A written on one

Create a sacred symbol representing Sádia, the goddess of prosperity and misery. The symbol should include a lush, leafy tree on one side, representing prosperity, and bare, dry branches on the other side, symbolizing misery. Intertwined within the branches, place the antlers of a deer, which extend gracefully and merge with the tree. The base of the tree should have deep, visible roots, showing the duality of growth and decay. The background should be a twilight sky, with a smooth transition from golden to purple, symbolizing the passage from day to night and the continuous cycle of prosperity and misery.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Create an image of a 25 year old woman, wearing a pink regency style dress with her hair in a period fitting style. she should have medium brown hair, darker brown eyebrows and green eyes. her face is round. she is sitting down with 2 dogs, one is a 20 lb brown goldendoodle that looks more like a golden retriever than a poodle. the other is a 25 lb brown and one cavachon. give the photo a regency/bridgerton esque background

Create a photorealistic image of an African-American man and an African-American woman holding a baby girl between them. The man is tall with dreadlocks. The woman is slender with shoulder-length curly hair. The baby is wrapped in a faded pink blanket. The man and the woman are both looking at the baby, smiling. The baby is also smiling. The background is a baby’s room with a crib in the background.

Setting: Use a medium-sized wooden or dark-toned basin filled with clean water. Scatter light pink daisy-like flowers evenly across the surface of the water for a soft, decorative touch. Feet Positioning: Place the feet gently in the water, slightly crossed for a relaxed and natural look. Ensure the legs are positioned elegantly, with one resting lightly over the other for a graceful effect. Additional Elements: Include smooth white stones at the bottom of the basin for texture and a spa-like feel. The stones should be visible through the water. Water Flow: Have a stream of water pouring into the basin from a wooden or natural-looking container. The pouring water should create a sense of motion and add a soothing, dynamic element to the image. Lighting: Use soft, warm lighting to highlight the skin tone and make the scene feel cozy and inviting. Avoid harsh shadows to maintain a serene spa-like ambiance. Composition: Frame the shot to focus primarily on the legs and feet, while capturing the flowers, water, and pouring stream in the background. Ensure the background is minimal to keep the attention on the subject.

Setting: Use a medium-sized wooden or dark-toned basin filled with clean water. Scatter light pink daisy-like flowers evenly across the surface of the water for a soft, decorative touch. Feet Positioning: Place the feet gently in the water, slightly crossed for a relaxed and natural look. Ensure the legs are positioned elegantly, with one resting lightly over the other for a graceful effect. Additional Elements: Include smooth white stones at the bottom of the basin for texture and a spa-like feel. The stones should be visible through the water. Water Flow: Have a stream of water pouring into the basin from a wooden or natural-looking container. The pouring water should create a sense of motion and add a soothing, dynamic element to the image. Lighting: Use soft, warm lighting to highlight the skin tone and make the scene feel cozy and inviting. Avoid harsh shadows to maintain a serene spa-like ambiance. Composition: Frame the shot to focus primarily on the legs and feet, while capturing the flowers, water, and pouring stream in the background. Ensure the background is minimal to keep the attention on the subject.

“Design an outdoor birthday party floor plan for 60 people. Leave a clear central open space for activities and a bonfire. Place a long buffet table and drinks station along one side. Include a small stage or focal area for speeches or music at the front. Add ambient string lights overhead, with pathways for people to move around comfortably.”

“Design an outdoor birthday party floor plan for 60 people include the people . The seating should be mostly low floor seating on large picnic rugs and cushions arranged in clusters of 8–10 around low tables. Leave a clear central open space for activities and a bonfire. Place a long buffet table and drinks station along one side. Include a small stage or focal area for speeches or music at the front. Add ambient string lights overhead, with pathways for people to move around comfortably.”

“Design an outdoor birthday party for 60 people. The seating should be mostly low floor seating on large picnic rugs and cushions arranged in clusters of 8–10 around low tables. Leave a clear central open space for activities and a bonfire. Place a long buffet table and drinks station along one side. Include a small stage or focal area for speeches or music at the front. Add ambient string lights overhead, with pathways for people to move around comfortably.”

