A man, short black

(im a 25-year-old male human with long black hair brown eyes and long black beard and i have a scar from my left eye to the left side of my face and my name is Hector maverick and i am wearing a black vest and black pants and black boots and black gloves and glasses and I'm very muscular my biological mother kiva is a powerful and feared demoness and I'm half demon and I have a pet king cobra name venom)

An 18-year-old man with black hair, red eyes, pale skin, and a muscular body. Wearing a plain black button-down shirt with a couple of buttons open exposing his chest a bit. Portrait from head to waist.

Make a big head animated cartoon, that looks hand drawn, of a young white guy, with very short black hair, that has blue eyes, wearing black big frame glasses, wearing a black ball cap, and wearing a pink button up shirt that says P!NK and has a short scruffy black beard and short scruffy black mustache, and is smiling big. 

Make a big head animated cartoon, that looks hand drawn, of a young white guy, with very short black hair, that has blue eyes, wearing a red ball cap, and had a little facial hair that is black, and is smiling big. 

Bighead cartoon character with big head and small body style , a man in his 30 almost 40 with a beard and black hair, skin is light tan and has muscled upper body . wearing a black t shirt with jeans. full body image with clear background

Make a big head cartoon of a young white guy, with very short black hair, that has blue eyes, wearing a red hat, and had a little facial hair that is black, and is smiling big. 

Human/fey, purple/red hair, necklace, leather D&D rogue armour, Stiletto Heeled Boots, Green eyes, 5'8 tall, 118 lbs, red fingernails, light freckles, gothic choker sword belt with sword, female, feminine looks, pink eyebrows, four tattoos, bracelet on left hand, black cloak,

Human/fey, purple/red hair, necklace, leather D&D rogue armour, Stiletto Heeled Boots, Green eyes, 5'8 tall, 118 lbs, red fingernails, light freckles, gothic choker sword belt with sword, female, feminine looks, pink eyebrows, four tattoos, bracelet on left hand, black cloak,

Japanese man, 38 year old, full body view, slim and athletic build, messy medium length black hair, black asymmetrical zip up leather moto jacket with snap-down lapels and epaulettes over a fitted white tee-shirt, a pair of blue medium wash washed out skinny jeans that are distressed around the knees, a pair of white low-top sneakers, wireless earpiece in his right ear. chain wallet in jeans pocket, narrow alley background

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green mini skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. T

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

In the center of Salome is depicted as a young dancer. The woman's upper body is bare, while the neck, décolleté, hair and arms are adorned with gold jewelry, set with precious stones. A green skirt of light fabric is wrapped around her hips, through which the contours of the hips and legs shine through. In both pictures Salome supports her left arm on her hip. The right arm is raised in each case, with the forearm stretching upwards at a 45-degree angle from the horizontally outstretched upper arm in the large-format painting and the hand falling towards the face in an open gesture, while in the small-format depiction the hand grasps the hair in a more natural position. In both pictures, the head is tilted back over the left shoulder, so that the dancer looks to the side and shows the viewer the chin area. In both paintings a dark-skinned servant is standing on the left behind the dancer. This figure watches Salome with his head slightly bowed and his eyes fixed. He presents her the severed head of John the Baptist on a golden platter, which is surrounded by a radiant blue halo. This makes it stand out in the painting. The background consists of a black starry sky with shimmering gold, red and white stars. In the full portrait, the lower area is occupied by a light-colored balustrade, behind which several houses with red-lit windows can be seen, and at the very bottom by the light-colored floor. These elements put the scene in a spatial perspective. On the left edge of the painting another person is shown in front of the parapet. This red-clad person is Herod Antipas, who carefully watches the dancer. Other differences in the images relate to the details of the jewelry and the depiction of the servant.

Create a larger head smaller body cartoon character which is female who has a purple cape short black hair and carries a sword and shield

Black hair and black eyes

Create a realistic portrait of a 28 to 30-year-old Indian male. He has a warm, approachable expression, with medium brown skin, short black hair, and a neatly trimmed beard. His eyes are expressive, and he wears casual attire, like a simple shirt. The background is neutral, highlighting his features.