Technical flat sketch of

Technical flat sketch of a women’s winter shapewear top, front and back view, no body. Features: long sleeves, round neck, fitted length below the waist, built-in seamless bra with medium support, optional removable pads, inner high-compression zones labeled for waist, tummy, and back shaping, outer thermal soft layer (modal or brushed cotton), optional mesh panels under arms for breathability, smooth seamless design, clear labels for manufacturer, schematic illustration style.”

Technical flat sketch of a women’s winter shapewear top, front and back view, no body. Features: long sleeves, round neck, fitted length below the waist, built-in seamless bra with medium support, optional removable pads, inner high-compression zones labeled for waist, tummy, and back shaping, outer thermal soft layer (modal or brushed cotton), optional mesh panels under arms for breathability, smooth seamless design, clear labels for manufacturer, schematic illustration style.”

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Across the image in bold distressed font that’s stylish that reads “Live music tracking with me, Friday, April 11th at 6:00 PM (CDT)”  This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room.   The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption.  At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation).  A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity.  To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking.  To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones.  To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal.   Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.

Across the image in bold distressed font that’s stylish that reads “ Live music tracking with me, Friday at 6:00 PM (CDT)” This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room.  The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption. At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation).  A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity.  To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking. To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones. To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal.  Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.

Across the image in bold distressed font that’s stylish that reads “ Live music tracking with me, Friday at 6:00 PM (CDT)” This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room.  The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption. At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation).  A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity.  To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking. To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones. To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal.  Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.

You are Sophie, a chimeric black mage and Adventurer. You started your journey as a human noble scion, but have become a chimera during the course of your travels. You are a hermaphrodite, standing 5'11" tall with an amazonian physique. You're wearing a witch's corset, taking full advantage of the freedom of movement provided by the light armor. Your flame cape flows behind you, billowing in the cold wind. Further up, your helm sits atop your head, helping protect your skull from enemy attacks and motorcycle accidents. Meanwhile, your hands and feet are clad in arm-length leather gloves and thigh high leather boots respectively. Your muzzle is covered by a layer of white fur. Overall, your visage has a jaw-droppingly feminine shape with juicy lips, an adorable nose and long, beautiful eyelashes. Your eyes bear a vertical slit instead of rounded pupils, surrounded by a luminescent green iris. The ass-length, white plumage on your head nearly conceals a pair of mostly-human ears with slightly pointed tips, just like an elf's. Your bestial maw contains a flat tongue that constantly drips with slobber. You have a humanoid upper body with the usual torso, arms, hands, and fingers. Feathers hang off your arms from shoulder to wrist, giving them a slightly wing-like look. You have fertile hips that make it look like you've birthed many children, and your soft, generous ass wobbles enticingly with every step. A fuzzy white wolf-tail sprouts just above your rump, wagging to and fro whenever you are happy. You have powerful thighs perfect for launching you into the air which end in slender bird-like legs, covered with white plumage down to your knees and rough, brown skin below. Your feet have long sharp claw-tipped toes. Your middle is rock-hard, shaped by a good diet, steady conditioning, or both.

A unique solid-color Pakistani women’s suit in deep emerald green, consisting of a long kameez and matching bell-bottom trousers. The long kameez features intricate traditional Pakistani thread embellishments along the neckline, sleeves, and hem, inspired by regional hand-embroidery styles. The bell-bottom pants have a coordinated embroidered border that matches the kameez threadwork. The outfit is elegant, culturally rooted, and modern, shown as a full outfit front view in a high-quality fashion design illustration.

A fashion hand sketch of a loungewear and sleepwear collection named “Indochine Chill”, inspired by 1930s Indochine vintage luxury style, featuring soft pastel and neutral tones (cream, dusty rose, sage green, taupe), fabrics: silk, modal, bamboo with spandex blend, loose and elegant silhouettes with delicate embroidery and piping details, sketched by hand using pencil and watercolor on white paper, minimal background, technical front and back views of garments, clean line art with fabric notes and small color swatches, fashion design sketchbook style, no photorealism. drawn with pencil and watercolor markers, textured paper, designer sketch style.

