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A close-up of the Gundam White Unicorn head, with purple eyes and silver armor, surrounded by many mechanical parts. The background is dark gray metal, with a strong contrast between light and shadow. It features high-definition details, a metallic texture, and complex textures.

Man of middle-eastern descent, conventionally attractive with hazel eyes and shaggy dark hair. He stands just short of 7ft tall and shadows curl at the edges of his figure. His deep set eyes shimmer in his otherrwise sullen face. He is clean shaven and bears a scar along the right side of his face. His body is athletic but lithe and his hands and forearms are scarred. Wearing dark leather armor, a swirling black shadow engulfs his lower half as his enormous bat like wings unfold.

Dark shadow with red eyes

One day, a terrifying shadow loomed over Dholakpur. This shadow was none other than Damyaan, an ancient sea witch famous for her dark magic and army of demons.

Tall and imposing, Kylanus has a handsome and rugged appearance marked by battle scars that tell tales of countless confrontations that he covers with tattoos. His piercing eyes are brown with flects of red seem to hold unspoken stories, while his dark hair often falls messily around his face. A constant shadow seems to follow him, adding an air of mystery to his presence. He has large black feathered wings, which he flexes, but can also hide. Often wearing fighting leathers. He is tall, and a mountain of muscle. He is very attractive. He has many tattoos on him, including a black snake coiled around his arm.  

Create a detailed, photorealistic image of the Black Madonna of Częstochowa exactly as in the original famous painting: a dark-skinned Virgin Mary with two scars on her right cheek, wearing a golden crown and richly embroidered robes with gold and red details. The background is gilded gold leaf. The wooden panel is cracked and shows signs of burning and wear, as if aged and damaged, but the painting itself is intact and faithful to the original.

A curved Polish cavalry saber with a slightly tarnished steel blade showing signs of dried blood near the guard. The hilt is wrapped in worn black leather, smooth with age, and the guard features a detailed crowned white eagle emblem. The blade reflects faint light, showing subtle scratches and wear, resting on a dark cloth background. The style is hyper-realistic with a focus on historical accuracy and texture.

A delicate string of jet-black and ivory prayer beads with some beads cracked or missing. The cross is carved from worn oak and inlaid with faded gold. One bead is partially broken open, revealing a tiny ancient scroll with handwritten Latin and Old Polish script. The beads emit a soft, mystical glow, set against a dark, textured background. The style is detailed and atmospheric, evoking sacredness and age.

A delicate string of jet-black and ivory prayer beads with some beads cracked or missing. The cross is carved from worn oak and inlaid with faded gold. One bead is partially broken open, revealing a tiny ancient scroll with handwritten Latin and Old Polish script. The beads emit a soft, mystical glow, set against a dark, textured background. The style is detailed and atmospheric, evoking sacredness and age.

A curved Polish cavalry saber with a slightly tarnished steel blade showing signs of dried blood near the guard. The hilt is wrapped in worn black leather, smooth with age, and the guard features a detailed crowned white eagle emblem. The blade reflects faint light, showing subtle scratches and wear, resting on a dark cloth background. The style is hyper-realistic with a focus on historical accuracy and texture.

A cracked and weathered wooden icon depicting the Black Madonna of Częstochowa, with faded gold leaf trim and scorch marks across the surface. The painting shows the dark-skinned Madonna with a delicate crown, worn and chipped paint revealing wood underneath. The edges of the panel are charred and blackened, with a faint glow of incense smoke lingering in the air. The style is photorealistic, capturing both reverence and the damage of war.

A hyper-realistic full-body Argentinosaurus in its natural habitat during the Late Cretaceous period, Patagonia. The massive titanosaur stands or slowly walks across a vast prehistoric floodplain surrounded by conifer trees, cycads, and ferns typical of South America 90 million years ago. The scene is set at golden hour with warm sunlight illuminating the dinosaur’s enormous body, emphasizing its immense scale compared to the landscape. Its long neck stretches forward gracefully, tail extending far behind in full view, casting a long shadow on the ground. The skin texture is realistic and detailed, showing wrinkles, muscles, and earthy tones with subtle patterns of gray, brown, and olive. Dust rises gently around its feet as it moves, and a few smaller dinosaurs or pterosaurs can be seen in the background for scale. The sky is partly cloudy, with soft mist near distant mountains and a shallow river reflecting the light. Cinematic composition, ultra-detailed, scientifically accurate, volumetric lighting, 8K, natural color palette, realistic atmosphere, soft depth of field.

“A majestic portrait of Lord Venkateswara (Tirupati Balaji), richly adorned with gold jewelry, intricate crown, and sacred tilaka on his forehead, standing in Tirumala temple sanctum, golden ornaments shining, dark stone idol glowing with divine aura, ornate carvings in the background, warm spiritual lighting, South Indian traditional temple architecture”

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