street lights melting in vegas

Old street lights

View from across the street. Wide angle. Exterior Nightclub called “Below Deck  Billy”s. Bright lights. Muscular men lined up at the door. Neon sign reads “Two Dude Tuesday”. Vegas strip. Sunset boulevard 

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene,  Oregon; the style is a photograph-like, nearly realistic drawing.  the perspective is from the street level, centered looking down the street. Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights glow an eerie pale yellow color, and shed soft light on the things around them;  the air is foggy, the street payment is wet, like it recently stopped raining. the flying saucer in antique, vintage-looking. shaped like a bell, but with more sections. underneath the outer third of the underside, there is a recessed ring that looks like it has gills. this part emits a green light from within the inside. in the center is an extruded porthole, for shooting energy beams. the flying saucer is covered in neon lights, as well as rings of small round lights. it has several speakers on it, in two rows, each consisting of either large or small speakers. the details are defined, and visible from the street.   

A tall, dark building stands in the middle of the frame, bathed in a green light. The building is only partially visible through the thick fog that engulfs the scene. The fog seems to be glowing green, adding to the eerie and otherworldly atmosphere. Several street lights on poles are visible in the foreground, barely cutting through the darkness with their weak light. A single figure is silhouetted in the bottom left of the frame, walking toward the building. The image is composed in a way that emphasizes the sense of mystery and isolation, with the building as the central focal point. The use of dark colors and fog creates a sense of foreboding and unease. The green light emanating from the building suggests an artificial or unnatural source, adding further to the mysterious and unsettling mood of the image.

A tall, dark building stands in the middle of the frame, bathed in a green light. The building is only partially visible through the thick fog that engulfs the scene. The fog seems to be glowing green, adding to the eerie and otherworldly atmosphere. Several street lights on poles are visible in the foreground, barely cutting through the darkness with their weak light. A single figure is silhouetted in the bottom left of the frame, walking toward the building. The image is composed in a way that emphasizes the sense of mystery and isolation, with the building as the central focal point. The use of dark colors and fog creates a sense of foreboding and unease. The green light emanating from the building suggests an artificial or unnatural source, adding further to the mysterious and unsettling mood of the image.

Generate a realistic 3D digital Christmas caricature based on the reference photo of the woman. The face should resemble the woman from the photo. She is wearing a warm red Christmas sweater, a winter scarf, gloves, and a festive Santa hat, holding several colorful shopping bags filled with gifts. The woman is walking down a snowy evening city street illuminated by Christmas lights, with a sparkling Christmas tree and decorated shop windows nearby. Expression: smiling and satisfied, as if she has just finished a successful shopping trip. Photorealistic style, bright and vivid colors, warm and magical holiday atmosphere, vertical full-body portrait. Style tags: 3D render, photorealistic, Christmas lights, festive street, holiday illustration, vivid colors, cinematic lighting, realistic face, winter fashion, full body, vertical composition.

Exterior Nightclub called “Below Deck  Billy”s. Bright lights. Muscular men lined up at the door. Neon sign reads “Two Dude Tuesday”. Vegas strip. Sunset boulevard 

A vibrant scene with a stylish, tattooed character representing Brazil with a cap that reads 'RIO' and 'BRASIL'. He wears sunglasses, a white t-shirt with the inscription 'BRAZIL' and a star, dark pants with patches and a variety of accessories, including a necklace, bracelets and earrings. A vintage red boombox, focus on Boombox, The bustling urban environment at night is illuminated by neon lights, towering buildings and a busy street, creating an energetic atmosphere that captures the essence of a pulsating cityscape.

Create a long dress until the floor in a A shape with that looks wavy and not just straight. open shoulders and oversized big collar up to the the chin. collar should look as it has much material so its kind of stacked and then an open back until the the spine. It should be simple wool material, a little heavy looking. Elegant street style, so you can wear during the day. Prefered color is grey. No sleeves at all. At the fron it should attach to the collar and be slim so the sides and ribs are showing a little. Sexy but elegand. nothing on the shoulder. The collar connects to the front and no cut outs on the dress around the legs. It should look like one piece only sewed togeter on the sides. Material needs to look soft and comfy. Collar should only be around neck and not extend to clevage area

Create a long dress until the floor in a A shape with that looks wavy and not just straight. open shoulders and oversized big collar up to the the chin. collar should look as it has much material so its kind of stacked and then an open back until the the spine. It should be simple wool material, a little heavy looking. Elegant street style, so you can wear during the day. Prefered color is grey. No sleeves at all. At the fron it should attach to the collar and be slim so the sides and ribs are showing a little. Sexy but elegand

T-shirt manches longues noir streetwear, coupe légèrement oversized, tissu coton premium. Branding « WNM – why not me » en typographie graffiti streetwear, tracé dynamique et brut. Cœur stylisé en rose placé en haut du design (au niveau de la poitrine), servant d’élément central et symbolique, intégré au logo. Couleur rose vibrant / rose graffiti contrastant fortement avec le fond noir profond. Esthétique urbaine, esprit rebelle et émotionnel, inspiration culture street et art mural contemporain. Impression haute qualité, effet peinture spray ou marqueur, légères éclaboussures, rendu réaliste ultra-détaillé, fashion editorial, 4K

Long sleeve noir luxury streetwear, pattern répétitif micro-logo WNM / why not me, couleurs vibrantes mais équilibrées, effet monogramme moderne. Ambiance exclusive, confidentielle, branding fort mais élégant, mélange de street culture et haute couture.

Long sleeve noir premium streetwear, coupe oversized moderne, tissu épais et texturé. Branding « WNM » en typographie bold et agressive, avec la signature « why not me » intégrée de façon subtile. Style inspiré du streetwear underground type Corteiz, mais avec une identité originale et distinctive. Détails graphiques en couleurs contrastées (rouge profond, vert électrique ou bleu cobalt), touches de peinture urbaine, symboles abstraits et motifs bruts. Impression sérigraphie haute qualité, effet légèrement usé / distressed. Ambiance street, rebelle, confidentielle, fond sombre, éclairage dramatique, rendu réaliste ultra-détaillé, fashion editorial, 4K.