why is fridas house
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"Traditional Acehnese house (Rumoh Aceh), 10 meters long and 8 meters wide. Elevated structure on 3-meter tall wooden stilts. Distinctive boat-shaped roof, 15 meters long, with 60-degree slope and upward-curving ends reaching 7 meters at the peak. Walls of dark teak planks featuring intricate geometric carvings, especially on the triangular gables. Central front door flanked by two windows with ornate wooden shutters. 2-meter wide wrap-around veranda with carved balustrades. Wooden staircase with 10 steps leading to the entrance, adorned with traditional Acehnese patterns. House predominantly in rich brown tones with black accents on structural elements. In the foreground, a group of 9 men performing the Saman dance. Dancers seated in a tight row, wearing black and gold traditional Acehnese attire. Their upper bodies moving in synchronized, rhythmic motions - clapping, arm-waving, and torso-swaying. Setting: Rural Aceh landscape at golden hour. Lush green rice paddies in the middle ground, backed by misty blue mountains. Warm, orange sunlight casting long shadows and giving the scene a golden glow."
In Medellín, Colombia, in 1977, an upper-class home typically featured a mix of modern and traditional Colombian architectural styles. The house would often have a large, whitewashed or pastel-colored façade with clean lines, accented by red clay roof tiles. Large, wrought-iron gates or fences enclosed the property, leading to a well-maintained garden with tropical plants, such as bougainvillea and palm trees. Expansive windows with wooden or ironwork frames often provided natural light while maintaining a touch of privacy. Many homes had a spacious balcony or veranda overlooking the street, adorned with decorative railings and potted plants. The overall look was elegant yet unpretentious, reflecting both sophistication and connection to local heritage.