“Design an outdoor birthday party for 60 people. The seating should be mostly low floor seating on large picnic rugs and cushions arranged in clusters of 8–10 around low tables. Leave a clear central open space for activities and a bonfire. Place a long buffet table and drinks station along one side. Include a small stage or focal area for speeches or music at the front. Add ambient string lights overhead, with pathways for people to move around comfortably.”

“Design an outdoor birthday party floor plan for 60 people. The seating should be mostly low floor seating on large picnic rugs and cushions arranged in clusters of 8–10 around low tables. Leave a clear central open space for activities and a bonfire. Place a long buffet table and drinks station along one side. Include a small stage or focal area for speeches or music at the front. Add ambient string lights overhead, with pathways for people to move around comfortably.”

A 30-year-old, fuller-figured, brown-eyed mulatto woman with long, thick, dark brown curly hair that fills the frame. She has a thinner nose and lips, noticeable freckles across her cheekbones and nose, and wears oversized teal glasses. Her hair and dress are covered in vibrant Atlas and Luna moths, blue and purple butterflies, and colorful flowers like peonies, petunias, roses, and wild blossoms. She radiates whimsy and power — a vision of Mother Earth. add more moths and butterflies, make it a painting add a corgi to either side of her, one with black eyebrows and light brown eyes, with short mostly red hair. the other corgi has long hair and a tongue hanging out

Soft, serene pale pink background, gentle gradient subtly transitioning to a slightly lighter tone towards the top, warm and inviting, a delicate blend of pastel hues, evoking a sense of calmness and tranquility, white hearts of varying sizes, intricately designed with a subtle sheen, delicate and lacy, as if crafted from fine porcelain, floating effortlessly across the canvas, some overlapping, others standing alone, each one unique, yet blending seamlessly into the overall composition, peach-colored flowers, petals delicately curved, soft and romantic, sprinkled throughout the design, adding a touch of warmth and whimsy, subtle gradient effect on the flowers, giving them a sense of depth and dimension, the words "The Oral Anthology" in elegant, medium-sized cursive script, a beautiful blend of classic and modern typography, font size decreasing gradually from left to right, creating a sense of movement and flow, centered, prominent, yet unobtrusive, allowing the surrounding design elements to shine, the words "Michele DeLonge" in simpler, yet still elegant font, placed discreetly beneath the title, a little bit smaller, yet still clear and legible, creating a sense of balance and harmony, the overall design exuding a sense of softness, serenity, and romance, perfect for a literary or poetic project, the pale pink background and white hearts evoking a sense of innocence and purity, while the peach-colored flowers add a touch of warmth and sophistication, the elegant typography and beautiful design elements coming together to create a truly stunning visual representation.

Soft, serene pale pink background, gentle gradient subtly transitioning to a slightly lighter tone towards the top, warm and inviting, a delicate blend of pastel hues, evoking a sense of calmness and tranquility, white hearts of varying sizes, intricately designed with a subtle sheen, delicate and lacy, as if crafted from fine porcelain, floating effortlessly across the canvas, some overlapping, others standing alone, each one unique, yet blending seamlessly into the overall composition, peach-colored flowers, petals delicately curved, soft and romantic, sprinkled throughout the design, adding a touch of warmth and whimsy, subtle gradient effect on the flowers, giving them a sense of depth and dimension, the words "The Oral Anthology" in elegant, medium-sized cursive script, a beautiful blend of classic and modern typography, font size decreasing gradually from left to right, creating a sense of movement and flow, centered, prominent, yet unobtrusive, allowing the surrounding design elements to shine, the words "Michele DeLonge" in simpler, yet still elegant font, placed discreetly beneath the title, a touch smaller, yet still clear and legible, creating a sense of balance and harmony, the overall design exuding a sense of softness, serenity, and romance, perfect for a literary or poetic project, the pale pink background and white hearts evoking a sense of innocence and purity, while the peach-colored flowers add a touch of warmth and sophistication, the elegant typography and beautiful design elements coming together to create a truly stunning visual representation.