who is dana white
Resize and add details
Convert to video
Outpaint the rest of the image
Additional Info
Steps34
Samplerdpm++
CFG Scale9.2
Seed547029150
More Ai art like who is dana white
Photorealistic full body picture of All powerful muscular bodybuilder god jeremy hunt with ong hair, hyper muscular with bulging big muscles, muscles as big as the hulk, oily skin, ultra slim waist, ultra muscular, jeremy hunt with long hair, he is a king who rules the gallery wearing ornate but skimpy white satin outfit embellished with gold and a long white satin cape, white stiletto boots, white leather gloves, , gold armbands, wife gold belt
Photorealistic full body picture of All powerful muscular bodybuilder god jeremy hunt with ong hair, hyper muscular with bulging big muscles, muscles as big as the hulk, oily skin, ultra slim waist, ultra muscular, jeremy hunt with long hair, he is a king who rules the gallery wearing ornate but skimpy white satin outfit embellished with gold and a long white satin cape, white stiletto boots, white leather gloves, , gold armbands, wife gold belt
Describe to me an accurate description of artificial intelligence. I want a white, blond male in his early 20s with short hair, not long at all, sitting in an upscale café, wearing fancy clothes, drinking coffee and looking at a girl who was his ex-lover but he left her many years ago and she looks like she has not notice him or recognize him
Describe to me an accurate description of artificial intelligence. I want a white, blond person with medium hair, not long at all, sitting in an upscale café, wearing fancy clothes, drinking coffee and looking at a girl who was his ex-lover but he left her many years ago and she looks like she has not notice him or recognize him
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.
In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.
Freckles, Albino, big eyes, no eyelids, wide smile, pale woman, 50’s, wrinkly face, protruding eyeballs, long pointy witch nose, nose pointed downwards, bald headed, bulbous oversized alien head, wide Alien head shape, huge alien head, massive alien head, bald headed, sparkling light grey eyes, woman, age 50, long neck, freckled face, evil smile, white teeth, NO eyebrows wrinkly face, deep eyes, bags under eyes, long jaw, cleft chin, cheek bones, giant forehead, wrinkly forehead, wide collar bone, very narrow neck, long neck, wide back of head