batman night light

“Lord Venkateswara and Goddess Padmavathi standing together under a mandapam decorated with flowers, in divine wedding attire, South Indian traditional ornaments, Tirupati temple in background, full moon night, glowing divine light around them, painting style with vibrant colors”. “traditional Indian art style”, “hyper-realistic style”, “mural painting style. inside Tirumala temple”, “Tirupati gopuram”, “devotees in the background

A lush futuristic neon garden at night, filled with vibrant glowing flowers, bioluminescent plants, and cyberpunk elements. Pathways lined with soft LED lights, tall sleek light poles emitting blue and purple hues, and trees wrapped in neon ribbons of light. The atmosphere is dreamy and magical, blending nature with advanced technology. Soft mist in the air, a cityscape with futuristic architecture faintly visible in the background. Ultra-detailed, 8K, hyper-realistic, cinematic lighting, vibrant colors of pink, purple, blue and turquoise, highly detailed textures, Unreal Engine, octane render. Include the only colors with NCS S S 3060-R80B bright blue, NCS S 7020-R50B purple, NCS S 8010-R50B dark purple, and NCS S 1005-R80B grey

A majestic centaur stands gracefully by the river under the soft glow of moonlight. Her human half is elegant and serene, with flowing hair that catches the light of the moon, and her horse body is strong and sleek. The river glistens with reflections of the night sky, winding through the scene. Along the riverbank, delicate wildflowers bloom in clusters, adding color and softness to the tranquil landscape. The atmosphere is mystical and dreamlike, with gentle shadows and a calm, ethereal glow.

A majestic female centaur stands gracefully by the river under the soft glow of moonlight. Her human half is elegant and serene, with flowing hair that catches the light of the moon, and her horse body is strong and sleek. The river glistens with reflections of the night sky, winding through the scene. Along the riverbank, delicate wildflowers bloom in clusters, adding color and softness to the tranquil landscape. The atmosphere is mystical and dreamlike, with gentle shadows and a calm, ethereal glow.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

**Netflix Series: Arcane Original Character** **Name:** Essy Night **Age:** 19 **Gender:** Female **Species:** Human **Side:** Zaun **Appearance:** Essy Night captivates the eye with her striking presence, characterized by long, cascading black hair that moves like shadows in the night. Her fierce pale blue eyes gleam with a chilling intensity, reminiscent of glacial ice, drawing attention wherever she goes. Intricate tattoos snake their way up her hands and forearms, each design telling a story from her tumultuous life, a canvas of her experiences and struggles. Despite her petite frame, her athletic build hints at the agility and resilience developed from a lifetime on the rugged streets of Zaun. Silver piercings, glinting in the light, line her ears and add an edgy, rebellious flair to her appearance. Essy’s wardrobe is a bold manifestation of the Zaun spirit, featuring high-waisted pants that hug her figure, adorned with metal chains that jingle with her every movement. Cropped tops reveal her tattoos, each piece of clothing carefully chosen to project her defiance and individuality. Her fashion palette is dominated by deep hues—ash gray, rich purples, and inky blacks—each outfit a declaration of her resistance against the oppressive world around her.

"Create a haunting, high-resolution image of the Dancing Woman as she moves toward the viewer on a deserted, foggy street at night. Her figure is unnaturally long and slightly distorted, wearing a torn and dirty white dress that flows unnaturally as if caught in an invisible breeze. Her pale, almost ghostly skin is illuminated faintly by a flickering streetlight behind her, which casts elongated and jagged shadows across the ground, adding to the unsettling atmosphere. Her face is the focal point: a horrific slit smile stretches grotesquely from ear to ear, the edges of her mouth ragged and bloodied. Her teeth should appear sharp and unnervingly clean, highlighted against the dark red of her wounds. Her wide, unblinking eyes shine faintly in the dim light, capturing an expression of twisted joy mixed with predatory menace. Her hair is long, tangled, and partially obscures her face, giving her a chaotic and unkempt appearance. The background should feature a misty, empty street with faint outlines of distant, shadowy buildings or trees, adding to the sense of isolation. Subtle cracks in the pavement and small puddles reflect the flickering light above her, creating a chillingly quiet and surreal environment. The overall tone should evoke a sense of impending doom and helplessness, with the viewer feeling like her next victim."

