Redoubted Red Queen with
Additional Info
Steps40
SamplerK_EULER
CFG Scale6
Seed665813729
More Ai art like Redoubted Red Queen with
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T
Oil painting style. Very Old angry Red Queen with little piglet on her hands in giant royal rose garden. Elizabethan super-elongated dress, carved-in waist and little puffed sleeves, costume just a little trailer-trashy. Extremely white powdered face and red lips. heart-shaped red hair — some mesh pads and combed the hair, strand by strand, over that, ending up with curls on top so it almost looks like a bouquet of roses. On background Jack of Hearts and Jack of Spades paint white roses with red paint.
Painting of a woman, cradling a long black cat in her arms, is a study in the varied contrasts between red and green. Her skin is not a healthy peach, but rather a soft honeydew green, making her red-brown hair pop from the painting with force. The painting is grounded in the center by the cat’s long, dark form, streaked with deep blue strokes of paint, emulating fur. The greens range from deep viridian, vibrating around her shoulders, to pale yellows, dabbed into her hands and shoulders. Her red-brown hair sets off the pink flush of her cheeks and the dusty pink-lavender of the background. The color relationships and the quick softness of the brushstrokes underline the feeling of lazy, calm confidence I get from the work—and this fits the subject: after all, there’s nothing like a cat to evoke lazy confidence in someone, painters included.