/Users/admin/Downloads/Steep Snow Apparel-7.jpeg make

/Users/admin/Downloads/Steep Snow Apparel-7.jpeg make me a clothing brand called glace, the brand is about comfort sports wear with a twist of high fashion style, the main essence of this brand is glaciers, snow mountains and snowboarding, i need a really unique logo and with this logo for a start create me five baggy tracksuits with uncuffed bottoms in colours black, navy, grey, pink and khaki the tracksuits need to be uncuffed on the bottom and need to be able to sit on the trainers of what someone is wearing, also there needs to be a logo for glace this should include a glacier  the logo is perfect now the logo needs to be smaller on the left side chest ara andf the bottoms still need to be straight legged uncuffed where they can sit on trainers 

/Users/admin/Downloads/Steep Snow Apparel-7.jpeg make me a clothing brand called glace, the brand is about comfort sports wear with a twist of high fashion style, the main essence of this brand is glaciers, snow mountains and snowboarding, i need a really unique logo and with this logo for a start create me five baggy tracksuits with uncuffed bottoms in colours black, navy, grey, pink and khaki

Create a vibrant, high-resolution, surreal fashion portrait featuring a woman wearing an avant-garde outfit composed of oversized, plush, balloon-like flowers in bold, pastel colors. The flowers, arranged in a bouquet around her body, include a mix of exaggerated petals, buds, and leaves, with soft, rounded textures that make them appear both organic and sculptural. The ensemble bursts with shades of pink, red, orange, blue, and yellow, blending seamlessly to create a visually stunning, playful aesthetic. The woman, centered in the composition, wears a purple hoodie that contrasts with the vivid floral arrangement, with her face calm and serene, peeking out from the hood. The background is a smooth, soft pink gradient, enhancing the whimsical, dreamy feel of the scene. The lighting is even and diffused, softly illuminating the textures of the flowers and the fabric of the hoodie, creating gentle shadows that add depth to the composition. The scene should evoke a sense of surreal fashion, blending elements of nature with a modern, artistic twist. The overall design is polished, stylized, and visually engaging, capturing the contrast between the structured, sculptural forms of the flowers and the smooth simplicity of the background. Use a 9:16 aspect ratio for a vertical, immersive shot that emphasizes the tall, elongated arrangement of the bouquet

A serious young man with short dark hair stands against a raw concrete wall, half-lit by sunlight. He is wearing a black t-shirt with a bold white graphic of a skeletal hand making a peace sign. The lighting creates a dramatic contrast, enhancing the urban, edgy vibe. His pose is straight and calm, hands relaxed by his sides. The overall style is minimalist streetwear with a dark, graphic aesthetic — perfect for a fashion editorial or alternative clothing brand.

Character Description: Style: A cartoon character with a bold, edgy vibe. Appearance: The character has lots of tattoos, covering their arms, neck, and hands. The tattoos could include a mix of traditional designs like skulls, roses, and bold lines to emphasize a tough, rebellious style. Clothing: The character is wearing a black ski mask (pulled up to cover the face completely) and a black hoodie. The hoodie should have the words "steezy2breezy" in a stylish, graffiti-like font across the front. Attitude: The overall look should have a cool, "steezy" vibe—relaxed but confident, with an urban, streetwear aesthetic. For the tattoos, you can mix in elements like: Traditional flash tattoos (roses, daggers, etc.). Modern geometric or abstract designs. Any details that could make the character stand out (like a dragon or skull on the chest, or a sleeve tattoo). If you’re using a program like Adobe Illustrator or Photoshop, you could: Start by sketching the basic outline of the character. Add layers for the tattoos, hoodie, and ski mask. Use bold lines for the tattoos to make them stand out, and experiment with fonts for "steezy2breezy" to give it a street-art feel.

GLOBAL TYCOON MONEY POWER AMBITION this the name of my clothing brand and the slogan I want the ubran street wear style look mix with the lurxy style like Gucci McM balecinga clothing brand look on different style clothes like full Sweatsuits hoodie Polo style shirts T-shirt shorts zip up jacket round hat's regular hats jeans track suit and make something for the female style clothes

Modern men’s sports trouser, slim fit, cotton fabric, breathable and lightweight, elastic waistband with drawstring, tapered ankle design, minimalistic style, solid color (black or navy), inspired by Nike and Adidas sportswear, professional product photo, studio lighting, high detail, fashion catalog style

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Design a modern Pakistani co-ord suit in either lavender, olive, or grey. The base fabric should have a rich, unique tone, with a lining underneath that is a slightly lighter shade of the same color to create a soft layered depth effect. The outfit should feature a minimal, clean short kameez paired with matching trousers or bell-bottoms, with no embellishments. The overall design should look sleek, contemporary, and elegant, emphasizing the subtle two-tone effect. Present as a high-quality fashion design illustration.

Make a logo for an american football team called ''QC BLEU&OR'' The primary color is navy blue and other colors are gold and white Do not use any other color

Make a logo for an american football team called ''QC BLEU&OR'' The primary color is navy blue and other colors are gold and white Do not use any other color

I need a logo for a company that makes products that make life easier. The company is called define essential. I would like to the logo to be a D and E

I need a logo for a company that makes products that make life easier. The company is called define essential. I would like to the logo to be a D and E

I need a logo for a company that makes products that make life easier. The company is called define essential. I would like to the logo to be a D and E