"Create a haunting, high-resolution image of the Dancing Woman as she moves toward the viewer on a deserted, foggy street at night. Her figure is unnaturally long and slightly distorted, wearing a torn and dirty white dress that flows unnaturally as if caught in an invisible breeze. Her pale, almost ghostly skin is illuminated faintly by a flickering streetlight behind her, which casts elongated and jagged shadows across the ground, adding to the unsettling atmosphere. Her face is the focal point: a horrific slit smile stretches grotesquely from ear to ear, the edges of her mouth ragged and bloodied. Her teeth should appear sharp and unnervingly clean, highlighted against the dark red of her wounds. Her wide, unblinking eyes shine faintly in the dim light, capturing an expression of twisted joy mixed with predatory menace. Her hair is long, tangled, and partially obscures her face, giving her a chaotic and unkempt appearance. The background should feature a misty, empty street with faint outlines of distant, shadowy buildings or trees, adding to the sense of isolation. Subtle cracks in the pavement and small puddles reflect the flickering light above her, creating a chillingly quiet and surreal environment. The overall tone should evoke a sense of impending doom and helplessness, with the viewer feeling like her next victim."

A hyper-realistic full-body Argentinosaurus in its natural habitat during the Late Cretaceous period, Patagonia. The massive titanosaur stands or slowly walks across a vast prehistoric floodplain surrounded by conifer trees, cycads, and ferns typical of South America 90 million years ago. The scene is set at golden hour with warm sunlight illuminating the dinosaur’s enormous body, emphasizing its immense scale compared to the landscape. Its long neck stretches forward gracefully, tail extending far behind in full view, casting a long shadow on the ground. The skin texture is realistic and detailed, showing wrinkles, muscles, and earthy tones with subtle patterns of gray, brown, and olive. Dust rises gently around its feet as it moves, and a few smaller dinosaurs or pterosaurs can be seen in the background for scale. The sky is partly cloudy, with soft mist near distant mountains and a shallow river reflecting the light. Cinematic composition, ultra-detailed, scientifically accurate, volumetric lighting, 8K, natural color palette, realistic atmosphere, soft depth of field.

A hyper-realistic full-body Diplodocus walking across a Jurassic floodplain, shown from a cinematic low-angle perspective to emphasize its massive scale. Its long neck extends forward gracefully and its full tail curves naturally behind, fully visible. The Diplodocus has a small, narrow, elongated head with natural proportions and neutral expression, matching accurate paleontological reconstructions. The environment features ferns, cycads, sparse conifer trees, and a shallow reflective river under soft golden sunlight with light mist, evoking an authentic Jurassic atmosphere. Cinematic lighting, depth of field, National Geographic wildlife photography style.

A hyper-realistic full-body Diplodocus walking slowly across a wide Jurassic floodplain, shown from a cinematic low-angle perspective to emphasize its enormous scale. Its long neck reaches forward while its massive tail extends far behind in full view, curving naturally through the misty air. The environment features ferns, cycads, conifers, and a shallow reflective river under soft morning light. Realistic proportions, detailed skin texture, atmospheric perspective, National Geographic wildlife photography style.

A hyper-realistic full-body Diplodocus walking through a Jurassic floodplain environment, surrounded by low vegetation, ferns, and sparse conifer trees near a riverbank. The scene shows its enormous size with a long neck stretched forward and its full tail visible, curving naturally behind. The camera is low and wide to capture its full length and the vast prehistoric landscape, with soft natural light, dusty atmosphere, and realistic textures — National Geographic wildlife photography style.

A realistic Diplodocus walking peacefully through a prehistoric conifer forest, surrounded by ferns and tall trees, sunlight filtering through the misty canopy, soft cinematic lighting, detailed skin texture with subtle earth tones and fine scales, long slender neck and whip-like tail, accurate anatomy, depth of field, natural perspective, National Geographic wildlife photography style, volumetric light, ultra-realistic atmosphere

A realistic Ankylosaurus walking through a prehistoric forest, sunlight filtering through the trees, detailed scales and armor plates with earthy tones, cinematic lighting, depth of field, natural composition, National Geographic wildlife photography style, ultra detailed, 8k, volumetric light, misty atmosphere.

A scientifically accurate, ultra-realistic full-body photograph of a Tyrannosaurus rex standing or walking calmly through a lush Late Cretaceous forest, surrounded by ferns and conifer trees, daylight with soft diffused sunlight, natural earthy tones. The dinosaur has realistic textures, accurate proportions, powerful legs, small arms, large skull, and a long horizontal tail for balance. Add subtle fine scales and optionally a light covering of proto-feathers along the neck and back. The creature has a calm, intelligent, and non-aggressive expression, appearing majestic but friendly. Soft mist in the background, cinematic lighting, high detail, paleontological accuracy, realistic anatomy and muscles.