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Marijana is standing in the center of a stylish, softly lit room, her figure commanding attention with elegance and grace. Her recently enhanced F-sized bust is a prominent feature, giving her an hourglass silhouette that exudes confidence and femininity. The fullness of her chest is beautifully highlighted by the tailored fit of her black blouse, which accentuates her curves without appearing overly tight. The blouse’s smooth fabric adds a polished touch, contrasting subtly with the vivid color of her skirt. She wears a bright yellow pencil skirt that hugs her hips and falls slightly above her knees, showcasing her well-toned legs. Her legs are elegantly adorned with black, sheer 20-denier stockings, their slight shimmer catching the light and adding a layer of sophistication. The look is completed with black stiletto heels, their pointed toes and slender design enhancing the sleekness of her overall appearance. Her posture is impeccable, her shoulders back and head held high, exuding a quiet confidence. Marijana’s platinum blonde hair is styled straight, cascading smoothly over her shoulders and framing her glowing face. The natural sheen of her hair complements her radiant makeup: lightly flushed cheeks, soft eyeliner that defines her eyes, and a nude lipstick that enhances her full lips. Her expression is calm and content, her presence commanding yet approachable. The overall composition of the image highlights not just her physical transformation but her renewed sense of confidence and self-assured elegance.

Marijana stands confidently in the center of a well-lit room, her appearance radiating elegance and sophistication. Her figure is striking, enhanced by her recent surgery, with her F-sized bust gracefully complementing her overall silhouette. She is dressed in a vivid yellow pencil skirt that hugs her hips and falls just above her knees, emphasizing her curves and highlighting her toned legs. The skirt’s tailored fit adds a professional yet stylish touch to her ensemble. She pairs the skirt with a black blouse that fits snugly, accentuating her waist and the fullness of her chest. The blouse’s design is sleek and minimalist, allowing her figure to take center stage. Her legs are covered in sheer black stockings, 20 denier, adding a touch of subtle allure with their delicate transparency. On her feet, she wears classic black stiletto heels, elongating her legs and completing the outfit with a refined finish. Her platinum blonde hair is styled straight, cascading neatly over her shoulders and framing her radiant face. Her makeup is subtle yet effective, with a hint of blush, softly defined eyes, and a nude lip color that complements her polished look. Marijana’s posture is poised, her head held high, exuding a sense of pride and contentment. Her calm yet confident demeanor reflects her self-assuredness, capturing a moment of beauty and empowerment.

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene,  Oregon; the style is a photograph-like, nearly realistic drawing.  the perspective is from the street level, centered looking down the street. Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights glow an eerie pale yellow color, and shed soft light on the things around them;  the air is foggy, the street payment is wet, like it recently stopped raining. the flying saucer in antique, vintage-looking. shaped like a bell, but with more sections. underneath the outer third of the underside, there is a recessed ring that looks like it has gills. this part emits a green light from within the inside. in the center is an extruded porthole, for shooting energy beams. the flying saucer is covered in neon lights, as well as rings of small round lights. it has several speakers on it, in two rows, each consisting of either large or small speakers. the details are defined, and visible from the street.   

"Design a logo for the brand 'PP,' representing a skilled photographer, videographer, and editor. The logo should convey creativity and technical expertise, integrating visual elements from each field. Start with the initials 'PP' in a sleek, bold, modern font—preferably sans-serif for a professional and timeless look. Incorporate a camera lens or aperture symbol within one of the 'P's to signify photography. Add a subtle film reel or play button icon, perhaps within or near the second 'P,' symbolizing videography. For editing, include a thin, clean cut line or a timeline detail to subtly represent precision and post-production work, placed below or beside the initials. Opt for a monochromatic color palette with blacks, grays, or metallic accents (like silver) to give it a sleek, versatile finish that can adapt well across various media formats. Use a hint of gradient or shading for slight depth without compromising the minimalist aesthetic. The logo should be versatile, suitable for social media icons, business cards, watermarks, and website headers. Ensure the design communicates professionalism, creativity, and a deep connection to storytelling through visuals."

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