ABC is a triangle

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

A serious young man with short dark hair stands against a raw concrete wall, half-lit by sunlight. He is wearing a black t-shirt with a bold white graphic of a skeletal hand making a peace sign. The lighting creates a dramatic contrast, enhancing the urban, edgy vibe. His pose is straight and calm, hands relaxed by his sides. The overall style is minimalist streetwear with a dark, graphic aesthetic — perfect for a fashion editorial or alternative clothing brand.

You are Sophie, a chimeric black mage and Adventurer. You started your journey as a human noble scion, but have become a chimera during the course of your travels. You are a hermaphrodite, standing 5'11" tall with an amazonian physique. You're wearing a witch's corset, taking full advantage of the freedom of movement provided by the light armor. Your flame cape flows behind you, billowing in the cold wind. Further up, your helm sits atop your head, helping protect your skull from enemy attacks and motorcycle accidents. Meanwhile, your hands and feet are clad in arm-length leather gloves and thigh high leather boots respectively. Your muzzle is covered by a layer of white fur. Overall, your visage has a jaw-droppingly feminine shape with juicy lips, an adorable nose and long, beautiful eyelashes. Your eyes bear a vertical slit instead of rounded pupils, surrounded by a luminescent green iris. The ass-length, white plumage on your head nearly conceals a pair of mostly-human ears with slightly pointed tips, just like an elf's. Your bestial maw contains a flat tongue that constantly drips with slobber. You have a humanoid upper body with the usual torso, arms, hands, and fingers. Feathers hang off your arms from shoulder to wrist, giving them a slightly wing-like look. You have fertile hips that make it look like you've birthed many children, and your soft, generous ass wobbles enticingly with every step. A fuzzy white wolf-tail sprouts just above your rump, wagging to and fro whenever you are happy. You have powerful thighs perfect for launching you into the air which end in slender bird-like legs, covered with white plumage down to your knees and rough, brown skin below. Your feet have long sharp claw-tipped toes. Your middle is rock-hard, shaped by a good diet, steady conditioning, or both.

A furrow which is 11-1/2 inches long and which ranges from 1/2 to 1-1/2 inch wide almost completely encircles the neck. The bed of the furrow is dried, tan, and abraded on the left side of the neck and shows pallor of the livor on the right. There are several slightly oblique red-tan abrasions on the left jawline at the superior edge of the furrow (3-1/2 x 3/8 inches) and on the lateral right neck at the inferior edge of the furrow (approximately 2 x 1/2 inches). The lowest point of the furrow is on the anterolateral left neck at 9-3/4 inches below the top of the head. On the right side of the neck the furrow is directed sharply upward and posteriorly; the highest point of the furrow is on the right occipital scalp at 5-1/2 inches below the top of the head. There are occasional, large red purple petechiae of the bulbar surface of the conjunctiva on the right eye. A layered in situ examination of the soft tissues and structures of the anterior neck reveals focal purple hemorrhage at the upper attachment of the left sternothyroid and thyrohyoid muscles. OTHER INJURIES - Upper and posterior scalp, left side of the face, and upper left back with a few tiny, purple-brown, and slightly crusted abrasions. - Posterior neck with an approximately 1-1/4 x 1/2 inch area containing patchy purple contusion. - Lower abdomen and left flank with a few, up to 3/4 inch, dried brown abrasions. - Upper left shoulder with a 1-1/2 x 3/4 inch brown abraded contusion. - Upper left chest with a 1-1/4 inch curvilinear brown abrasion. - Medial right arm and elbow with a few, up to 3/8 inch small brown and red-purple abrasions. - Ventral right forearm with a 4 x 2-1/2 inch area with several up to 1/2 inch irregular dried purplebrown abrasions. - Base of the penis and right scrotal sac with a few tiny dark red-brown abrasions. - Lateral left elbow with an approximately 3/16 x 1/4 inch dark purple contusion. - Left antecubital fossa with an approximately 2 x 1 inch area containing dried red abrasion. - Ventral left forearm with at least four, longitudinally-oriented, dried, dark purple abrasions which measure up to 4-1/2 inches in greatest dimension. - Left antecubital fossa and ventral left forearm with a few apparent purple puncture marks. - Left arm, elbow, and forearm with several scattered tiny red-purple abrasions. - Anterior knees and legs with dark purple abrasions measuring up to 7/8 inch in greatest dimension. - Medial right foot with a small red abrasion.

