we ll be right

Maseon is a large handsome muscular gargoyle with stone grey skin, blue eyes, a purple mow hawk hairstyle and yellow gold demon horns on top of his head. He has large grey bat wings on his back. Large muscles. Pointed ears with gold hoop earrings. A handsome smile with sharp teeth. And a purple goatee under his chin. A gold piercing on his right eyebrow. He wears a leather chest harness. With leather bracelets on both his wrists. He has grey clawed hands. A black loincloth wearing a silver warrior belt. He loves celebrating Halloween. The season for trick and treats. And spooky Halloween fun

Create a motorcycle reflector vest have middle zipper with Philippine flag in the left upper chest and sample name in right upper chest and below of flag and name have a horizontal reflector line white, green, white, green and at the back of reflector vest have a last name and below of last name have a logo of Wolf and below of last name and logo have a horizontal reflector line with color of white and below of green horizontal line ang white horizontal line

3D animation. Two, young adult, beautifully slender, white American, girlfriends. A spunky redhead in an oversized, dark navy blue, crewneck sweatshirt & a ponytailed brunette in an oversized, deep purple, crewneck sweatshirt. Both women have permanently itchy backs, although Jill is itchy upon her upper back, whereas Izzie's itch is firmly located, precisely, right in the middle of her back. As such, Jill & Izzie equally engage in a shared, synchronized, physical back-scratching, given to one another by each other.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

Freckles, Albino, big eyes, no eyelids, wide smile, pale woman, 50’s, wrinkly face, protruding eyeballs, long pointy witch nose, nose pointed downwards, bald headed, bulbous oversized alien head, wide Alien head shape, huge alien head, massive alien head, bald headed, sparkling light grey eyes, woman, age 50, long neck, freckled face, evil smile, white teeth, NO eyebrows wrinkly face, deep eyes, bags under eyes, long jaw, cleft chin, cheek bones, giant forehead, wrinkly forehead, wide collar bone, very narrow neck, long neck, wide back of head

Mom says hippo will eat kid up on white back ground

Tree tattoo with roots with mom and dad birds in the tree, two young birds flying away. Add the words 'give the ones you love wings to fly, roots to come back and reasons to stay'

A logo with the text "A masterclass in horror" should be written in a gothic, spooky font with angular spikes.The text is in a gradient color, transitioning from bright red at the top to very dark grey at the bottom, with neon white highlights. The top half of the background should have a red mist and the bottom half should have a grey to white mist, matching the colors of the logo text. The logo should be positioned on the left side of the image, leaving empty space on the right hand side for just the background effects.

Tree tattoo with roots with two love birds in the tree, two birds flying off with the words 'give the ones you love wings to fly, roots to come back and reasons to stay'

Taboo Card Back with blue and white Israeli flag theme. Mention Josh and Rikki

Playing Card Back with blue and white Israeli flag theme Mention Josh and Rikki

Playing Card Back For Josh and Rikki wedding in Israel

Elon Musk dressed as Father Christmas, flying a sleek, futuristic Tesla-powered sleigh through the snowy night sky. The sleigh is equipped with SpaceX rockets on the back, giving it a high-tech, sci-fi look. Elon is joyfully tossing presents to the ground below, with a backdrop of a starry sky and distant mountains. The sleigh's glowing lights reflect off the snow, creating a magical holiday scene. A few rockets in the distance are taking off toward Mars, adding a touch of space exploration to the Christmas spirit.