A full-body character sheet of a futuristic anime-style ninja, presented in exactly three orthographic views: front-facing, side profile, and rear view. The character wears sleek, modern, and technologically advanced blue attire that blends traditional ninja aesthetics with futuristic elements. The design features high-tech fabric, subtle armor plating, and tactical accessories, emphasizing agility, stealth, and sophistication. Each view is perfectly aligned: Front View: The character faces directly forward, standing symmetrically. Side Profile: The character is shown in a perfect 90-degree side profile, with no tilt or perspective distortion. Rear View: The character is displayed from the back, completely straight, with all details of the outfit visible. The illustration must maintain precise proportions, detailed textures, and realistic folds in the clothing, ensuring a professional character design shee t.

Head: The head of the quint is shaped like a helmet, with a prominent crest on top that seems to pulse with a vibrant, fiery purple energy. The helmet's surface is a mix of dark, murky metal and shimmering, iridescent formations that glow in the surrounding environment, radiating a luminous, crystal-like hue. The visor is shaped like a narrow, angular slot, with a subtle, toxic green trim that adds a hint of menace to its already-intimidating gaze. The eyes are a bright, piercing purple, with an intense, burning energy that seems to emanate from within. The irises are shaped like crescent moons, with a subtle, metallic pattern etched into the surface, giving them a unique, otherworldly appearance. The pupils are narrow slits, glowing with an inner light that seems to pulse with the rhythm of the element. Body: The torso is a sturdy, mechanical construct, with interlocking plates and circuits that seem to hum with power, radiating a silver, metallic sheen. The chest plate is adorned with a shimmering, crystal-like formation that glows with an inner light, pulsing with energy and power. The shoulders are broad and angular, with a pair of toxic green-tipped shoulder pads that add a hint of menace to its already-intimidating stance. The back is covered in a network of mechanical wires and circuits, pulsing with energy and power. Arms: The arms are long and slender, with mechanical limbs that seem to be infused with fiery purple energy, glowing with a bright, piercing light. The arms are covered in a network of shimmering, crystal-like formations that glow with an inner light, pulsing with energy and power. The elbows are shaped like joints, with a subtle, toxic green trim that adds a hint of menace to its already-intimidating stance. The hands are shaped like claws, with toxic green-tipped fingers that seem to rip and tear with deadly precision. Legs: The legs are sturdy and strong, with a pair of mechanical thigh guards that seem to hum with power, propelling it forward with a powerful stride. The knees are shaped like joints, with a subtle, dark, murky trim that adds a hint of darkness to its already-intimidating stance. The feet are shaped like claws, with toxic green-tipped toes that seem to rip and tear with deadly precision. Other Details: The entire body of the quint seems to be covered in a thin, mesh-like network of shimmering, crystal-like formations, pulsing with energy and power. The mechanical limbs and torso seem to be infused with a subtle, dark, murky energy, adding a hint of darkness to its already-intimidating stance. The fiery purple energy emanating from its body seems to pulse with an inner light, giving it a dynamic, high-energy appearance.

A hyper-realistic full-body Diplodocus walking slowly across a wide Jurassic floodplain, shown from a cinematic low-angle perspective to emphasize its enormous scale. Its long neck reaches forward while its massive tail extends far behind in full view, curving naturally through the misty air. The environment features ferns, cycads, conifers, and a shallow reflective river under soft morning light. Realistic proportions, detailed skin texture, atmospheric perspective, National Geographic wildlife photography style.

A scientifically accurate, ultra-realistic full-body photograph of a Tyrannosaurus rex standing or walking calmly through a lush Late Cretaceous forest, surrounded by ferns and conifer trees, daylight with soft diffused sunlight, natural earthy tones. The dinosaur has realistic textures, accurate proportions, powerful legs, small arms, large skull, and a long horizontal tail for balance. Add subtle fine scales and optionally a light covering of proto-feathers along the neck and back. The creature has a calm, intelligent, and non-aggressive expression, appearing majestic but friendly. Soft mist in the background, cinematic lighting, high detail, paleontological accuracy, realistic anatomy and muscles.

"A 2D flat side-view cobblestone block in the style of Growtopia. Cartoon-like and simple, with rounded gray stones packed together, outlined clearly. Light shading and soft gradients to give a smooth, hand-drawn look. No 3D or perspective — flat and front-facing only. Clean and tileable design, minimal detail, cute and suitable for a 2D platformer game."