Mech-like limbs that seem to be infused with Plasma energy, glowing with a bright, piercing purple light. The arms are covered in a network of Crystal formations that shimmer and glow, pulsing with an inner light that seems to emanate from within. The elbows are shaped like joints, with a subtle Poison-tipped trim that adds a hint of menace to its already-intimidating stance. The hands are shaped like claws, with Poison-tipped fingers that seem to rip and tear with deadly precision. Legs: The legs are sturdy and strong, with a pair of Mech-like thigh guards that seem to hum with power, propelling it forward with a powerful stride. The knees are shaped like joints, with a subtle Shadow-infused trim that adds a hint of darkness to its already-intimidating stance. The feet are shaped like claws, with Poison-tipped toes that seem to rip and tear with deadly precision. Other Details: The entire body of Aethonix seems to be covered in a thin, Mesh-like network of Crystal formations, pulsing with energy and power. The Mech-like limbs and torso seem to be infused with a subtle Shadow energy, adding a hint of darkness to its already-intimidating stance. The Plasma energy emanating from its body seems to pulse with an inner light, giving it a dynamic, high-energy appearance.
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.
(((masterpiece, HD, best quality, extremely detailed, high resolution, highres, Ultra-detailed, ultra-high quality, superb masterpiece, 8K image quality, correct anatomy))) 1 girl, solo, iseri nina(girls band cry), hair over shoulder, sidelocks, japanese clothes, amulet, long sleeves, long braid, jewelry, front braid, single braid, braided bun, bracelet, long hair, braid, necklace, hair intakes, wide sleeves, magatama, red purple hair, blue eyes, top view, from below, into the water, hit by waterfall backlighting, (Wind Effects:2.3), hetero, standing, outside, lake, stone, wet clothes, get hit by a waterfall, submerge, waterfall, ,put her hands together, blush, ({{seductive smile}}, shy, parted lips, teeth, sweat, heavy breathing), wet hair,
(Ultra-realistic, photorealistic), a seductive mature woman, aged 50-60, with flawless skin, sultry eyes, and long dark hair cascading in soft waves. She is wearing a provocative seethrough cream-white lace lingerie set, her nipples and cameltoe showing, with sheer stockings held by garters and black stiletto heels, her curves highlighted by delicate floral lace patterns. She stands confidently in a dimly lit elevator with golden mirrored panels, one hand tracing the curve of her hip while the other brushes her hair. Her hips sway seductively as she walks forward, locking her teasing gaze with the camera. The soft cinematic lighting casts warm highlights on her skin and subtle shadows, creating an intimate and sensual atmosphere. Shot in 8K resolution, with rich colors, hyper-realistic textures, volumetric light effects, depth blur, and cinematic film grain, using a Nikon D850, f/1.6 lens, Kodak Portra 400
(Ultra-realistic, photorealistic), a seductive mature woman, aged 50-60, with flawless skin, sultry eyes, and long dark hair cascading in soft waves. She is wearing a provocative emerald-green lace lingerie set, with sheer stockings held by garters and black stiletto heels, her curves highlighted by delicate floral lace patterns. She stands confidently in a dimly lit elevator with golden mirrored panels, one hand tracing the curve of her hip while the other brushes her hair. Her hips sway seductively as she walks forward, locking her teasing gaze with the camera. The soft cinematic lighting casts warm highlights on her skin and subtle shadows, creating an intimate and sensual atmosphere. Shot in 8K resolution, with rich colors, hyper-realistic textures, volumetric light effects, depth blur, and cinematic film grain, using a Nikon D850, f/1.6 lens, Kodak Portra 400