road going into the

Road going into distance

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Wasteland, road disappearing into  horizon, pavement, desert, dystopian city in the distance, cyberpunk, dusk, sunset, magic hour

Wasteland, road disappearing into  horizon, pavement, desert, dystopian city in the distance, cyberpunk, night

It is a line drawing tattoo design, the tattoo is in a rectangle frame. Style is similar to "the advaentures of tintin" A car in rea-right view up close. The car is driving into the distance Driver's elbow resting on car window music notes coming out of the car window.

A super realistic depiction of a Muslim woman wearing a hijab, her features delicately rendered with precise brushstrokes and an incredible attention to detail. Her face, framed by a veil that flows elegantly around her head and neck, is serene and calm, her eyes gazing softly into the distance. The woman's skin has been painted in a range of warm and cool tones, creating a sense of depth and life. The fabric of her hijab is rendered in subtle shades of blue and white, with intricate embroidery that catches the light, hinting at the intricacies of her cultural heritage. She wears a long, flowing dress that falls gracefully to her feet, its folds and creases expertly rendered, showcasing the drape and movement of the fabric. The background is a neutral shade, allowing the focus to remain on the woman herself and her graceful presence. The overall effect is one of both realism and reverence, capturing the beauty and strength of a modern Muslim woman., high-angle light , thriller

Wasteland road to the horizon, desert, dystopian city in the distance, cyberpunk, night

Generate me in generate me in image of a regional form of Krokorok a psychic ground tape give it purple skin with a green stomach a dark pink mohawk with green spikes going from its back to its tail it's large tail is equipped with a large blade at the end of its tail give it four menacing black eyes with yellow pupils with razor sharp teeth and larger claws this regional form of Krokorok has bigger arms than a normal Krokorok it stands on two legs that it can use to stick itself into the ground

A haunting, melancholy scene featuring a teenage emo girl, crying. with long, dark, disheveled hair. She wears a black dress that adds dramatic depth to the character. ((Her wrists are cuts and bleeding)), her posture exudes depression and desperation, with her face displaying deep pain and anguish, as if she carries the weight of the worldon her shoulders. behing her, towering, demonic wings emerge, resembling bat wings with sharp tips. A pair of horns adorn her head, giving her a demonic appearance and emphasizing her ransformation into something supernatural and terrifying. The background of the painting portrays a gloomy landscape - dark, stormy clouds that almost completely obscure the sky, creating an ominous atmosphere. In the distance, the ruins of a castle or an old town add a post-apolcalyptic tone to the scene.

A haunting, melancholy scene featuring a teenage emo girl, crying. with long, dark, disheveled hair. She wears a black dress that adds dramatic depth to the character. Her wrists are cuts and bleeding, her posture exudes depression and desperation, with her face displaying deep pain and anguish, as if she carries the weight of the worldon her shoulders. behing her, towering, demonic wings emerge, resembling bat wings with sharp tips. A pair of horns adorn her head, giving her a demonic appearance and emphasizing her ransformation into something supernatural and terrifying. The background of the painting portrays a gloomy landscape - dark, stormy clouds that almost completely obscure the sky, creating an ominous atmosphere. In the distance, the ruins of a castle or an old town add a post-apolcalyptic tone to the scene.

A serene landscape at dawn, symbolizing new beginnings and hope. Soft pastel colors like light blue, lavender, and hints of gold can be used to create a calm and peaceful atmosphere. An black woman standing at a distance, facing the horizon. The figure is looking forward, symbolizing the act of moving on and looking towards the future. Behind the central figure, there are faint, shadowy images representing past traumas. These shadows are depicted as fading or being absorbed into the ground, indicating that they belong to the past and should stay there. Near the shadows, there could be subtle, semi-transparent outlines of monsters growing larger as they move closer to the central figure, symbolizing how recounting trauma can feed and enlarge those past experiences. Rays of sunlight breaking through the horizon, bathing the central figure in light, symbolizing hope, healing, and moving forward. The light diminishes the shadows and monsters, showing that focusing on the future can diminish the impact of past traumas.

A purpose rose in the foreground and a long winding road in the background that starts out big and gets smaller the further away it gets. The rose is blended into the road with the number 88 written inside the rose.

Redbirds: Two vibrant redbirds in mid-flight, positioned near the top of the design to symbolize freedom and spirituality. Christian Symbol: A subtle cross intertwined with the branches of a tree where the redbirds perch, representing faith and life. Aquarian Symbol: Water waves flowing around the base of the tree, incorporating the Aquarian element of water and free spirit. Leadership: A Viking helmet at the center of the design, symbolizing strength, leadership, and courage. Travel: A vintage compass integrated into the background, signifying guidance and the spirit of adventure. Guitars: Two crossed guitars forming an X shape behind the Viking helmet, emphasizing the love for music and creativity. Speed Racer and Evel Knievel: A motorcycle, reminiscent of a Triumph, speeding down a winding road that forms part of the tree's roots, symbolizing speed, adventure, and the spirit of Evel Knievel. Boating: A small boat sailing on the water waves near the bottom, highlighting a passion for boating and exploration. Camping: A tent and campfire scene at the base of the tree, adding a touch of serenity and the joy of camping.

Rusty Highway sign, faded road sign, reads in English “Karaoke Dystopia 23 miles” , late afternoon, karaoke dystopia, exact words

Rusty Highway sign, faded road sign, reads “Karaoke Dystopia 23 miles” , dusk