icedrift hollow shadows first

Let them hug each other these 2 photos : ### Description of the Two Photos: #### **First Photo:** - **Subject:** A young woman is taking a selfie. - **Facial Expression:** She is smiling gently at the camera, with a soft and warm expression. - **Clothing:** She is wearing a light pink hijab with a subtle pastel pattern, and a matching light pink long-sleeved top. The top has a small logo or emblem on the left side of the chest, which appears to be a simple line drawing or design. - **Background:** The background features a traditional interior setting with wooden furniture. A green upholstered chair with a carved wooden backrest is partially visible. The walls are cream-colored, and the flooring appears to be terrazzo (speckled tiles). There's also a wooden doorframe and a staircase with wooden handrails, partially visible behind her. - **Lighting:** The lighting is natural and warm, suggesting it might be daytime, with soft shadows on her face. #### **Second Photo:** - **Subject:** A young toddler girl is standing outdoors, looking slightly to her left. - **Facial Expression:** The child has a curious and slightly surprised expression, with wide-open eyes and slightly parted lips. - **Clothing:** She is wearing a cream-colored cardigan with ruffled details on the shoulders. Underneath, there appears to be a floral-patterned shirt or dress collar peeking out. She is also wearing light blue jeans and black Mary Jane shoes with white socks. - **Hair:** The girl has short, dark brown hair, styled with a small section clipped to the side with a red flower clip. - **Background:** The outdoor setting includes earthy tones, with what appears to be a garden or yard area. The ground is paved with a stone ledge she is standing on, and there are plants with green leaves in the background. The overall atmosphere is calm, with soft natural lighting, possibly during late afternoon. - **Pose:** The girl is standing on the edge of a low wall or ledge, balancing carefully, with her arms slightly outstretched as if maintaining.

Hugging each other these two photos:### Description of the Two Photos: #### **First Photo:** - **Subject:** A young woman is taking a selfie. - **Facial Expression:** She is smiling gently at the camera, with a soft and warm expression. - **Clothing:** She is wearing a light pink hijab with a subtle pastel pattern, and a matching light pink long-sleeved top. The top has a small logo or emblem on the left side of the chest, which appears to be a simple line drawing or design. - **Background:** The background features a traditional interior setting with wooden furniture. A green upholstered chair with a carved wooden backrest is partially visible. The walls are cream-colored, and the flooring appears to be terrazzo (speckled tiles). There's also a wooden doorframe and a staircase with wooden handrails, partially visible behind her. - **Lighting:** The lighting is natural and warm, suggesting it might be daytime, with soft shadows on her face. #### **Second Photo:** - **Subject:** A young toddler girl is standing outdoors, looking slightly to her left. - **Facial Expression:** The child has a curious and slightly surprised expression, with wide-open eyes and slightly parted lips. - **Clothing:** She is wearing a cream-colored cardigan with ruffled details on the shoulders. Underneath, there appears to be a floral-patterned shirt or dress collar peeking out. She is also wearing light blue jeans and black Mary Jane shoes with white socks. - **Hair:** The girl has short, dark brown hair, styled with a small section clipped to the side with a red flower clip. - **Background:** The outdoor setting includes earthy tones, with what appears to be a garden or yard area. The ground is paved with a stone ledge she is standing on, and there are plants with green leaves in the background. The overall atmosphere is calm, with soft natural lighting, possibly during late afternoon. - **Pose:** The girl is standing on the edge of a low wall or ledge, balancing carefully, with her arms slightly outstretched as if maintaining.

The driver's seat appears empty at first. Then, the honk of the horn stopes as an older homeless man, ZACK (55-60), lift his head up from the wheel. In the alley behind the window of the house across the street, a man draws the curtain and looks out into the alley and the car parked. Inside the truck He seems high from the drug that he used. In his hand there is a knife that he used for opening his crack cocaine. His disheveled beard and weary eyes tell of a hard life. His clothes—two mismatched button-up shirts (one blue, one red), faded jeans, and worn-out boots—hang loosely on his thin frame.

The driver's seat appears empty at first. Then, the honk of the horn stopes as an older homeless man, ZACK (55-60), lift his head up from the wheel. In the alley behind the window of the house across the street, a man draws the curtain and looks out into the alley and the car parked. Inside the truck He seems high from the drug that he used. In his hand there is a knife that he used for opening his crack cocaine. His disheveled beard and weary eyes tell of a hard life. His clothes—two mismatched button-up shirts (one blue, one red), faded jeans, and worn-out boots—hang loosely on his thin frame.

Short, petite, teenage girl, a young face with a cute toothy smile, big confident eyes, small perky breasts and hard nipples, , HDR photo, realistic flawless texture, (detailed face:1.3), split-complementary color palette, UHD, hyper realistic, ultra detailed, casting shadow style, vivid, realistic details, clear shadows and highlights, intense, enhanced contrast.), (younger_character:1.5), (youthful:1.5), (natural_young_person:1.5), (innocent_pure_whimsical:1.3)

A triumphant scene showing Thomas Edison holding the first working light bulb, glowing brightly, in a dark room. A group of people behind him look amazed and excited. The light bulb illuminates the entire room, symbolising success and innovation. The mood is celebratory, with a warm and golden glow dominating the image

Man of middle-eastern descent, conventionally attractive with hazel eyes and shaggy dark hair. He stands just short of 7ft tall and shadows curl at the edges of his figure. His deep set eyes shimmer in his otherrwise sullen face. He is clean shaven and bears a scar along the right side of his face. His body is athletic but lithe and his hands and forearms are scarred. Wearing dark leather armor, a swirling black shadow engulfs his lower half as his enormous bat like wings unfold.