Tsurugi Demaaga is slightly larger and more imposing than its predecessor. Its body is more muscular and robust, with a build that suggests increased strength and power. Skin: The skin of Tsurugi Demaaga is a dark, almost metallic black or deep gray, with a glossy, hardened texture. The rocky, jagged protrusions that covered the original Demaaga are now more pronounced and sharper, resembling blades or swords jutting out from various parts of its body. Head and Face: The head of Tsurugi Demaaga is even more dragon-like, with a fearsome, sharp-edged appearance. The eyes glow a menacing red or orange, and its mouth is filled with razor-sharp teeth that are longer and more sword-like. The horns or spikes on its head are larger and more defined, giving it a more sinister and aggressive look. Arms and Claws: The arms of Tsurugi Demaaga are heavily armored, with the rocky outgrowths on its forearms resembling sharp blades or spikes. These arms end in massive, sword-like claws that can slice through almost any material with ease. The claws are longer and more refined than those of the original Demaaga, emphasizing their cutting power. Chest and Torso: Tsurugi Demaaga's chest is covered with large, armor-like plates that are sharper and more angular than before. The glowing, fiery cracks in its chest are more intense, pulsing with an ominous energy that suggests increased power. The overall look of the torso is more streamlined, resembling a suit of dark, battle-worn armor. Tail: The tail of Tsurugi Demaaga is longer and more whip-like, with several sword-like protrusions running along its length. The tail ends in a sharp, blade-like tip, making it a deadly weapon that can strike with precision and force. Legs and Feet: Its legs are thick and powerful, with spiked armor running down the sides. The feet are more clawed and resemble those of a predatory bird, adding to its lethal appearance. The legs are designed for both strength and agility, allowing it to move swiftly despite its massive size. 

Create a Pokemon using this information on Tsurug Demaaga Tsurugi Demaaga is slightly larger and more imposing than its predecessor. Its body is more muscular and robust, with a build that suggests increased strength and power. Skin: The skin of Tsurugi Demaaga is a dark, almost metallic black or deep gray, with a glossy, hardened texture. The rocky, jagged protrusions that covered the original Demaaga are now more pronounced and sharper, resembling blades or swords jutting out from various parts of its body. Head and Face: The head of Tsurugi Demaaga is even more dragon-like, with a fearsome, sharp-edged appearance. The eyes glow a menacing red or orange, and its mouth is filled with razor-sharp teeth that are longer and more sword-like. The horns or spikes on its head are larger and more defined, giving it a more sinister and aggressive look. Arms and Claws: The arms of Tsurugi Demaaga are heavily armored, with the rocky outgrowths on its forearms resembling sharp blades or spikes. These arms end in massive, sword-like claws that can slice through almost any material with ease. The claws are longer and more refined than those of the original Demaaga, emphasizing their cutting power. Chest and Torso: Tsurugi Demaaga's chest is covered with large, armor-like plates that are sharper and more angular than before. The glowing, fiery cracks in its chest are more intense, pulsing with an ominous energy that suggests increased power. The overall look of the torso is more streamlined, resembling a suit of dark, battle-worn armor. Tail: The tail of Tsurugi Demaaga is longer and more whip-like, with several sword-like protrusions running along its length. The tail ends in a sharp, blade-like tip, making it a deadly weapon that can strike with precision and force. Legs and Feet: Its legs are thick and powerful, with spiked armor running down the sides. The feet are more clawed and resemble those of a predatory bird, adding to its lethal appearance. The legs are designed for both strength and agility, allowing it to move swiftly despite its massive size.

