toyota supra matte black
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Across the image in bold distressed font that’s stylish that reads “Live music tracking with me, Friday, April 11th at 6:00 PM (CDT)” This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room. The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption. At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation). A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity. To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking. To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones. To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal. Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.
Across the image in bold distressed font that’s stylish that reads “ Live music tracking with me, Friday at 6:00 PM (CDT)” This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room. The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption. At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation). A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity. To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking. To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones. To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal. Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.

Across the image in bold distressed font that’s stylish that reads “ Live music tracking with me, Friday at 6:00 PM (CDT)” This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room. The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption. At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation). A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity. To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking. To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones. To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal. Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.

Design a hoodie for my streetwear plus technical wear hoodie.without the zip. the features are as follows: detachable hoodie of different colour, detachable sleeves, flap pockets on the arms, in built fenny pack bag pocket . the fabric should be cotton around 340-400 gsm. the fit of the hoodie shall be oversized but slightly cropped at the bottom. colours should be black, charcoal grey and off white

Design a hoodie for my streetwear plus technical wear hoodie.without the zip. the features are as follows: detachable hoodie of different colour, detachable sleeves, flap pockets on the arms, in built fenny bag style pocket . the fabric should be cotton around 340-400 gsm. the fit of the hoodie shall be oversized but slightly cropped at the bottom. colours should be black, charcoal grey and off white

Design a hoodie for my streetwear plus technical wear hoodie.without the zip. the features are as follows: detachable hoodie of different colour, detachable sleeves, flap pockets on the arms, in built fenny pack style pocket in bottom centre . the fabric should be cotton around 340-400 gsm. the fit of the hoodie shall be oversized but slightly cropped at the bottom. colours should be black, charcoal grey and off white

Design a hoodie for my streetwear plus technical wear hoodie.without the zip. the features are as follows: detachable hoodie of different colour, detachable sleeves, flap pockets on the arms, in built fenny pack style pocket on the chest. the fabric should be cotton around 340-400 gsm. the fit of the hoodie shall be oversized but slightly cropped at the bottom. colours should be black, charcoal grey and off white

Design a hoodie for my streetwear plus technical wear hoodie. the features are as follows: detachable hoodie of different colour, detachable sleeves, flap pockets on the arms, in built fenny pack style pocket with a zip. the fabric should be cotton around 340-400 gsm. don't put a zip in centre. use colours like black, charcoal grey, and white. make it oversize

Design a hoodie for my streetwear plus technical wear hoodie. the features are as follows: detachable hoodie of different colour, detachable sleeves, flap pockets on the arms, in built fenny pack style pocket on the chest. the fabric should be cotton around 340-400 gsm. the fit of the hoodie shall be oversized but slightly cropped at the bottom. colours should be black, charcoal grey and off white

Design a hoodie for my streetwear plus technical wear hoodie. the features are as follows: detachable hoodie of different colour, detachable sleeves, flap pockets on the arms, in built fenny pack style pocket on the chest with a zip. the fabric should be cotton around 340-400 gsm. don't put a zip in centre. use colours like black, charcoal grey, and white. make it oversize

Design a hoodie for my streetwear plus technical wear hoodie. the features are as follows: detachable hoodie of different colour, detachable sleeves, flap pockets on the arms, in built fenny pack style pocket on the chest. the fabric should be cotton around 340-400 gsm. don't put a zip in centre. use colours like black, charcoal grey, and white

Heavyweight hoodie in priest-black French terry. "HIGH ABOVE" in medieval calligraphy, embroidered with metallic onyx thread that catches light like stained glass. "ERSE 239" as cathedral gargoyle anatomy—2 as wings, 3 as body, 9 as tail, forming a creature perched on the hood seam. Intricate stonework texture embossed throughout. Hood shaped like monks' cowl. Shot in candlelit cathedral with light rays through rose window, Caravaggio lighting --ar 2:3 --style raw --v 6.0

Form-fitting hoodie in liquid metal-coated fabric. "HIGH ABOVE" as mercury droplets that form letters then drip and reform in animated sequence (implied motion). "ERSE" on back in mirror-polished steel with iridescent heat treatment colors. "239" as etched serial number that appears to float beneath the fabric surface. Fabric has sinuous fluid texture like flowing metal. Shot on model with dramatic rim lighting, black background, anamorphic lens, Unreal Engine 5 quality --ar 2:3 --v 6.0