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Setting: Use a medium-sized wooden or dark-toned basin filled with clean water. Scatter light pink daisy-like flowers evenly across the surface of the water for a soft, decorative touch. Feet Positioning: Place the feet gently in the water, slightly crossed for a relaxed and natural look. Ensure the legs are positioned elegantly, with one resting lightly over the other for a graceful effect. Additional Elements: Include smooth white stones at the bottom of the basin for texture and a spa-like feel. The stones should be visible through the water. Water Flow: Have a stream of water pouring into the basin from a wooden or natural-looking container. The pouring water should create a sense of motion and add a soothing, dynamic element to the image. Lighting: Use soft, warm lighting to highlight the skin tone and make the scene feel cozy and inviting. Avoid harsh shadows to maintain a serene spa-like ambiance. Composition: Frame the shot to focus primarily on the legs and feet, while capturing the flowers, water, and pouring stream in the background. Ensure the background is minimal to keep the attention on the subject.

Setting: Use a medium-sized wooden or dark-toned basin filled with clean water. Scatter light pink daisy-like flowers evenly across the surface of the water for a soft, decorative touch. Feet Positioning: Place the feet gently in the water, slightly crossed for a relaxed and natural look. Ensure the legs are positioned elegantly, with one resting lightly over the other for a graceful effect. Additional Elements: Include smooth white stones at the bottom of the basin for texture and a spa-like feel. The stones should be visible through the water. Water Flow: Have a stream of water pouring into the basin from a wooden or natural-looking container. The pouring water should create a sense of motion and add a soothing, dynamic element to the image. Lighting: Use soft, warm lighting to highlight the skin tone and make the scene feel cozy and inviting. Avoid harsh shadows to maintain a serene spa-like ambiance. Composition: Frame the shot to focus primarily on the legs and feet, while capturing the flowers, water, and pouring stream in the background. Ensure the background is minimal to keep the attention on the subject.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Red and blue, Optimus Prime,(1mechanical boy),solo,looking at viewer,Cyberpunk city setting, Mech helmet, robot,standing,A glowing mech,((ultra realistic details)), portrait, global illumination, shadows, octane render,8k, ultra sharp,metal,intricate, detailed ornaments, cold colors, Egyptian detail, highly intricate details, realistic light, trending on cgsociety, glowing eyes, neon details, machanical limbs,bloo

{   "prompt": "A stylized, hand-drawn cartoon scene set in a dimly lit, old-fashioned study. In the center, a middle-aged female secret agent named Ramona, with short dark hair, sits restrained in a sturdy wooden chair. She is barefoot and wears a simple blouse and trousers, looking disheveled yet determined. Standing beside her is Anton Martinez, a tall, sharply dressed figure with a confident smirk, holding a long feather between two fingers. He leans toward her as if about to tickle her ribs, while Ramona’s face shows strained laughter and resistance. Soft, warm light from a single desk lamp casts dramatic shadows, highlighting the tense yet cartoonish mood of the scene.",   "size": "1024x1024" }

{   "prompt": "A stylized, hand-drawn cartoon scene set in a dimly lit, old-fashioned study. In the center, a middle-aged female secret agent named Ramona, with short dark hair, sits restrained in a sturdy wooden chair. She wears a simple blouse and trousers, looking disheveled yet determined. Standing beside her is Anton Martinez, a tall, sharply dressed figure with a confident smirk, holding a long feather between two fingers. He leans toward her as if about to tickle her ribs, while Ramona’s face shows strained laughter and resistance. Soft, warm light from a single desk lamp casts dramatic shadows, highlighting the tense yet cartoonish mood of the scene.",   "size": "1024x1024" }

(Ultra-realistic, photorealistic), a seductive mature woman, aged 50-60, with flawless skin, sultry eyes, and long dark hair cascading in soft waves. She is wearing a provocative seethrough cream-white lace lingerie set, her nipples and cameltoe showing, with sheer stockings held by garters and black stiletto heels, her curves highlighted by delicate floral lace patterns. She stands confidently in a dimly lit elevator with golden mirrored panels, one hand tracing the curve of her hip while the other brushes her hair. Her hips sway seductively as she walks forward, locking her teasing gaze with the camera. The soft cinematic lighting casts warm highlights on her skin and subtle shadows, creating an intimate and sensual atmosphere. Shot in 8K resolution, with rich colors, hyper-realistic textures, volumetric light effects, depth blur, and cinematic film grain, using a Nikon D850, f/1.6 lens, Kodak Portra 400

**Netflix Series: Arcane Original Character** **Name:** Essy Night **Age:** 19 **Gender:** Female **Species:** Human **Side:** Zaun **Appearance:** Essy Night captivates the eye with her striking presence, characterized by long, cascading black hair that moves like shadows in the night. Her fierce pale blue eyes gleam with a chilling intensity, reminiscent of glacial ice, drawing attention wherever she goes. Intricate tattoos snake their way up her hands and forearms, each design telling a story from her tumultuous life, a canvas of her experiences and struggles. Despite her petite frame, her athletic build hints at the agility and resilience developed from a lifetime on the rugged streets of Zaun. Silver piercings, glinting in the light, line her ears and add an edgy, rebellious flair to her appearance. Essy’s wardrobe is a bold manifestation of the Zaun spirit, featuring high-waisted pants that hug her figure, adorned with metal chains that jingle with her every movement. Cropped tops reveal her tattoos, each piece of clothing carefully chosen to project her defiance and individuality. Her fashion palette is dominated by deep hues—ash gray, rich purples, and inky blacks—each outfit a declaration of her resistance against the oppressive world around her.