Draw a sketch for a tattoo where you will draw a piece of Louis Vuitton canvas that is stitched with thread and a needle

Draw a horizontal line 4 inch long. from one end draw another line at 110 degrees angle that is also 4 inch long. from the other end draw a line at 35 degrees angle until it completes the triangle. write the name of the triangle. graph

Draw a horizontal line 4 inch long. from one end draw another line at 110 degrees angle that is also 4 inch long. from the other end draw a line at 35 degrees angle until it completes the triangle. write the name of the triangle

A vibrant and uplifting background that symbolizes growth and connection. You could use a gradient of warm colors like peach, coral, and soft pink, transitioning into a bright, hopeful pink. A diverse group of Christian women standing together in a circle, symbolizing unity and support. They should be smiling and engaging with each other, showcasing camaraderie and mutual encouragement. Around the group of women, incorporate small icons representing various types of businesses (e.g., a shopping bag for retail, a computer for tech, a food tray for catering, a flower for florists, etc.).

A vibrant and uplifting background that symbolizes growth and connection. You could use a gradient of warm colors like peach, coral, and soft pink, transitioning into a bright, hopeful yellow. A diverse group of women standing together in a circle, symbolizing unity and support. They should be smiling and engaging with each other, showcasing camaraderie and mutual encouragement. Around the group of women, incorporate small icons representing various types of businesses (e.g., a shopping bag for retail, a computer for tech, a food tray for catering, a flower for florists, etc.).

Title: Thumper's Great Adventure In a quiet meadow at the edge of a dense forest, there lived a curious rabbit named Thumper. Unlike the other rabbits in his warren, Thumper was always eager to explore the world beyond the familiar grassy fields and flower patches. His friends often teased him about his adventurous spirit, but Thumper didn't mind. He loved discovering new things and meeting new friends. One sunny morning, while the dew still glistened on the grass, Thumper decided to venture deeper into the forest than he ever had before. As he hopped along the winding paths, he marveled at the towering trees and the symphony of birds chirping overhead. Suddenly, Thumper heard a soft rustling sound in the bushes. Curious, he stopped and peered through the leaves. To his surprise, he saw a small, frightened squirrel tangled in a pile of twigs and vines. Without hesitation, Thumper hopped over and began to nibble and tug at the branches, freeing the squirrel. "Thank you so much," the squirrel squeaked. "I'm Squeaky. I got caught while looking for acorns." "I'm Thumper," the rabbit replied with a warm smile. "It's nice to meet you, Squeaky. Do you want to join me on my adventure?" Squeaky nodded enthusiastically, and the two new friends continued through the forest together. As they explored, they encountered a babbling brook, where they stopped for a drink and played in the cool water. They climbed over fallen logs and discovered a hidden grove filled with colorful wildflowers. As the sun began to set, casting golden hues across the sky, Thumper and Squeaky realized they were far from home. Though the forest was now bathed in shadows, Thumper remained calm. He remembered the way back by tracing the path of his own paw prints in the soft earth. With Squeaky by his side, Thumper found his way out of the forest and back to the meadow. When they finally reached the edge of the forest, Thumper's friends were waiting for him, relieved and excited to hear about his adventure. From that day on, Thumper's friends were inspired by his courage and curiosity. Together, they embarked on many adventures, discovering new wonders and making new friends along the way. And Thumper? He learned that the world was a big, beautiful place, full of surprises and friendships waiting to be made.

Aquadrake is a sleek, serpentine Pokémon with a streamlined body designed for swift movement in water. Its scales are a deep, iridescent blue that shimmer with hints of green and purple. It has a long, finned tail that propels it through the water and large, sharp fins on its back. Its eyes are a piercing blue, and it has a set of small horns on its head that resemble waves. Aquadrake's mouth is filled with sharp teeth, and it has whisker-like fins on the sides of its face.

Bheem smiled and said, "As long as we all stand together in Dholakpur, no one can harm us." The villagers cheered for Bheem, and everyone welcomed a new dawn where Damyaan's wrath was just a bad dream.