Inspired by dacian mithology,

A gaming clan logo inspired by the Dacian mythology, abstract, to capture the rigidity, toughness and modernism

Make an abstract minimalist gaming clan logo

Make a logo for a hockey team named Raptors The primary color is orange and other colors are black and white Do not use any other color

Actúa como el mejor diseñador de indumentaria deportiva del mundo. Genera UNA ÚNICA IMAGEN COMPUESTA que muestre **8 variantes** claramente distintas de camisetas de básquetbol femenino (equipo maxi30). Presentarlas en una retícula 4 columnas × 2 filas, mismo encuadre y escala, cada camiseta centrada sobre un torso/maniquí femenino neutro (sin cabeza) en posición frontal con ligera rotación 10° para mostrar caída y costuras. Fondo neutro texturado (gris claro o blanco roto), iluminación de catálogo deportivo (softbox + rim light), sombras suaves, estilo fotorrealista 3D, ALTA RESOLUCIÓN. Paleta obligatoria: rojo profundo **#C62828**, coral **#FF6F61**, acentos pequeños en rosa desaturado **#F8C1D0**, contrastes en negro **#000000** y blanco **#FFFFFF**. El rosa debe ser micro-acento (≤5% del área). Cada variante debe incluir: - Un patrón de fondo/textura de tela distinto y claramente legible (micro-mesh perforado, jacquard honeycomb, pinstripe fino, degradado sublimado tipo brush, chevrons gráficos, block color con ripstop, pique vintage, rayas horizontales retro). - Un recuadro circular o swatch junto a cada camiseta (zoom 3×) que muestre el detalle macro de la tela y la textura (pores, tejido, relieve), más una micro-etiqueta con nombre del patrón y la paleta HEX de ese diseño. - Cortes y detalles diferentes por variante (silueta femenina adaptada al maxi30: algunas clásicas sin mangas, una con corte racerback sutil, otra con manguita corta tipo cap, distintos cuellos: crew, v-neck cerrado, cuello en U). - Tratamientos técnicos: áreas sublimadas, paneles de malla para ventilación, costura overlock visible, piping en contraste, rib en el borde inferior o mangas, detalles reflectantes mínimos en negro o coral. - Numeración frontal grande (ej. "10") y en la espalda; tipografía athletic sans condensada, número principal en contraste (blanco o negro según fondo) con outline cuando haga falta. Marcador de logo en pecho derecho: texto "LOGO" como placeholder bordado o sublimado. Especificaciones para cada variante (asegurate que cada una sea visualmente distinta): 1. **Classic Block (Sublimado micro-mesh)**: cuerpo rojo sólido con panel lateral coral; patrón de micro-perforado hexagonal en tono a tono; piping negro fino; pequeño pespunte rosa en cuello. 2. **Coral Wave (Degradado sublimado)**: base coral con ondas diagonales degradadas (coral → rojo) y textura mate; números blancos con outline negro; costados con malla ventilada. 3. **Graphic Chevron (Chevrons superpuestos)**: rojo de base con chevrons negros y coral en capas; halftone sutil sobre los chevrons; rib negro en mangas. 4. **Pinstripe Elegance (Jacquard)**: coral con pinstripes verticales muy finas en rojo y negro; tejido jacquard con leve relieve; detalle rosa en pespuntes de las costuras. 5. **Abstract Brush (Arte pintado)**: asimétrico, brochazos corales y rojos sobre base blanca con textura de tela sublimada; panel lateral negro mate para contraste. 6. **Honeycomb Tech (Relieve + mesh)**: rojo con patrón honeycomb jacquard en relieve tonal; paneles laterales coral de malla; piping reflectante negro. 7. **Minimal Block (Blanco dominante)**: cuerpo blanco texturado con bloques grandes en coral y rojo; cuello y mangas en negro; pequeño logo bordado rosa sobre el corazón. 8. **Retro Stripe (Piqué vintage)**: franjas horizontales alternadas coral-rojo con separadores negros delgados; tejido tipo pique, look retro, borde inferior con cinta rosa muy sutil. Indicaciones visuales finales: - Añadir debajo de cada celda una micro-leyenda con nombre del diseño + 3 HEXs principales. - Mantener consistencia en escala y posición de la numeración y logo. - No agregar watermark ni texto promocional extra. - Resultado: COMPOSITE listo para revisión de diseño, estilo catálogo profesional, entrega en alta resolución para impresión y mockups.

Flat black 1998 Nissan mini truck with chrome deep dish five star rims low pro tires hydraulic suspension front bouncing up and down slowly driving down a city street in sanfernando c.a. tented windows with subwoofers booming with lots of bass from the back , random people watching 1 Mexican girl with white t shirt tan Cackies white and black nikes shoes .2 African American men blue slacks baggie white t shirts blue bandanas on head . Lotsvof tattoos, 1 Caucasian women 22 years old curvy cute baggie jeans hoody sweater wu tang clan logo yellow and black .

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Create a long dress until the floor in a A shape with that looks wavy and not just straight. open shoulders and oversized big collar up to the the chin. collar should look as it has much material so its kind of stacked and then an open back until the the spine. It should be simple wool material, a little heavy looking. Elegant street style, so you can wear during the day. Prefered color is grey. No sleeves at all. At the fron it should attach to the collar and be slim so the sides and ribs are showing a little. Sexy but elegand. nothing on the shoulder. The collar connects to the front and no cut outs on the dress around the legs. It should look like one piece only sewed togeter on the sides. Material needs to look soft and comfy. Collar should only be around neck and not extend to clevage area

Create a long dress until the floor in a A shape with that looks wavy and not just straight. open shoulders and oversized big collar up to the the chin. collar should look as it has much material so its kind of stacked and then an open back until the the spine. It should be simple wool material, a little heavy looking. Elegant street style, so you can wear during the day. Prefered color is grey. No sleeves at all. At the fron it should attach to the collar and be slim so the sides and ribs are showing a little. Sexy but elegand

Realistic streetwear mockup of a black long sleeve t-shirt, underground UK streetwear aesthetic, Corteiz-inspired but original. Small bold industrial WNM logo on left chest in off-white. Large WNM logo centered on back with a thin censored horizontal bar cutting through the letters, small text “WHY NOT ME” underneath. Right sleeve vertical text “WHY NOT ME”, left sleeve vertical “WNM”. Minimalist, premium, gritty texture, high contrast lighting, urban fashion branding.

Realistic streetwear mockup of a black long sleeve t-shirt, underground UK streetwear aesthetic, Corteiz-inspired but original. Small bold industrial WNM logo on left chest in off-white. Large WNM logo centered on back with a thin censored horizontal bar cutting through the letters, small text “WHY NOT ME” underneath. Right sleeve vertical text “WHY NOT ME”, left sleeve vertical “WNM”. Minimalist, premium, gritty texture, high contrast lighting, urban fashion branding.

Make a logo for a team named ''Kamaboko'' Make it a intimidating looking fish Use red as main color

Make a logo for a hockey team named ''Kamaboko'' Make it a intimidating looking fish Use red as main color

Make a logo for team named WAWAS Make a cool looking font Unse only white, orange and blue

Make a logo for a team that is named WAWAS Make it a goose Make the goose detailed and intimidating Only use Blue, orange and white as colors