Side view slightly from

Beautiful sbbw wild blonde mistress in safari trip in wild african savannah, looking down on floor , side view slightly from top, both hands unfasten trousers, short hair, tense face, clenched teeth, veins on forehead, sunglasses, huge round ghetto ass, thick thighs, thick calves, thick legs, wide hips, barefoot on sand, ankle gold bracelet, abundant sweating, slight cellulite on thighs and ass, in safari women outfit, military dirty shirt, full body, unfasten trousers, on knees, bend over, spread thighs, hands open trousers, solo person, wet dirty sweat,

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Barefoot on the beach. people playing volleyball in the distance. high sun. Full body seen from behind. crouching to pick up a pebble. Face looking down. smiling. realistic. round butt. athletic well-built body. well-defined tanlines underlight blue string bikini. bikini top untied. muscular legs.

(((masterpiece, HD, best quality, extremely detailed, high resolution, highres, Ultra-detailed, ultra-high quality, superb masterpiece, 8K image quality, correct anatomy))) 1 girl, solo, iseri nina(girls band cry), hair over shoulder, sidelocks, japanese clothes, amulet, long sleeves, long braid, jewelry, front braid, single braid, braided bun, bracelet, long hair, braid, necklace, hair intakes, wide sleeves, magatama, red purple hair, blue eyes, top view, from below, into the water, hit by waterfall backlighting, (Wind Effects:2.3), hetero, standing, outside, lake, stone, wet clothes, get hit by a waterfall, submerge, waterfall, ,put her hands together, blush, ({{seductive smile}}, shy, parted lips, teeth, sweat, heavy breathing), wet hair,

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

Giant Anna from frozen towers over a miniature city. she wears a red lacey bra that reveals her massive cleavage. She also wears a short red tennis miniskirt that reaches her upper thighs and reveals her panties. Annas face is looking directly down at the viewer with an excited smirk .dramatic low angle close up shot with viewer inches away from annas body emphasizing her looming, imposing presence and huge size. anna takes up almost the entire frame. Point of view from ground level at annas feet looking up at her face.

Marijana is lounging by the sparkling pool of a luxurious hotel, the midday sun illuminating her radiant, sun-kissed skin. She’s dressed in a sleek black bikini that perfectly highlights her enhanced F-sized bust, with the supportive top elegantly emphasizing her full and balanced figure. The halter-style bikini ties neatly behind her neck, drawing attention to her graceful shoulders and collarbone. Her toned abdomen complements her curvaceous silhouette, while the matching bikini bottoms rest perfectly on her hips, accentuating her hourglass figure. Her platinum blonde hair, styled straight and smooth, cascades down her back, shimmering in the sunlight as the gentle breeze moves through the air. Marijana’s face is makeup-free, yet her natural beauty is striking. A healthy glow highlights her high cheekbones, and her soft pink lips curve into a serene, confident smile. Her clear blue eyes glimmer as they gaze toward the horizon, reflecting the bright azure of the sky and pool. The hotel pool behind her is a serene oasis, with the glint of sunlight dancing on its surface. Marijana reclines gracefully on a sun lounger, a white towel beneath her, her legs extended slightly and her posture effortlessly elegant. Her relaxed demeanor conveys a sense of peace and satisfaction, enjoying the tranquil luxury of her surroundings. Beside her, a tall glass of iced water with a slice of lemon rests on a small side table, a perfect complement to the warm, sunny day.

