skulls and grave yard

A demon in a underground tomb sitting on a throne made of corpses that is ontop of a pile of skulls

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

(Ultra-realistic, photorealistic), All black Christmas decor with gold lights illuminating the scene. a plastic water bottle with blank black label and white top sitting the middle of the scene. Shot in 8K resolution, with rich colors, hyper-realistic textures, volumetric light effects, depth blur, and cinematic film grain, using a Nikon D850, f/1.6 lens, Kodak Portra 400

(Ultra-realistic, photorealistic), All black Christmas decor with gold lights illuminating the scene. Shot in 8K resolution, with rich colors, hyper-realistic textures, volumetric light effects, depth blur, and cinematic film grain, using a Nikon D850, f/1.6 lens, Kodak Portra 400

A Christmas scene with a black family eating at a table. everyone dressed in holiday colors

"Design a whimsical steampunk scene with a young girl riding a custom-built, metallic bronze bicycle adorned with intricate gears, pipes, and glowing accents. Her outfit is a rich, copper-colored dress featuring layered ruffles, corset details, and shimmering metallic embellishments, paired with a matching top hat decorated with cogs and feathers. The setting is a bustling steampunk cityscape with towering machinery and warm amber lighting, as she confidently weaves through the streets on her elaborate bike."

TARDIS gingerbread and wintery scene, bring the tardis closer to the front of the pic and all words on pic in English, update the signs over the door to be in English , lay a pair of white high top converse with a men’s red bow tie, and River’s diary next to the TARDIS in the snow. Add River Song’s blue diary next to the shoe. 

TARDIS gingerbread and wintery scene, bring the tardis closer to the front of the pic and all words on pic in English, update the signs over the door to be in English , lay a pair of white high top converse with a men’s red bow tie, and River’s diary next to the TARDIS in the snow. 

TARDIS gingerbread and wintery scene, bring the tardis closer to the front of the pic and all words on pic in English 

TARDIS gingerbread and wintery scene

{   "prompt": "A stylized, hand-drawn cartoon scene set in a dimly lit, old-fashioned study. In the center, a middle-aged female secret agent named Ramona, with short dark hair, sits restrained in a sturdy wooden chair. She is barefoot and wears a simple blouse and trousers, looking disheveled yet determined. Standing beside her is Anton Martinez, a tall, sharply dressed figure with a confident smirk, holding a long feather between two fingers. He leans toward her as if about to tickle her ribs, while Ramona’s face shows strained laughter and resistance. Soft, warm light from a single desk lamp casts dramatic shadows, highlighting the tense yet cartoonish mood of the scene.",   "size": "1024x1024" }

A lighthearted and playful scene in a cozy living room. A woman reclines on a modern couch, laughing uncontrollably as a man kneels on the floor beside her, gently tickling the soles of her bare feet. The woman has a joyful expression, gripping the couch cushions as she tries not to move. The man has a mischievous grin, clearly enjoying the moment. The room is warmly lit with a lamp, and a coffee table nearby holds her discarded socks and a smartphone displaying a timer. The atmosphere is humorous and fun, capturing their playful competition.

{   "prompt": "A stylized, hand-drawn cartoon scene set in a dimly lit, old-fashioned study. In the center, a middle-aged female secret agent named Ramona, with short dark hair, sits restrained in a sturdy wooden chair. She wears a simple blouse and trousers, looking disheveled yet determined. Standing beside her is Anton Martinez, a tall, sharply dressed figure with a confident smirk, holding a long feather between two fingers. He leans toward her as if about to tickle her ribs, while Ramona’s face shows strained laughter and resistance. Soft, warm light from a single desk lamp casts dramatic shadows, highlighting the tense yet cartoonish mood of the scene.",   "size": "1024x1024" }