ring light gym photo

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene,  Oregon; the style is a photograph-like, nearly realistic drawing.  the perspective is from the street level, centered looking down the street. Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights glow an eerie pale yellow color, and shed soft light on the things around them;  the air is foggy, the street payment is wet, like it recently stopped raining. the flying saucer in antique, vintage-looking. shaped like a bell, but with more sections. underneath the outer third of the underside, there is a recessed ring that looks like it has gills. this part emits a green light from within the inside. in the center is an extruded porthole, for shooting energy beams. the flying saucer is covered in neon lights, as well as rings of small round lights. it has several speakers on it, in two rows, each consisting of either large or small speakers. the details are defined, and visible from the street.   

Woman with backpack looking at a river, styled in mysterious jungle, dark orange and light emerald colors, secluded environment, nature inspired imagery, National Geographic photo, Unreal Engine 5, sensitivity to the natural world

“Create a full-body 2D drawing-style cartoon character resembling Martin Ødegaard. Bold outlines, flat colors, simple 2D shading, NOT 3D. Neutral standing pose with arms slightly away from the body, legs slightly apart. Keep his real facial features in cartoon form: light skin tone, sharp jawline, short blond hair swept back. Give him a confident but slightly dramatic expression. Outfit: red and white football jersey with number 8. Nigerian comedy cartoon exaggeration. Transparent background PNG. 2D illustration, vector-friendly, clean lines.” Make sure his hair is described as: “short blond hair swept back” Because that’s Ødegaard’s most recognizable feature.

A realistic figurative oil or acrylic painting of a lively seaside market in Accra, Ghana, capturing the warmth and vibrancy of local life. The scene shows vendors and shoppers interacting around stalls filled with cocoa pods, shea nuts, shea butter, and tropical fruits, arranged in woven baskets and wooden carts. In the background, the Atlantic Ocean glimmers under tropical sunlight, with palm trees, fishing boats, and a red-and-white lighthouse standing near colonial-style buildings on the shore. The composition should include natural human poses and expressions, with richly detailed fabrics, sunlit skin tones, and realistic shadows. The painting style should reflect oil or acrylic realism, featuring visible brushstrokes, layered texture, and warm golden light that conveys the dynamic atmosphere of an authentic Ghanaian coastal market.

A hyperrealistic scene of a vibrant seaside market in Accra, Ghana, blending traditional and coastal life. The setting includes the Atlantic shoreline with gentle blue waves, a white-and-red lighthouse on a rocky point, and colonial-style buildings in the background. In the foreground, lively market vendors sell colorful local goods — cocoa pods, shea nuts, shea butter, tropical fruits, and vegetables — displayed in wooden wheelbarrows and baskets. Palm trees frame the scene, and fishing boats rest on the sand near the water. The atmosphere is bright and sunny with soft golden light, showcasing detailed Ghanaian fabrics, natural textures, and realistic skin tones. The composition should feel authentic, energetic, and full of local culture, combining the warm tones of the market with the cool blues of the ocean for a visually balanced image.

Generate a realistic 3D digital Christmas caricature based on the reference photo of the woman. The face should resemble the woman from the photo. She is wearing a warm red Christmas sweater, a winter scarf, gloves, and a festive Santa hat, holding several colorful shopping bags filled with gifts. The woman is walking down a snowy evening city street illuminated by Christmas lights, with a sparkling Christmas tree and decorated shop windows nearby. Expression: smiling and satisfied, as if she has just finished a successful shopping trip. Photorealistic style, bright and vivid colors, warm and magical holiday atmosphere, vertical full-body portrait. Style tags: 3D render, photorealistic, Christmas lights, festive street, holiday illustration, vivid colors, cinematic lighting, realistic face, winter fashion, full body, vertical composition.