Barefoot on the beach. people playing volleyball in the distance. high sun. Full body seen from behind. crouching to pick up a pebble. Face looking down. smiling. realistic. round butt. athletic well-built body. well-defined tanlines underlight blue string bikini. bikini top untied

Barefoot on the beach. people playing volleyball in the distance. high sun. Full body seen from behind. crouching to pick up a pebble. Face looking down. smiling. realistic. round butt. athletic well-built body. well-defined tanlines underlight blue string bikini. bikini top untied

Let them hug each other these 2 photos : ### Description of the Two Photos: #### **First Photo:** - **Subject:** A young woman is taking a selfie. - **Facial Expression:** She is smiling gently at the camera, with a soft and warm expression. - **Clothing:** She is wearing a light pink hijab with a subtle pastel pattern, and a matching light pink long-sleeved top. The top has a small logo or emblem on the left side of the chest, which appears to be a simple line drawing or design. - **Background:** The background features a traditional interior setting with wooden furniture. A green upholstered chair with a carved wooden backrest is partially visible. The walls are cream-colored, and the flooring appears to be terrazzo (speckled tiles). There's also a wooden doorframe and a staircase with wooden handrails, partially visible behind her. - **Lighting:** The lighting is natural and warm, suggesting it might be daytime, with soft shadows on her face. #### **Second Photo:** - **Subject:** A young toddler girl is standing outdoors, looking slightly to her left. - **Facial Expression:** The child has a curious and slightly surprised expression, with wide-open eyes and slightly parted lips. - **Clothing:** She is wearing a cream-colored cardigan with ruffled details on the shoulders. Underneath, there appears to be a floral-patterned shirt or dress collar peeking out. She is also wearing light blue jeans and black Mary Jane shoes with white socks. - **Hair:** The girl has short, dark brown hair, styled with a small section clipped to the side with a red flower clip. - **Background:** The outdoor setting includes earthy tones, with what appears to be a garden or yard area. The ground is paved with a stone ledge she is standing on, and there are plants with green leaves in the background. The overall atmosphere is calm, with soft natural lighting, possibly during late afternoon. - **Pose:** The girl is standing on the edge of a low wall or ledge, balancing carefully, with her arms slightly outstretched as if maintaining.

Hugging each other these two photos:### Description of the Two Photos: #### **First Photo:** - **Subject:** A young woman is taking a selfie. - **Facial Expression:** She is smiling gently at the camera, with a soft and warm expression. - **Clothing:** She is wearing a light pink hijab with a subtle pastel pattern, and a matching light pink long-sleeved top. The top has a small logo or emblem on the left side of the chest, which appears to be a simple line drawing or design. - **Background:** The background features a traditional interior setting with wooden furniture. A green upholstered chair with a carved wooden backrest is partially visible. The walls are cream-colored, and the flooring appears to be terrazzo (speckled tiles). There's also a wooden doorframe and a staircase with wooden handrails, partially visible behind her. - **Lighting:** The lighting is natural and warm, suggesting it might be daytime, with soft shadows on her face. #### **Second Photo:** - **Subject:** A young toddler girl is standing outdoors, looking slightly to her left. - **Facial Expression:** The child has a curious and slightly surprised expression, with wide-open eyes and slightly parted lips. - **Clothing:** She is wearing a cream-colored cardigan with ruffled details on the shoulders. Underneath, there appears to be a floral-patterned shirt or dress collar peeking out. She is also wearing light blue jeans and black Mary Jane shoes with white socks. - **Hair:** The girl has short, dark brown hair, styled with a small section clipped to the side with a red flower clip. - **Background:** The outdoor setting includes earthy tones, with what appears to be a garden or yard area. The ground is paved with a stone ledge she is standing on, and there are plants with green leaves in the background. The overall atmosphere is calm, with soft natural lighting, possibly during late afternoon. - **Pose:** The girl is standing on the edge of a low wall or ledge, balancing carefully, with her arms slightly outstretched as if maintaining.

Giant Anna from frozen towers over a tiny city. she wears a red lacey bra that reveals her massive cleavage. She also wears a short red tennis miniskirt that reaches her upper thighs and reveals her panties. she is looking directly down at the viewer with an excited smirk .dramatic low angle close up shot with viewer inches away from annas body emphasizing her looming, imposing presence and huge size. anna takes up almost the entire frame. Point of view from the ground looking up annas skirt. Point of view at annas shoes looking up under her skirt.