A loose, flowy sky-blue midi dress with soft white watercolor cloud-like patterns. The dress features a deep V-neckline adorned with gathered, puffy ruffles that frame the chest elegantly. The long sleeves are slightly puffed at the shoulders and gathered neatly at the wrists — creating a light, graceful silhouette. The waist is gently defined with a thin white belt, keeping the overall fit relaxed and airy rather than tight. The skirt is asymmetrical and flowing, with a natural slit starting just at the knees, adding gentle movement and balance. The outfit is styled with white knee-high heeled boots, giving a modern touch to the romantic Mediterranean aesthetic. The overall mood is feminine, elegant, and sunlit, inspired by a “Sunny Morning in Algiers” — freedom, calmness, and effortless charm.

"Big shady tree in farm, farmer sleeping under tree, hot afternoon light, 2D animation background"

| سین | بیک گراؤنڈ کی تفصیل | بیک گراؤنڈ پرامپٹ | | -------------------------------------- | ----------------------------------------------- | ----------------------------------------------------------------------------------------------------- | | **Scene 1 – Village Morning** | سورج طلوع ہو رہا ہے، کھیتوں میں ہل، دور پہاڑیاں | *"Beautiful Indian village sunrise, green fields, distant mountains, huts, 2D animation background"* | | **Scene 2 – Tree with Injured Monkey** | بڑا درخت، نیچے پتوں کا فرش، ہلکی روشنی | *"Large banyan tree in rural field, soft sunlight, fallen leaves, emotional tone, 2D background art"* | | **Scene 3 – Farm Working Scene** | کسان اور بندر ساتھ کھیت میں | *"Farmland with plowed soil, sunny sky, 2D village field background"* | | **Scene 4 – Rest Under Tree** | درخت کا سایہ، دوپہر کا وقت | *"Big shady tree in farm, farmer sleeping under tree, hot afternoon light, 2D animation background"* | | **Scene 5 – Tragic Moment** | وہی جگہ، کلہاڑا ہاتھ میں، ڈرامیٹک روشنی | *"Dramatic cartoon scene, monkey holding axe, shocked expression, sunset lighting, emotional tone"* | | **Scene 6 – Ending Scene** | سورج غروب، بندر اکیلا بیٹھا | *"Lonely monkey sitting under tree, sunset sky, emotional ending, 2D animation art"* |

Modern two-story house design on a 12 m × 25 m lot (300 m²). The first floor should be around 70 m², and the second floor around 60 m². The design must include: • Front setback of 6 m for a two-car garage and garden. • Backyard of 10 m with a terrace and green area. • First floor: open-concept living room, dining room, and kitchen, one bedroom, one full bathroom, laundry area. • Second floor: master bedroom 4×4 m with ensuite bathroom and walk-in closet, one secondary bedroom for a queen bed, one shared bathroom, and a small living room. • Modern façade with large windows and light-colored materials. • Respect side setbacks (1.5 m ground floor, 3 m upper floor). Generate a floor plan and exterior render that looks cozy, elegant, and well-lit.

Create a tarot card with the theme of "The Self Alchemist" Incorporate a holistic and spiritual feel Incorporate earthy colours (greens, browns, yellows) with bold accent pieces (vibrant purples) Include reference to the "light" and "dark" components of the Fool Card. Include symbolic reference to the "holistic" reference of the Fool Card. The Fool Card Card number 0 Major arcana

A curved Polish cavalry saber with a slightly tarnished steel blade showing signs of dried blood near the guard. The hilt is wrapped in worn black leather, smooth with age, and the guard features a detailed crowned white eagle emblem. The blade reflects faint light, showing subtle scratches and wear, resting on a dark cloth background. The style is hyper-realistic with a focus on historical accuracy and texture.

A curved Polish cavalry saber with a slightly tarnished steel blade showing signs of dried blood near the guard. The hilt is wrapped in worn black leather, smooth with age, and the guard features a detailed crowned white eagle emblem. The blade reflects faint light, showing subtle scratches and wear, resting on a dark cloth background. The style is hyper-realistic with a focus on historical accuracy and texture.